Evening events

 

Music and Dance from Norway

Tuesday, 20 March 2018, 19:00-20:30
mdw-University of Music and Performing Arts Vienna
1030 Wien, Anton-von-Webern-Platz 1, Haydn-Saal
Free admission.

 

Supported by the Embassy of Kingdom of Norway

 

Dancing: Anna Gjendem, Sigurd Heide, Stian Ronald (also vocals), and Siri Mæland.
Hardanger fiddel: Jan Beitohaugen Granli.
Introduction and moderation (in English): Egil Bakka.

 

"This evening is about dance and music presented by performers who are very active in the musical life of Norway. A rich variety of partner dances, springar, pols and gangar make up the strongest and oldest part of Norwegian dance and music heritage. They will be focused on particularly this evening, even though other dances may also be presented. The performers want to develop the sequence of the dances during the evening as they go along rather than presenting a definite programme.

The local dance versions in many counties in Norway are closely connected with the characteristics of local music. In the course of the evening specific dance-music relationships from several areas will be highlighted.

What is more, some dance forms are surprisingly similar to Austrian ones. This is particularly the case in some springar forms which show striking similarities with Austrian Ländler. In both countries there are also male dances with similar features. The main idea of the Halling, for example, is the same as that of the Schuhplattler. And Halling will of course be performed this evening.

During a short sequence the Norwegian group will invite the audience to join in some of the dances that are easy to try out. The group is specialized in performer-audience interaction."

Egil Bakka

 


 

Anna Liv Skjelten Gjendem is a young, modern dancer from Molde with a solid grasp of the local dance traditions. She has a bachelor’s degree in Traditional Dance Performance (NTNU/Ole Bull Akademiet) and a master’s degree in Traditional Arts from Telemark University College. In addition to her position as Head of the Folk Music Archive for Møre og Romsdal, she works full time as a dance teacher and performing traditional dancer. She is also a part of Hildur Dansekompani, which creates artistic productions based on folk dance and music traditions from central Norway. Another project she is involved in is the group Særsvip, where she dances together with a fiddler and reed organ player. Gjendem is passionate about presenting local dance traditions in both time-honoured and innovative ways.

Anna Gjendem.jpg

 

Jan Beitohaugen Granli (1980) has played the hardanger fiddle since he was seven years old. During the first twelve years he learned to play the instrument in the usual way with a single teacher in his birthplace Valdres. Then he studied the hardanger fiddle for four years at colleges in Telemark and Voss.

Jan Beitohaugen Granli has been teaching the hardanger fiddle since 1997, and later also the jews-harp and hallingdansen. Since 1991 he has attended local and national competitions for the hardanger fiddle, and last summer he became Norwegian champion for the 6th time.

The main focus of his activity is performing for dancers.

Jan Beitohaugen Granli-01.jpgJan Beitohaugen Granli-02.jpg

 

Sigurd Johan Heide is the artistic leader of the dance company Kartellet. He holds an MA in Choreography from Oslo Academy of the Arts, and a BA in Ethnochoreology from the Dance studies program at the Norwegian University of Science and Technology.

Sigurd Johan Heide has been the project leader of Bygda dansar – “Snu nordvest” and “Lea de” for teaching traditional dances (2004-2010). In 2010 he won the Kings Trophy at a national competition for traditional music and dance and also did the choreography for the Day of the Dance in Denmark 2014.

Sigurd Johan Heide and the dance company Kartellet won the Norwegian dance critics’ award for dance for 2015/2016, and Troms County’s Culture Award in the same year.

www.kartellet.org

 

Egil Bakka, professor emeritus of Dance Studies, Norwegian University of Science and Technology, Trondheim, Norway, (active 1989-2014). He directed the Norwegian Centre for Traditional Music and Dance from 1973-2013, where he built up an archive of traditional music and dance from all Norwegian counties. He chaired or participated in many research projects in national and international organisations and worked with UNESCO on the Intangible Cultural Heritage. He built up a full local program in Ethnochoreology and, in cooperation with six other universities, two international master’s programs which he coordinated. His latest publications include: "Theorizing and De-Theorizing Dance." Studia Choreologica 18/2017, 223-240; “Safeguarding of intangible cultural heritage. The spirit and the letter of the law.” Oslo: Musikk og Tradisjon. Novus forlag. 2015. 135-170; “Class dimensions of dance spaces: situating central agents across countries and categories.” In Nordic Dance Spaces. Eds. Vedel, K. and P. Hoppu. Farnham: Ashgate 2014. 129-158.

Sff-From Egil Bakka’s field work_Filming session at Måsøy Finnmark,  1981.jpgSff-From Egil Bakka’s field work_Filming session at Sekse, Hardanger, 1982.jpgSff-From Egil Bakka’s field work_Filming session in Dale, Sunnfjord, 1981-01.jpgSff-From Egil Bakka’s field work_Filming session in Dale, Sunnfjord, 1981-02.jpgSff-From Egil Bakka’s field work_Filming session in Gransherad, Telemark, 1976.jpgSff-From Egil Bakka’s field work_Filming session in Land, Oppland, 1980.jpg

 

Siri Mæland has been a dancer, lecturer and convener specialised in Traditional Dance and Dance Analysis at the Sff, Norwegian Centre for Traditional Music and Dance in Trondheim since 2001. She supervises the revival movement, generates ethnopedagogy and dance analysis, works with the dance archive, and has been a lecturer and education manager of the BA degree in Ethnochoreology and the pilot BA programme for Traditional Dance Performance at the Department of Music, Norwegian University of Science and Technology (NTNU). She holds an MA in Ethnochoreology/Ethnomusicology and is about to finish her PhD thesis.

Mæland, Siri - NTNU_Portrett_BR17732.jpg

 

Stian Roland is Head of the Department for Traditional Art and Folk Music, University College of Southeast Norway (HSN). He comes from Valdres, an area steeped in tradition with living traditions in both folk dance and folk music, and holds a master’s degree in Traditional Art at HSN, specializing in the reconstruction of Norwegian dance and dance music. He has also pursued Dance Studies at NTNU and taken a performance-based course in folk song at the Ole Bull Academy.

Stian Roland has worked extensively in talent development and the dissemination of folk dance and folk music in Norway – among others as a project manager and instructor at the Norwegian Centre for Folk Music and Folk Dance in Trondheim, and as director of the Jørn Hilme-stemnet folk music festival. He has also worked on the research and dissemination of knowledge about Norwegian folk costumes at the Norwegian Institute of Bunad and Folk costume. Often used as a competition judge and instructor, he has also contributed to numerous performances as a choreographer or dancer.

Norwegian national champion for couple dancing: 2005, 2015, 2016.

Singing competition: 2nd place in 2010 and 3rd place 2014.

Received a Norwegian arts council grant in 2014.

"Dans Bonde på Jørn Hilme- stemnet 2010"
http://www.youtube.com/watch?v=0IbWp7jCLnM

"Springar på Jørn Hilme- stemnet 2013"
http://www.youtube.com/watch?v=fQIJ05s8MgU

Tone Voldhaug and Stian Roland-Dancing Valdrespringar-Photograph by Anne Marit Noraker.jpgTone Voldhaug and Stian Roland-Dancing Valdrespringar-Photograph by Runhild Hegem.jpg

 

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