Salwa El-Shawan Castelo-Branco

Salwa EL-Shawan Castelo-Branco. Professor Emerita of Ethnomusicology, Universidade Nova de Lisboa, Portugal. She received her doctorate from Columbia University, was Assistant Professor at New York University (1979-1982), visiting professor at Columbia University, Princeton University; Tinker Professor at the University of Chicago, Overseas Visiting Scholar at St. John’s College, Cambridge University and Gulbenkian Visting Professor at the University of California, Berkeley. Carried out field research in Portugal, Egypt and Oman resulting in publications on: cultural politics, musical nationalism, identity, music media, modernity, heritagization, and music and conflict. Main publications include: “Sustainability, Agency and the Ecologies of Music Heritage in Alentejo, Portugal” in Huib Schippers and Anthony  Seeger and, Music, Communities and Sustainability: Developing Policies and Practices, New York: Oxford University Press (2022); Transforming Ethnomusicology  (co-editor and author with Beverly Diamond) New York: Oxford University Press (2021); Portugal and Spain: Experiencing Music, Expressing Culture (co-author with Susana Moreno Fernández). New York and London: Oxford University Press (2019);  “Jazz, Race and Politics in Colonial Portugal: Discourses and Representations (1924-1971),” with Pedro Roxo, in Philip Bohlman and Goffredo Plastino (eds.) Jazz Worlds/World Jazz, Chicago: Chicago University Press (2016); “The Politics of Music Categorization in Portugal” in Philip Bohlman (ed.) The Cambridge History of World Music, Cambridge: Cambridge University Press (2013); Enciclopédia da Música em Portugal no Século XX (4 vols) (ed.), Lisboa: Círculo de Leitores/Temas e Debates (2010); Music and Conflict. (co-editor with John O’Connell and author of the Epilogue), Urbana:  Illinois University Press (2010); Traditional Arts in Southern Arabia: Music and Society in Sohar, Sultanate of Oman (with Dieter Christensen), Berlin: VWB Verlag für Wissenschaft und Bildung (2009). Past academic responsibilities and awards include: President of the International Council for Traditional Music (2013 – 2021); Vice President of the Society for Ethnomusicology (2007 – 2009) and of the International Council for Traditional Music (1997-2001 and 2009-2013); Vice Chancellor of the Universidade Nova de Lisboa (2007-2009). Recipient of the Scientific Merit Award of the Portuguese Foundation for Science and Technology (2022), the Merit Award of  INATEL, Portugal (2021);  the Cultural Award of the Ministry of Culture of the Republic of Egypt  (2019); the Glarean Award for music research of the Swiss Musicological Society (2013), the Gold & Silver Medals for Cultural merit of the City Halls of Lisbon and Cascais, respectively (2012 & 2007), the Pro-Author Award of the Portuguese Author’s Society (2010).

SALWA EL-SHAWAN CASTELO-BRANCO

 

Curriculum Vitae

 

(last update: December 2022)

 

 

PRESENT POSITION

 

Professor Emerita of Ethnomusicology

Universidade Nova de Lisboa

Faculdade de Ciências Sociais e Humanas

Instituto de Etnomusicologia-Centro de Estudos em Música e Dança

Ave. de Berna 26 c

1069-061 Lisbon

Portugal

Tel: 00-351-1-7933519

Email: secb@fcsh.unl.pt

 

 

EDUCATION

 

Agregação in Ethnomusicology, Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, 1985.

 

Doctor of Philosophy (Ph.D.) in Ethnomusicology, Columbia University, Music Department, New York, USA, 1980.

 

Master of Philosophy (M.Phil.)  in Ethnomusicology , Columbia University,    Music Department, New York,  USA, 1978.

 

Master of Arts (M.A.) in Ethnomusicology, Columbia University, Music Department, New York, USA, 1975.

 

Master of Music (M.M.) in Piano, Manhattan School of Music, New York,  USA, 1973.

 

Bachelor of Music (B.A). in music (piano),Cairo National Conservatory, Cairo, Egypt, 1970.

 

Licentiate of the Royal Schools of Music of London (L.R.S.M.), Royal Schools of Music, London, U.K., 1970

 

ACADEMIC POSITIONS

 

Professor of Ethnomusicology, Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, Departamento de Ciências Musicais, Lisbon, Portugal, 1988 - 2020.

 

Gulbenkin Professor, University of California at Berkeley, Music Department, Spring, 2018.

Visiting Overseas Researcher, St. John’s College, Cambridge University, Spring, 2015.

 

Tinker Visting Professor, University of Chicago, Spring 2013.

 

Visting Professor, University of Valladolid, Winter 2008, and 2009. 

 

Visting Professor, University of Lisbon, Faculty of Letters, Instituto de Cultura e Estudos Sociais, Mestrado em Cultura e Formação Autárquica, 1999 – 2003.

 

Visiting Professor, Princeton University and Columbia University, Music Department, Fall 1991.  

 

Associate Professor of Musicology, Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, Departamento de Ciências Musicais, Lisbon, Portugal, 1982-1988.

 

Professor, Gregorian Institute of Lisbon, 182-1986.

 

Assistant Professor of Music and Coordinator of the M.A. Concentration in Urban Ethnomusicology, New York University, Music Department, 1979-1982.

 

Preceptor, Columbia University, Music Department, 1978-1979.

 

Visiting Lecturer, Hunter College of the City University of New York, Music Department, 1978.

 

Research Assistant, Columbia University, Center for Studies in Ethnomusicology, 1973-1975.

 

Research Assistant, Metropolitan Museum of Art, New York, Department of Musical Instruments, 1974 (summer).

 

OFFICES AND SERVICE IN ACADEMIC INSTITUTIONS, PROFESSIONAL SOCIETIES AND CULTURAL AND EDUCATIONAL ORGANIZATIONS

 

President, International Council for Traditional Music, since 2013 (elected for two terms, 2013 – 2017 and 2017 - 2021).

 

Founder and President of the Institute of Ethnomusicology, Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, 1995 – 2020.

 

Member of the International Balzan Foundation Prize Special Committees for Social Anthropology and Global History of the Fondazione Internazionale Balzan “Premio” (appointed for six years, 2018 – 2024).

 

Member of the Scientific Council of the Centre Européen de Musique since 2019.

 

Member of the Aga Khan Music Awards Expert Review Panel, 2018.

 

Chair of the Accreditation Committee for Music and Musicology Programs appointed by the A3ES - Agency for the Evaluation and Accreditation of Higher Education in Portugal since 2011.  Evaluated the following programs and institutions: [1]

 

Instituto Superior D. Afonso III de Loulé, first cycle (Licenciatura) in Music Education, (2012).

Instituto Superior de Ciências Educativas de Felgueiras (at present, Instituto Superior de Ciências Educativas do Douro), first cycle (Licenciatura) in Music Education,  (2012).

Escola Superior Jean Piaget, Almada, First cycle (Licenciatura) in Music Education, (2012).

Instituto Politécnico de Coimbra, Escola Superior de Educação de Coimbra, first cycle (Licenciatura) in Music Education, (2016)

Instituto Politécnico do Porto, Escola Superior de Educação do Porto, first cycle (Licenciatura) in Music Education, (2016)

Instituto Politécnico de Lisboa, Escola Superior de Educação de Lisboa, first cycle (Licenciatura) in Community Music, (2017)

Instituto Politécnico do Porto, Escola Superior de Artes do Espectáculo, First cycle (Licenciatura) and Master’s in Performance and Composition, (2017)

University of Évora, School of the Arts, first cycle (Licenciatura), Master’s in music, and Ph.D. in Music and Musicology, (2017).

University of Aveiro, first cycle (Licenciatura), Master’s and Ph.D. in Music, (2017).

University of Minho, first cycle (Licenciatura) in Music, (2017).

 

Member of the working group appointed by the Portuguese Minister of Science, Technology and Higher Education to assess and make recommendations on the evaluation system of Science and Technology adopted by the Portuguese Foundation for Science and Technology, 2016.

 

Member of the working group appointed by the Portuguese Minister of Science, Technology and Higher Education to provide guidelines on the future of the Portuguese Foundation for Science and Technology, 2015.

 

Member of the Board of Trustees of the Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, since 2013 – 2017 (elected).

 

Vice-President, International Council for Traditional Music (UNESCO), 1997 – 2001 and since 2009 – 2013 (elected).

 

Vice-President of the Society for Ethnomusicology, 2007 – 2009 (elected).

 

Vice Chancellor, Universidade Nova de Lisboa, 2005 – 2007.

 

Chair, Department of Musicology, Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas,   1983-1988 and 1995-1997.            

 

President of the Portuguese Musicological Society, 1996 – 2006.

 

Member of the Board of the International Council for Traditional Music (UNESCO), 1986 - 2001.

 

Liaison Officer for Portugal in the International Council for Traditional Music, 1982 - 1997.

 

Coordinator of the Master’s in Urban Ethnomusicology, New York University, 1979 – 1982.

 

 

COORDINATION OF FUNDED RESEARCH PROJECTS

 

Strategic Project of the Instituto de Etnomusicologia, Centro de Estudos em Múscia e Dança (2015 – 2017) funded by the Fundação para a Ciência e a Tecnologia, UID/EAT/00472/2013, (2013 – 2019). 

 

Orfeu (1954 – 1983): The Politics and Aesthetics of Popular Music Production and Consumption in Modern Portugal, PTDC/ART-OUT/32320/2017, (2018 – 2022).

 

HeritaMus (In)Tangible:  an investigation into the relationship between tangible and intangible heritage. Programa Heritage Plus 2014. 3599-PPCDT, 2015-2018.

 

Music and Dance in Portugal and in the Lusophone World:  An Interdisciplinary Approach  (2011 – 2013). Fundação para a Ciência e a Tecnologia.  Projecto Estratégico PEst-OE/EAT/UI0472/2011 - UI 472 - 2011-2012.

 

Jazz in Portugal: The Legacy of Luis Villas-Boas and the Hot Club of Portugal (Project funded by the Fundação para a Ciência e a Tecnologia:  Program PTDC/EAT-MMU/ 121834/2010, evaluated as excellent, (2012 - 2015).

 

Celtism and its Repercussions in Galicia and the North of Portugal (Project funded by the Fundação para a Ciência e a Tecnologia:  Program PTDC/EAT-MMU/114263/2009, evaluated as excellent, (2011 - 2014).

 

Celticism and its Repercussions in Galicia and the North of Portugal: A joint Portuguese-Spanish Research Action E 112/10 (2010 – 2011)

 

The Recording Industry in Twentieth Century Portugal (Fundação para a Ciência e a Tecnologia:  Program  PTDC/HAH/70991/2006, evaluated as excellent), (2007 – 2011).

 

Fado:  Research conducted toward the application of Fado for UNESCO’s Representative List of Intangible Cultural Heritage (In collaboration with Lisbon’s City Hall and the Fado Museum), 2008 -2011.

 

Fado in the Twentieth Century: A multidisciplinary Approach to the Study of Portuguese Intangible Culture Fundação para a Ciência e a Tecnologia: ProgramPOCI/EAT/60614/2004; evaluated as excellent, (2005-2009).

 

Portugal’s Sound Patrimony: An Archival and Research Project. Fundação para a Ciência e a Tecnologia: REEQ/1035/EAT/2005 - Programa Nacional de Re-equipamento Científico, (2006-2007).

 

Preservation and On-line Fruition of the Audio Documentos from the European Archives of Ethnic Music. Co-organization of the European Project Cultura 2000 in collaboration with the Universita Degli Studi di Udine, Itália, Institute for Psychoacoustics and Electronic Music – Department of Musicology, Ghent University; Institute of Ethnomusicology, Scientific Research Center of the Slovenian Academy of Sciences and Arts.  Associated Partners: Gesellschaft fur historische Tonträger e Österreichisches VolksLied Werk, Vienna, (2005-2006)

 

Multimédia Dictionary of Expressive Culture in Portugal. Fundação para a Ciência e a Tecnologia: Programa Praxis XXI & POSI; evaluated as excellent, (1997-2001).

 

Music in the Construction of Identities in Migrant Communities in Lisbon . JNICT- Programa Específico para as Ciências Sociais e Humanas, (1996 - 1999).

 

The Revival of the Patrimony of Traditional Expressive Culture in Portugal in the 20^th century

 JNICT-Instituto Camões-Programa Lusitânia, (1996-1999).

 

Music Practices in Madeira.  Fundação Gulbenkian-Ministry of Culture, (1996-1997).

 

 

ORIENTATION OF PROJECTS AIMING AT THE CREATION OF CULTURAL AND ACADEMIC INSTITUTIONS AND APPLICATIONS FOR INTERNATIONAL PROGRAMS

 

Member of the Scientific Committee that prepared the application of Alentejo’s cante for UNESCO’s Representative List of Intangible Cultural Heritage, inscribed in 2014.

Member of the Scientific Committee that prepared the application of fado for UNESCO’s Representative List of Intangible Cultural Heritage, inscribed in 2011.

President of the Committee nominated by the Ministry of culture for the creation of a National Sound Archive (2006 – 2008)

President of the Scientific Committee for the Establishment of a Faculty of Arts at the Universidade Nova de Lisboa (2005-2006)

 

 

Chair of Program Committees of International Conferences and Colloquia

 

ICTM-IMS-IAML Forum, co-chair with Dinko Fabris and Barbara McKenzie, “Music As Cultural Heritage: Problems of Historiography, Ethnography, Ethics and Preservation” New York University at Abu Dhabi   13 - 15, March, 2017.

 

ICTM-SEM Forum, co-chair with Beverly Diamond, “Transforming Ethnomusicological Praxis through Activism and Community Engagement” University of Limerick, 13 – 16 September, 2015. 

 

ICTM World Conference, Memorial University, St. John, Newfoundland (Canada), July 13 – 19, 2011.

 

SIBE+ International Conference “Music and Knowledge in Transit”, Lisbon, October 28 - 31, 2010. SIBE – Sociedad de Etnomusicologia, ICTM National Committee of Portugal and Spain, IASPM National Committees of Portugal and Spain. 

 

European Seminar in Ethnomusicology Conference, Lisbon, 2007

 

Colloquia of the International Council for Traditional Music:

“Discord: Identifying Conflict within Music, Resolving Conflict through Music”, Limerick, Ireland, 2 – 6 de September, 2004;

“The Role of Music in Emerging Multicultural Countries”, Visby, Sweden, January 9-12, 1999;

First Colloquium of Ibero-American Ethnomusicologists “As Culturas Musicais Urbanas no Final do Século XX”, Fundação Calouste Gulbenkian, 1994;

 “Cross Cultural Processes in Music: The Role of Portugal in the World’s Musics since the Fifteenth Century,” Lisbon, Fundação Calouste Gulbenkian 15 - 19 December, 1986.

 

Program Committee Member for International Conferences and Colloquia

 

International Musicological Society 21^st Quinquennial Conference, Athens, Greece, (August 22 – 26, 2022)

 

Iberian Music Studies Symposium  “Music, Nation and Region in the Iberian Peninsula”

(Cambridge, 22 – 23 June, 2017).

 

Post-IP 2013 Post-in-progress, 2^nd International Forum for Studies in Music and Dance (Aveiro,  December 5- 7 December).

 

International Council for Traditional Music World Conference (Shanghai July 11 – 17, 2013).

 

International Council for Traditional Music Colloquium “Music in and From Spain: Identities and Transcultural Processes” (Oviedo, 16-19 December, 1999).

 

“Continents in Movement”, Faculdade de Motricidade Humana, Universidade Técnica de Lisboa, (Lisbon, 15-19 October, 1998).

 

International Musicological Society (Madrid, May,1992).

 

International Council for Traditional Music World Conference (Stockholm,1985 and Hong Kong,1991); Inter-

Congress of the International Union of Anthropological and Ethnological Sciences (Lisbon, September, 1990).

 

Portuguese  Musicological Society Meetings (Lisbon, annually, 1985 - 2006).

 

Consultant or Evaluator for Portuguese and International Universities and other Institutions

 

Senior Consultant for the Project Sustainable Futures for Music Cultures: Toward an Ecology of Musical Diversity, Griffiths University, Australia, 2009 - 2013.

 

Project Evaluator for the following funding agencies: European Research Council, 2013;

Fulbright, 2013;  Calouste Gulbenkian Foundation, Research program for Foreigners, since 2013; Italian National Agency for the Evaluation of Universities and Research Institutes, 2012 National Agency for the Evaluation of Universities and Research Institutes, 2012; Fundação para a Ciência e a Tecnologia/Junta Nacional de Investigação Científica e Tecnológica, 1995 - 2003; Fundação Oriente, 2000

 

Member of the Committee for Intangible Cultural Heritage (2011), Portuguese Ministry of Culture, Department of Intangible Cultural Heritage.  

 

Member of the Jury of the Prémio Arte (Arts Prize) of the Gulbenkian Foundation, Lisbon, Portugal, 2009 – 2011.

 

Evaluator for promotions at the following universities: Manchester University, Cambridge University (UK), University of Limerick (Ireland), University of California at Los Angeles (EUA); Université de Paris (St. Denis), University of Arizona, Tucson; Universidade Nova de Lisboa, Universidade de Aveiro, Universidade de Évora, Universidade Técnica de Lisboa, Faculdade de Motricidade Humana.

 

Evaluator of Applications to UNESCO’s Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity, 2003 and 2005. 

 

Consultant, EXPO 98.

 

Consultant for the founding of the Department of Music at the Universidade de Aveiro, 1990. 

 

Membership in Editorial Boards and referee for Journals and other Publications  

 

Member of the Board of Directors of the Revista Portuguesa de Musicologia, since 2013.

 

Member of the Editorial Board of Acta Musicologica, since 2011; Ethnomusicology Forum, since 2013.

 

Referee for the following journals and reference works: Acta Musicológica, Yearbook for Traditional Music, British Journal of Ethnomusicology, Journal of Ethnomusicology, World of Music, Garland Encyclopedia of World Music.  

 

SUPERVISION OF POST-DOCTORAL RESEARCH PROJECTS

 

Lívia Jimenez Sedano “Dancing ethnicities in a transnational social world: bodies redefining, negotiating, and reinventing Portuguese-nesses and Spanish-nesses in contexts of dance .” Since September, 2013 -2018.

 

Rui Cidra “ Music of Cape Verde, Nation and world Music: Postcolonial poetics and Aesthetics,”  intermittently, 2012 – 2018.

 

Dulce Simões “Expressive Culture on the Portuguese-Spanish Border: The Construction of Identitites: Continuity, Socio-cultural transformation, agents and repertoires”, since April, 2012 – 2018.

 

Estelle de la Breteque “Musical and Poetic Expressions of Loss: Towards an ethnomusicology of self-sacrifice and martyrdom” 2012 -2015.

 

Iñigo Sanchez Ifuarros “Sound, Identity and Change: A Study of the Sonic Environment of an Urban Space in Transformation (the Bairro Alto-Chiado quarter, Lisbon)”, 2011 - 2017.

 

Victor Stoichita, “Music as Technology of Enchantment in Europe”. October, 2010 – September 2011.

 

Susana Moreno Fernández, “ Processos Musicais Transnacionais  na prática da gaita-de-foles nas Terras de Miranda do Douro e em Lisboa” , 2007 – 2010.

 

Manuel Deniz Silva, “Da “Severa” ao “cinema novo”: a música no cinema português do início do sonoro ao fim do Estado Novo (1931-1974)”, 2007-2009.

 

Pedro Nunes, “Jornalismo musical e Indústria fonográfica em Portugal desde 1980”, 2006 – 2008 and since 2015 – 2018.

 

Maurílio Rocha, Análise, transcrição e composição de canções para Esta Noite Mãe Coragem,  2008 – 2009.  

 

 

SUPERVISION OF DOCTORAL DISSERTATIONS

 

Defended

 

Alcina Cortez. “Communicating through Sound in Museum Exhibitions: Unravelling a Field of Practice,” (January 2022)

 

Ricardo Andrade. “Ar De Rock: o boom do rock em Portugal no início da década de 1980,” (July 2021).

 

Leonor Losa “’Ser fadista é maior que ser cantor’: Intersubjectividade, voz e ethos da memória,” (March, 2019).

 

Ana Maria Alarcón Jimenez (co-supervisor, Cristina Sanchez Carretero) “Spatializing Galician Music at the International Festival of the Celtic World of Oritgueira”, July  2017.

 

Débora Baldelli “Práticas espirituais e expressivas num contexto migratório: uma etnografia do movimento Hare Krishna na cidade de Lisboa”, April, 2017.

 

Pedro Roxo (co-supervisor, Susana Trovão) “Bollowood, Bhajan e Garba: Práticas expressivas e representações identitárias na Diáspora Indiana Hindu-Gujurati em Moçambique, Portugal e Inglaterra,”  July, 2016.

 

Christian Spencer  (co-supervisor with Victoria Eli Rodriguez) “Pego el grito en cualquier parte! Historia, tradición y performance de la cueca urbana en Santiagoi de Chile durante el período postdictatorial (1990-2010)” Universidade Compultense de Madrid/Universidade Nova de Lisboa, June, 2015.

 

Pedro Felix Rodrigues «Ai se ele cai. Uma etnografia da prática do grupo Xutos & Pontapés». 22 de March, 2013.

 

Pedro Moreira “’Cantando espalharei por toda parte’:  programação,  produção musical  e o "aportuguesamento" da "música ligeira" na Emissora Nacional de Radiodifusão (1934-1949)". 2013.

 

Jorge Castro Ribeiro (co-supervisor, Susana Sardo) “Inquietação, memoria e afirmação no batuque: música e dança   cabo-verdianas em . 2012.

 

Rui Cidra  “Música, Poder e Diáspora. Uma Etnografia e História entre Santiago, Cabo Verde, e Portugal” . 2011.

 

Maria do Rosário Pestana. “À Luz do Sol, ao Pé da Igreja: Música, Identidade e Género na Construção do Douro Litoral,” 2008. 

 

Ricardo Pinheiro (co-supervision with Christopher Washburn) “’Jammin’ after hours’”: A jam session em Manhattan, Nova Iorque. 2008.

 

Susana Sardo “Guerras de Jasmim e Mogarim: Música, identidade e emoções no contexto dos territórios pós-coloniais integrados. O caso de Goa”. 2004.

 

 

In preparation

 

Teresa Gentil. “Intimidade e nacionalismo na voz de Amália Rodrigues. ” 

 

Carlos Cavallini (co-supervisor, Pedro Nunes) “Jornalismo musical português: abordagem sobre a música popular brasileira na imprensa escrita em Portugal”.

 

Jaime Reis (co-supervisor with Pedro Rebelo) “Tipologias de percepção musical na música erudita contemporânea pós anos 50”.

 

Gonçalo Oliveira “O Teatro do Povo e para o povo quem o faz sou eu: Vasco Morgado e o Teatro de Revista em Portugal (1951 – 1978) ”.

 

Francesco Valente. “A patrimonialização do frevo: um estudo etnomusicológico”

 

Miguel Almeida “’Tenho o som na cabeça:’ o humano e o tecnológico na configuração sonora da fonografia portuguesa entre 1980 – 2010”

 

Enio de Souza, “Políticas Culturais, Infraestruturas Culturais e Associativismo em Macau 1980-1999”.

 

SUPERVISION OF MASTER’S THESIS

 

Completed

 

Joana Rodrigues “ ‘Pelo Toque da Viola’”:  Um estudo etnomusicológico sobre o revivalismo da viola campaniça em Castro Verde,” 2017.

 

Teresa Gentil “More than singers: Biography,m Gender and Agency in the Voices of Four Women Singer-songwriters in Contemporary Portugal,” 2017. 

 

Alcina Cortez “Popular Music Exhibitions in Portugal: Practices of Representation from 2007 – 2013,” 2014.

 

Francesco Valente, “Spok e o novo Frevo: um estudo etnomusicológico,” 2014.

 

Ricardo Miguel Andrade,  “Os cânticos mágicos dos peregrinos do som: o rock sinfónico/progressivo” na senda da autonomização dos estilos do rock em Portugal na década de 70,” 2012.

 

Bart Vanspauwen, “The ‘(r)evolution’ of lusophone musics in the city of Lisbon”, 2010.

 

Miguel Almeida, “Distorções e outros malabarismos”: a música ‘heavy’ em Portugal na década de 70 e a categorização musical,” 2010.

 

Moacyr Rodrigues, “B. Léza e a história social da música de Cabo Verde”, 2010.

 

Maribel Pereira, “O rap na construção de relações sociais e na construção de identidades: estudo de caso do grupo Soldados de Raça Negra da Serra das Minas (Concelho de Sintra), 2010. 

 

Leonor Losa, “’Nós Humanizámos a Indústria’: Reconfiguração da produção fonográfica e mudança musical em Portugal nos anos 60”, 2009.

 

Ana Rita Carreira, “Sacro Pop: A Música Litúrgica  e os Jovens Católicos: Estudo de Caso na Paroquia de Milharado” (co-supervisor with Catarina Silva Nunes), 2009. 

 

Jorge Moniz “A folclorização do cante alentejano: um estudo de caso do Grupo Coral Os Ceifeiros de Cuba (1933-2007),” 2007.

 

Fernando Souza “’Hoje vamos tirar um coco’:  perspectivas imaginadas de um coco de roda globalizado,” 2007.

 

Christine Dettman “Que o futuro seja música: uma etnografia da cultura brasileira em Portugal”, 2007.

 

Maria João Vasconcelos “ A Orquestra Filarmónica 12 de Abril: um agrupamento musical em mudança (1980-2006)”, 2007.

 

Carla Passinhas “ A gaita-de-foles em Miranda do Douro e na área metropolitana de Lisboa,” 2006.

 

Carla Nunes “ O baile na Cabeça Gorda: um estudo etnomusicológico ”. 2006

 

Maria João Lima, “A Brigada Vitor Jara  e a recriação da música tradicional portuguesa. (1975-2000)”. 2000.

 

Cristina Brito da Cruz, “Artur Santos e a Etnomusicologia em Portugal”, 2000.

 

Maria do Rosário Pestana, “Vozes da Terra: A Folclorização em Manhouce (1938-2000)”. 2000.

 

Maria José Barriga, “O «cante ao baldão» no (re) encontro de identidades no Baixo Alentejo: Um estudo etnomusicológico”. 2000.

 

Thesis within the framework of testing scientific and pedagogical aptitude

 

Susana Sardo, teaching assistant in ethnomusicology,1990 - 1997.  Thesis: "A Música e a Reconstrução da Identidade: Um Estudo Etnomusicológico do 'Grupo de Danças e Cantares da Casa de Goa' em Lisboa".  1995.

 

 

 

EDITORIAL WORK

 

Yearbook for Traditional Music 44 (2012), Guest co-editor in collaboration with  Beverly Diamond and Kati Szego.

 

Etno-Folk: Revista Galega de Etnomusicoloxia  3 (12), a volume dedicated to music in Portugal (with Susana Moreno Fernández).  Baiona: Dos Acordes (2008) (9 articles, 183 pages)

 

Book Review Editor, Revista Portuguesa de Musicologia, 1992- 1995

 

Record Review Editor, Yearbook for Traditional Music, 1985-1991.

 

 

PUBLICATIONS

 

Books

Music and the Making of Portugal and Spain since the Nineteenth Century (editor with Matthew Machin Autenrieth, and Samuel Llano. Urbana-Champaign: Illinois University Press (forthcoming in 2023).

 

 

Outros celtas: celtismo, modernidade e música global em Portugal e Espanha (editor with António Medeiros e Susana Moreno Fernández). Lisbon: Tinta-da-China (in press, forthcoming 2022).

 

 

Transforming Ethnomusicology, 2 vols. (ed). with Beverly Diamond. London and New York:   Oxford University Press), (2021)

 

            Volume 1: Transforming Ethnomusicology, Methodologies and Institutional Structures

            ISBN 9780197517611

 

            Vol II: Transforming Ethnomusicology: Social and Ecological Issues

            ISBN 9780197517567

 

Portugal and Spain: Experiencing Music, Expressing Culture (with Susana Moreno Fernández). Global Music Series. New York and London: Oxford University Press. (2018). 

 

Current Issues in Music Research; Copyright, Power and Transnational Music Processes (co-editor with Susana Moreno Fernández, Pedro Roxo and Iván Iglesias). Lisbon: Colibri. (2012) (250 pages).  

 

Music and Conflict. (co-editor with John O’Connell and author of the Epilogue). (2010)  Urbana:  Illinois University Press. 

 

Enciclopédia de Música em Portugal no Século XX  (editor and author of the introduction and 50 entries) (4 vols, 1250 entries, 550 photographs, name and thematic indexes). Lisbon: Círculo de Leitores and Temas e Debates (2010).

 

 

Traditional Arts in Southern Arabia: Music and Society in Sohar, Sultanate of Oman  (with Dieter Christensen) (2009). Berlin: VWB Verlag für Wissenschaft und Bildung

 

Vozes do Povo: A Folclorização em Portugal,. Editing and author of the introduction with Jorge de Freitas Branco. Lisbon: Celta Editora (2003)

 

 

Voix du Portugal.  (Book and CD). (168 pp.).  Paris: Cité de la Musique/Actes Sud, 1997.

 

Portugal and the World: The Encounter of Cultures in Music. Bi-lingual Edition. (Portuguese and English).  605 pp.  (editing and introduction ). Lisbon: Publicações Dom Quixote, 1997. 

 

 

Articles in Scholarly Journals, Book Chapters, Dictionary and Encyclopedia Entries  

 

Forthcoming

 

2023

 

“ Sounding the Alentejo: Portugal’s Cante as Heritage,” in Music and the Making of Portugal and Spain since the Nineteenth Century  Matthew Machin Autenrieth, Salwa El-Shawan Castelo-Branco and Samuel Llano (eds). Urbana-Champaign: Illinois University Press (in press, 2023).

 

“Intangible Cultural Heritage and State Heritage Regimes in Portugal and Spain,” (with Cristina Carretero), in Music and the Making of Portugal and Spain since the Nineteenth Century , Matthew Machin Autenrieth, Salwa El-Shawan Castelo-Branco and Samuel Llano (eds). Urbana-Champaign: Illinois University Press (in press, 2023).

 

“Introduction: Sounding Nation and Region in Portugal and Spain,” (with Matthew Machin Autenrieth  and Samuel Llano) in Matthew Machin Autenrieth, Salwa El-Shawan Castelo-Branco and Samuel Llano (eds) Music and the Making of Portugal and Spain since the Nineteenth Century. Urbana-Champaign: Illinois University Press (in press, 2023).

 

“Performing Soviet Cultural Diplomacy: Western Art Music and Musicians in Cairo,”  in Music, Soft Power and Cultural Diplomacy in the Middle East: Geopolitical Reconfigurations for the 21 Century,  Maria Rijo Lopes da Cunha,  Jonathan H. Shannon, Virginia Danielson and Søren Møller Sørensen (eds). London: Palgrave (under review)

 

From Tarab to Turath: Fifty Years of Arab Music Heritage in Egypt,” in ṬARAB: Music, Ecstasy, Emotion, and Performance edited by Michael Frishkopf and Dwight Reynolds (submitted, publication expected in 2023).

 

 

Forthcoming

 

2022

 

“Celtic Music Festivals in Portugal: Europeanization, Urban Regeneration and Regional Development” with Susana Moreno Fernández (accepted in the Yearbook for Traditional Music, forthcoming in December 2022).

 

“O Festival Intercéltico do Porto: europeização, políticas culturais e músicas globais,” in Castelo-Branco, Salwa El-Shawan, Medeiros, António and Moreno Fernàndez, Susana (eds.) Outros celtas: celtismo, modernidade e música global em Portugal e Espanha Lisbon: Tinta-da-China (forthcoming in 2022).

 

“Celtismos na música: contextos, conceitos, perspectivas,” with Susana Moreno Fernández and António Medeiros Outros celtas: celtismo, modernidade e música global em Portugal e Espanha. Lisbon: Tinta-da-China (forthcoming in 2022).

 

Published

 

“Sustainability, Agency and the Ecologies of Music Heritage in Alentejo, Portugal” In (eds.) Music, Communities and Sustainability: Developing Policies and Practices, edited by Anthony  Seeger and Huib Schippers, 177 - 195. New York: Oxford University Press, 2022.

 

“The Politics and Ethics of Heritage,” in Encounters in Ethnomusicology.  Berlin: Lit-Verlag  edited by Jaime Jones, Tim Rommen and Mike Figueroa. Berlin: Lit-Verlag, 2022.  

 

“The [ICTM] Secretariat under Dieter Christensen, New York (USA): 1981 – 2001,” in Celebrating the International Council for Traditional Music: The First Seven Decades edited by Svanibor Pettan, Naila Ceribasic and Don Niles. Ljubljana:  The University of Ljubljana Press (2022), 129 – 135.

 

“Salwa El-Shawan Castelo-Branco, ICTM President: 2013 – 2021,” in Celebrating the International Council for Traditional Music: The First Seven Decades edited by Svanibor Pettan, Naila Ceribasic and Don Niles. Ljubljana:  The University of Ljubljana Press (2022), 99 - 102.

 

 

“Building Sustainable Global Collaborative Networks: Recommendations from Music Studies and the Social Sciences,” with Savage, P. E., Jacoby, N., Margulis, E. H., Daikoku, H., Anglada-Tort, M., Nweke, F. E., Fujii, S., Hegde, S., Chuan-Peng, H., Jabbour, J., Lew-Williams, C., Mangalagiu, D., McNamara, R., Müllensiefen, D., Opondo, P., Patel, A., & Schippers, H. In, E. H. Margulis, D. Loughridge, & P. Loui (eds.), The Science-Music Borderlands: Reckoning with the Past, Imagining the Future. MIT Press. Preprint: http://doi.org/10.31234/osf.io/cb4ys (2022), 347-267.

 

 

 

“A institucionalização da moderna etnomusicologia em Portugal e o estudo do fado,” in Severa edited by Paulo Lima. Vila Verde: Tradisom, (2022), 423 – 427. 

 

“Ethnomusicological Praxis: An Introduction,” with Beverly Diamond, In  Transforming Ethnomusicology, Methodologies and Institutional Structures, vol  I; Transforming Ethnomusicology: Social and Ecological Issues Vol. 2., 1 – 25.  London and New York: Oxford University Press (2021).

 

“Flamenco: Between the Local and the Global,” In Bonnie Wade and Patricia Shehan Campbell (eds.) Global Music Cultures: An Introduction to World Music (2021), 232-251.

 

“Aziz El-Shawan: A Cosmopolitan and Nationalist Composer in Twentieth Century Egypt,” Annales Islamologiques  53: 95 – 111 (2019).

 

 

“Portugal: Modern and Contemporary Performance Practice,” in Janet L. Sturman (ed.) The Sage International Encyclopedia of Music and Culture. Thousand Oaks, CA: Sage Publications (2019).

 

“Regimes patrimoniais: uma reflexão” in Veduta: Revista de Estudos em Património Cultural XII: 10 – 13 (2018).

 

“Rancho Folclórico”,  “Popular Music”, “Light Music,” (with Pedro Russo Moreira and  Rui Cidra), “Canção de Coimbra” (with Rui Vieiera Nery and Pedro Roxo), in Paolo Prato and David Horn (eds.) Bloomsbury Encyclopedia of Popular Music of the World, vol. 11 – Genres: Europe. London & New York: Bloomsbury Academic (2017).

 

“Para o estudo dos Patrimónios Sonoros do Alentejo,” in Maria do Rosário Pestana and Luísa Tiago de Oliveira (eds.) Cantar no Alentejo: A Terra, o Passado e o Presente. Estremoz: Estremoz Editora (2017).  

 

“Auto-Retrato,” Faces de Eva 36:181 -187 (2017). http://www.scielo.mec.pt/scielo.php?script=sci_arttext&pid=S0874-68852017000100015

 

 

“Jazz, Race and Politics in Colonial Portugal: Discourses and Representations (1924-1971),” (with Pedro Roxo), in Philip Bohlman and Goffredo Plastino (eds.) Jazz Worlds/World Jazz. Chicago: Chicago University Press (2016), 200 - 235.

 

“Para o estudo da música gravada em Portugal,” in Leonor Losa, Machinas Fallantes: A música gravada em Portugal no início do século XX. Lisboa: Tinta da China (2014), 7 - 13.  

 

“The Politics of Music Categorization in Portugal” in Philip Bohlman (ed.) The Cambridge History of World Music. Cambridge: Cambridge University Press (2013), 661 -677.

 

“Prefácio: Para o Estudo da Música Gravada em Portugal,” in Machinas Falantes: A Música Gravada em Portugal no Início do Século XX.  Lisbon: Tinta da China (2013), 7 – 13.

 

“Sounds of  Memory : Armando Leça’s Sound Recordings from Alentejo; Sons da Memória: Os Registos Sonoros de Armando Leça no ALentejo,”  in Pestana, Maria do Rosário Vozes e estéticas no Alentejo: Edição crítica de registos sonoros realizados por Armando Leça, em 1939. Vila Verde: Tradison (2013).

 

“A Etnomusicologia na Universidade Nova de Lisboa: os primeiros anos”, em José Mário Pedrosa Cardoso (ed.) O Som do Clássico: No 100ºaniversário de Maria Augusta Barbosa. Coimbra: Imprensa da Universidade (2012), 273 - 280.

 

“Music and Knowledge in Transit: Perspectives from the SIBE+ Conference,” with Susana Moreno Fernández, in Fernández, Susana Moreno, Pedro Roxo and Iván Iglesias (eds.) Muisc and Knowledge in Transit.  Lisbon: Colibri. (2012), 9 – 15.

 

“Current Issues in Music Research: Perspectives from Conferences and Publications in the Iberian Peninsula,” with Susana Moreno Fernández, in Fernández, Susana Moreno, Salwa El-Shawan Castelo-Branco Pedro Roxo and Iván Iglesias (eds.) Current Issues in Music Research; Copyright, Power and Transnational Music Processes Lisbon: Colibri. (2012), 1 – 6.

 

“Música pela nação: Armando Leça e a construção do nacionalismo musical em Portugal,” in  Maria do Rosário Pestana, Armando Leça e a Música Portuguesa (1910-1940). Lisbon: Tinta da China (2012), 10 -18.  

 

“Prefácio”, in Tércio Daniel (ed.),  Dançar para a República. Lisboa: Caminho. (2010), 15 -17. 

 

“Epilogue: Ethnomusicologists as Advocates,” in Music and Conflict (co-editor with John O’Connell and author of Epilogue). Urbana:  Illinois University Press. (2010), 243 -252.

 

“A Enciclopédia da Música em Portugal no Século XX: Itinerário de Trabalho e Princípios Organizadores”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010), Vol. I, III-XI.

 

“ Do século XX ao Século XXI: processos, práticas musicais e músicos emergentes: introdução” (with Rui Cidra), in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010), Vol. IV, 1361.

 

“Do século XX ao Século XXI: Processos, práticas musicais e músicos emergentes: Expressões musicais e coreográficas em torno da “tradição” (with Susana Moreno Fernández);  Vol. IV, 1383-1386.

 

“Acordeão” (with Carla Nunes e Carla Raposeira), in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. I, 10-12.

 

“Armandinho” in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. I, 46-47.

 

“Arquivos Bibliotecas e |Museus: Geral, Música gravada”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010), Vol. I, 50-51.

 

“Assunção, Martinho d’” in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010), Vol. I, 83-85.

 

“Brito, Joaquim Pais de”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. I, 185-186.

 

“Camarinha, Domingos”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. I, 211-212.

 

“Carvalhinho, Francisco José”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. I, 253-255.

 

“Carvalho, Mário Vieira de”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. I, 258-259.

 

“Chaínho, António”,  in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. I, 278-280.

 

“Conjunto de Guitarras de Raul Nery”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. I, 320-321.

 

“Contracanto”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. II, 332.

 

“Encomendação das Almas”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. II, 401.

 

“Etnomusicologia”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. II, 419-432.

 

“Folclore” (with Maria do Rosário Pestana), in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. II, 507-508.

 

“Folclorização (with Jorge Freitas Branco)”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. II, 508-512.

 

“Gallop, Rodney”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. II, 559-560.

 

“Gomes, Júlio”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. II, 577.

 

“Gonçalves, Carlos”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. II, 580.

 

“Guitarrada”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. II, 603.

 

“Miranda, Gil”(with Hugo Silva), in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. III, 795-796.

 

“Música Ligeira (with Pedro Moreira and Rui Cidra), in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. III, 872-874.

 

“Música popular” (with Rui Cidra), in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. III, 875-878.

 

“Música tradicional”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010), Vol. III, 887-895.

 

“Nery, Raul”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. III,905-906.

 

“Nunes, José”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. III, 920-921.

 

“Oliveira,  Ernesto Veiga de” (with Jorge Freitas Branco), in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. III,929-930.

 

“Pacheco, Mário” (with Regina Aguilar Gonçalves), in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010), Vol. III, 959.

 

“Pandeiro”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010), Vol. III, 965.

 

“Paquito” (with Regina Aguilar Gonçalves), in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. III, 966.

 

“Parreira, Paulo” (with Regina Aguilar Gonçalves), in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. III, 972.

 

“Periódicos de música: Geral”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. III, 990-991.

 

“Pina, Joel”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. III, 1006.

 

“Rancho Folclórico” (Sections 1-4 with José Soares Neves, Maria João Lima; Section 5 José Soares Neves, Maria João Lima and Susana Sardo), in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. IV, 1097-1099.

 

“Soares,  Fernando Machado” (with Pedro Roxo), in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010),  Vol. IV, 1227-1228.

 

“Universidade Nova de Lisboa”, in Castelo-Branco, Salwa El-Shawan (ed.)  Enciclopédia da Música em Portugal no Século XX. Lisbon: Círculo de Leitores/Temas e Debates (2010), Vol. IV,1301-1302,.

 

“Arquivos sonoros e audiovisuais no século XXI,” in Museus e património imaterial: agentes, fronteiras, identidades. Lisboa: Instituto de Museus e de Conservação e Softlimits (2009), 187 - 197.  

 

“A categorização da música em Portugal: política, discursos, performance e investigação,”  Etno-folk: Revista Galega de Ethomusicoloxia 12, 2008, 13 – 29.

 

“The Aesthetics and Politics of Multipart Singing in Southern Portugal,” in Ardian Ahmedaja  and Gerlinde Haid (eds.) European Voices: Multipart Singing in the Balkans and the Mediterranean. (2008), 15-37. Vienna: Bohlau Verlag.

 

 “Portugal: Culturas musicais tradicionais e populares,” in Fernando Cristóvão (ed.) Dicionário de lusofonia. Lisboa: Instituto Camões (2005).

 

“Cantar a terra: representações de Portugalidade,” Paper presented at the  II Encontro Nacional da Associação Brasileira de Etnomusicologia  dedicated to the theme: Etnomusicologia: lugares e caminhos, fronteiras e diálogos, Salvador 9 – 12  November, 2004 CBPQ/Contexto (2005)

 

 “Folclorização em Portugal: uma perspectiva:,” with Jorge Freitas Branco, in Salwa El-Shawan Castelo-Branco and Jorge Freitas Branco Vozes do Povo: A Folclorização em Portugal. Lisbon: Celta editora (2003), 1-21.

 

“Perfis dos grupos de música tradicional em Portugal em finais do século XX,” with José Saores Neves and  Maria João Lima,  in Salwa El-Shawan Castelo-Branco and  Jorge Freitas Branco Vozes do Povo: A Folclorização em Portugal . Lisbon: Celta editora (2003), 73-141.

 

“Vozes do Egipto: da leitura do Alcorão à canção profana,” Xarjib: Revista do Centro de Estudos Luso-Árabes, Silves 3, 2003, 59-68..

 

“Sound as Patrimony: The Plight of Sound Collections in Portugal”, in Gabriele Berlin (ed.). Music Archiving in the World. Berlin: Phonogramm-Archiv. 2002, 472 – 478.

 

“Western Music, Colonialism, Cosmopolitanism and Modernity in Egypt,” in, Virginia Danielson, Scott Marcus and Dwight Reynolds (eds.), Garland Encyclpedia of World Music, vol. 6, 2002, 607-613

 

“Institutionalization of Music Learning in Egypt”, in, Virginia Danielson, Scott Marcus and Dwight Reynolds (eds.), Garland Encyclpedia of World Music, vol. 6, 2002, 321-324.

 

“Performance of Arab Music in Twentieth Century Egypt: Reconciling Authenticity and Contemporaneity” in, Virginia Danielson, Scot Marcus and Dwight Reynolds (eds.), Garland Encyclpedia of World Music, vol. 6, 2002, 557-561

 

“Representações da memória: primeiros resultados do inquérito aos Grupos de Música Tradicional em Portugal”, with José Neves and Maria João Lima  OBS Publicação periódica do Observatório das Actividades Culturais Nº 10, 2001, 11-22.

 

“Portugal”, in Stanley Sadie (ed.) New Grove Dictionary of Music and Musicians, Second Edition , vol. 20, 2001, 191, 195-202.

 

“Egypt”, in Stanley Sadie (ed.) New Grove Dictionary of Music and Musicians, Second Edition, vol. 8, 2001, 7-17.

 

“Portugal”, in, James Porter e Timothy Rice (eds.), Garland Encyclopedia of World Music, Europe , vol. 8, 2000, 576-587.

 

“Música popular em Portugal,” “adufe,” “guitarra portuguesa,” “Alfredo Marceneiro,” in, Encarta, CD – ROM. 1998. Rio de Janeiro: Microsoft.

 

“Práticas Musicais Locais: Alguns indicadores preliminares,” with Maria João Lima,  OBS: Publicação periódica do Observatório das Actividades Culturais 4, 1998, 10-13.

 

“From Aida to Anas Al-Wugud: Opera, European Music, and Egyptian Musical Life,” Avidi Lumi 2 (3), 1998, 5-7.

 

“Five Centuries of Cross Cultural Processes in Music,” in, Salwa El-Shawan Castelo-Branco (ed.), Portugal and the World: The Encounter of Cultures in Music  1997, 19-30.  Lisbon: Dom Quixote.

 

“Cinco Séculos de Processos Interculturais na Música,” in, Salwa El-Shawan Castelo-Branco (ed.), Portugal e o Mundo: O Encontro de Culturas na Música, 1997, 19-30.  Lisbon: Dom Quixote.

 

“Fado,” in, Nova Enciclopédia Larousse. 1997.Lisbon: Círculo de Leitores.

 

“Portugal,» in, Ludwig Finscher (ed.), Die Musik im Geschichte und Gegenwart, vol 8, 1997, 1704-173

 

“The Heritage of Arab Music in Twentieth Century Egypt,” Musica e Storia V, 1997: 205-213.   

 

“Fado,” in, Ludwig Finscher (ed..), Die Musik im Geschichte und Gegenwart, vol. 3, 1995, 260-266.

 

“ Agypten”, in, Ludwig Finscher (ed.)  Die Musik in Geschichte und Gegenwart vol 1: 296 - 324, 1994. 

 

“Change in Arab Music in Egypt: A Major Issue in the 1932 Arab Music Conference,” in, Ellen Leichtman (ed.),  To the Four Corners of the World: A Festschrift for Rose Brandel.  Michigan: Harmonie Park Press, 71- 78, 1994.

 

 “The Dialogue between Voices and Guitars in Fado Performance Practice,” in, Joaquim Pais de Brito (ed.), Fado: Voices and Shadows. Lisbon: Museum of Ethnology, 125 - 140, 1994.

 

“Radio and Musical Life in Egypt,” in, Actas del XV Congreso de la Sociedad Internacional de Musicologia  - Culturas Musiclaes del Mediterraneo y sus Ramificaciones (Madrid 3-10/IV/1992) XVI (3) Revista de Musicologia 16: (3) 1229- 1239, 1993.

 

“Some Aspects of the “Cante” Tradition of the town  Cuba: Portugal,” in, Livro de Homenagem a Macario Santiago Kastner. Lisbon: Fundação Calouste Gulbenkian, Serviço de Música, 1992: 547-561.

 

“Safeguarding Traditional Music in Portugal,” in, Max Peter Baumann (ed.) World Music: Musics of the World: Aspects of Documentation, Mass Media and Acculturation. Intercultural Music Studies 3. International Institute for Comparative Music Studies and Documentation. Wilhelmshaven: Florian Noetzel Verlag, 1992: 177-190.

 

“Mutation dans la Musique Egyptienne: Une Question Majeure Au Congres de Musique Arabe,” in, Musique Arabe: Le Congres du Caire de 1932. Cairo: CEDEJ, 1992: 41-49.

 

“A Etnomusicologia, a Política e Acção Culturais e a Musica Tradicional: O Caso de Portugal e as suas Relações com Espanha e Países de Expressão Portuguesa,” Revista Portuguesa de Musicologia 1991, 1: 27-36.

 

“Cultural Policy and Traditional Music in Portugal since 1974,”in, Max Peter Baumann (ed.), Music in the Dialogue of Cultures: Traditional Music and Culture Policy. Berlin: International Institute for Comparative Music Studies and Documentation, 1991:95-107.

 

“Western Music and Urban Musical Life in Egypt,”in, Osamu Yamaguti et al (eds.), Proceedings of the 4th Symposium of the International Musicological Society (Osaka, Japan), 1991: 341-346.

 

“A Etnomusicologia, a Política e Acções Culturais na Musica Tradicional em Portugal,” in Estudos em Homenagem a Ernesto Veiga de Oliveira. Lisbon: Instituto Nacional de Investigação Cientifica, 1989: 85-100.

 

“Documentation of Portuguese Traditional Music (1988)”: A Joint Project of the International Institute for Comparative Music Studies and Documentation (Berlin) and the Universidade Nova de Lisboa, Departamento de Ciências Musicais (Lisbon), World of Music 31 (2):160, 1989.

 

“’In Search of a Lost World’”: An Overview of Research and Documentation on the Traditional Music of Portugal,” in collaboration with Maria Manuela Toscano, Yearbook for Traditional Music 20, 1988: 158-192.

 

“Aspects de l’Improvisation dans la Musique Arabe d”Egypte,” in, Bernard Lortat-Jacob (ed.), L”Improvisation dans les Musiques de Tradition Orale, Paris: Selaf, 1987.

 

“The Commercial Cassette Industry in Egypt,” World of Music  29 (2), 1987: 32-47.

 

“Reflexões sobre a Mudança Musical,” Actas do IV Encontro Nacional de Musicologia, Associação Portuguesa de Educação Musical, Boletim 52, 1987: 18-20.

 

“Gulbenkian Orchestra” and “Cairo Symphony Orchestra,” in, Robert Craven (ed.), Orchestras of the World: Selected Profiles. Greenwood Press, 1987.

 

“Ethnomusicolgia Urbana: Uma Introdução,” Actas do III Encontro Nacional de Musicologia, Associação Portuguesa de Educação Musical, Boletim 46, 1985: 18-19.

 

“Western Music and its Practitioners in Egypt (ca. 1825- 1985): The Integration of a New Musical Tradition in a Changing Environment,” Asian Music 17 (1), 1985: 143-153.

 

“Algumas Perspectivas sobre a Etnomusicologia e a Educação Musical em Portugal,” Actas do Seminário Internacional de Educação Musical - Musica no Ensino Especial, Associação Portuguesa de Educação Musical , Boletim  46, 1985: 18 - 19.

 

“Traditional Arab Music Ensembles in Egypt since 1967: The Continuity of Tradition within a Contemporary Framework,” Ethnomusicology  28 (2), 1984: 271-288.

 

“The Role of Mediators in the Transmission of Al-Musiqa Al-”Arabiyyah in Twentieth Century Cairo,” Yearbook for Traditional Music 14, 1982: 55-74.

 

“The Socio-Political Context of Al-Musiqa Al-”Arabiyyah in Cairo, Egypt: Policies, Patronage, Institutions and Musical Change (1927-77),” Asian Music 12 (1), 1980: 86-128.

 

Ethnographic CDs

 

Cantes: An Anthology of  Multipart Singing  of Alentejo (with Paulo Lima). 4 Vols,  CDs  and Book. A Bela e o Monstro/Jornal Público (2018).  

 

Oman: Arabian Weddings (with Dieter Christensen). Compact Disc and booklet (15 pages). Smithsonian Folkways Recordings: Unesco Collection of Traditional Music. UNES08305. 2015.

 

Portugal: Festas in Minho. Compact Disc and booklet (29 pages). Smithsonian Folkways Recordings: Unesco Collection of Traditional Music. UNES. 08305. 2015.

 

Portugal: Music and Dance from Madeira. Compact Disc and booklet (38 pages). Washington: Smithsonian Folkways, UNES 08323. 2015.

 

Musical Traditions of Portugal. Compact Disc and booklet in English and Portuguese (76 pages). Traditional Music of the World . Berlin: International Institute for Comparative Music Studies and Documentation Washington: Smithsonian Folkways, SF 40435, 1994.

 

 

BOOK AND RECORD REVIEWS

 

 

“Studies on a Global History of Music” (Reinhard Strohm), Balzan Papers 7, 71 – 77 (2022).

 

“Para uma história do fado” (Rui Vieira Nery), Trans  13 (2009).

 

The Music of Egypt” (Scott Marcus) Ethnomusicology 53:2 (2009).

 

“Para uma História do Fado (Rui Vieira Nery), Etno-Folk: Revista Galega de Etnomusicoloxia, 12, 176-177.

 

“Women of Egypt, 1924–1931: Pioneers of Stardom and Fame”, 2006. World

and Traditional Music Section of the British Library Sound Archive, CD, Yearbook for Traditional Music  (2007) .

 

“The Voice of Egypt: Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century,” (Virginia Danielson), Yearbook for Traditional Music, 31: 142-143, 1999 .

 

“A History of the Portuguese Fado,” (Paul Vernon), Latin American Music Review, 20 (2):310-313, 1999.

 

“Die Qasida im Gesange von Umm Kultum: die Arabische Poesie im Repertoire der Grossten Agyptischen Sangerin unserer zeit,” (Gabriele Braune), in collaboration with Maria Manuela Toscano, Der Islam: Zeitschrift fur Geschichete und Kultur des  Islamischen Orients 65 (2): 380-382, 1988.

 

“Commercial LPs of the Grupos de Recolha e Divulgação de Música Popular Portuguesa: 1979-1985,” in collaboration with Maria Clara Correia and Rosa Clara Neves, Audio Report in, Yearbook for Traditional Music  18: 205-210, 1986.

 

“Prolegomenes a l’Ethnosociologie de la Musique,” (Nazare), Yearbook for Traditional Music 18: 179-180, 1986.

 

“The Theory of Music in Arabic Writings, RISM,” (Shiloah), Yearbook for Traditional Music 17: 219-220, 1985.

 

“La Musique du Boudhisme Tibetain (Vandor),”  Ethnomusicology 20 (3), 1976.

 

“A Survey of Musical Instrument Collections in the United States and Canada,”(Lichtenwanger)  Ethnomusicology 20(3), 1976.

 

 

ARTICLES AND RESEARCH REPORTS IN PROFESSIONAL BULLETINS, NEWSLETTERS AND PROGRAMS

 

“Serving the ICTM as President,” Bulletin of the International Council for Traditional Music 140 (October), 2021, 3-5.

 

“Message from the President,” Bulletin of the International Council for Traditional Music 140 (April), 2020, 3.

 

“Message from the President,” Bulletin of the International Council for Traditional Music 139 (January), 2019, 3.

 

“Message from the President,” Bulletin of the International Council for Traditional Music 138 (October), 2018, 3.

 

“Message from the President,” Bulletin of the International Council for Traditional Music 137 (April), 2018, 3.

 

“Message from the President,” Bulletin of the International Council for Traditional Music 136 (Jan), 2018, 4.

 

“Message from the President,” Bulletin of the International Council for Traditional Music 135 (October), 2017, 5 - 6. 

 

“Dieter Christensen: Obituary,” Bulletin of the International Council for Traditional Music 134 (April), 2017, 4 – 5.

 

“As múltiplas faces do cante,” in Ana Baião As Múltiplas Faces do cante. Cascais: RCP Edições., 2017

 

“Report by the Grupo de Reflexão sobre a Avaliação de Ciência e Tecnologia pela Fundação para a Ciência e a Tecnologia,” 2016.

 

“Report by the Grupo de Reflexão sobre o Futuro da Fundação para a Ciência e a Tecnologia,”  2016.

 

“Interview with Dieter Christensen,” Bulletin of the International Council for Traditional Music 128 (April), 2015, 4 -5.

 

“Dieter Christensen turns Eighty,”  Bulletin of the International Council for Traditional Music 121 (October), 2012, 5.

 

 

“Fernando Lopes-Graça e a Música Tradicional Portuguesa,” in Fernando Lopes-Graça, Dimitri Chostakovitch e Wolfgang Amadeus Mozart: Ao fio dos anos e das Horas. Lisboa: Teatro Nacional de São Carlos (2006):  75 – 77.

 

 

“Reflexões sobre a etnomusicologia e o património tradicional em Portugal”, X  Festival Cantigas do Maio, May, 1999.

 

 

“Portugal: Liaison Officer Report,” Bulletin of the International Council for Traditional Music, 1998 (October): 26-29.

 

“Investigação e Acção: Músicos Migrantes,” CIDAC: Cooperação, Informação e Desenvolvimento 7. 

 

“Portugal: Liaison Officer Report,” Bulletin of the International Council for Traditional Music, 1995 (April):31-32.

 

“Fifteenth Congress of the International Musicological Society - Mediterranean Musical Cultures and Their Ramifications (3 - 10 April, 1992): Ethnomusicology,” Current Musicology 55, 1993: 113 - 115.

 

“Portugal: Liaison Officer Report, Bulletin of the International Council for Traditional Music 64, 1984: 21-22.

 

“Careers for Ethnomusicologists: Movements for the Revival of Traditional Music, Society for Ethnomusicology Newsletter 17 (2), 1983: 3-4.

 

“Careers for Ethnomusicologists: The Music Industry,” Society for Ethnomusicology Newsletter 17 (3), 1983: 6.

 

“Careers for Ethnomusicologists: Development Officers,” Society for Ethnomusicology Newsletter 16(2), 1982: 2-3.

 

“Careers for Ethnomusicologists: Arts Administrators,” Society for Ethnomusicology Newsletter 15(2), 1981: 3-4.

 

“Careers for Ethnomusicologists: Curators for Instrument Collections in Museums,” Society for Ethnomusicology Newsletter 15 (1), 1981: 3.

 

“Change in the Arabic Music Tradition of Cairo, Egypt (1932-1977): A Research Report,” The American Research Center in Egypt Newsletter 104, 1978.

 

 

IN PREPARATION

 

 

Books

 

Author

 

Sounding Cosmopolitanism, Nationalism and Modernity in Cairo.

 

IN PRESS

 

 

Editor

 

Music, Nation and Region in the Iberian Peninsula (Re)Sounding History, Identity and Heritage (with Matthiew Machin-Autenrieth and Samuel Llano). Urbana- Champaign: Illinois Univeristy Press.

 

 

 

KEYNOTE ADDRESSES

 

“Envisioning Arab Music Research,” SAMR – Society for Arab Music Research, a Section of the Society for Ethnomusicology, at the 67 the annual meeting of the Soceity for Ethnomusicology, November 12, 2022.  

 

“Musical Heritage Praxis: A Critical Reflection,” IASPM-Norden Conference – University of the Arts, Helsinki, Seinajoki Unit “Disciplining Music Heritage”, Seinajoki, Finland, October 13 – 14, 2022.

 

“Interrogando a ética e política do património,” Preservação, acesso e usos: olhares cruzados sobre sons e instrumentos musicais em contexto museológico,” Colóquio realizado no âmbito da exposição “Vergílio Pereira: Itinerários de um etnógrafo, Museu de Etnologia, 9 de Outubro de 2021. 

 

“Cante as Heritage: The Sonic Representation of Alentejo, Portugal,” Iberian Music Studies Symposium on Music, Nation and Region in the Iberian Peninsula (Re)Sounding History, Identity and Heritage, Faculty of Music, University of Cambridge, 22 – 23 June, 2017.

 

“Representar o passado: políticas e estéticas do património musical,”  VI National Conference on Music Research ,  University of Aveiro, 3 – 5 de November, 2016.

Ógico

“A categorização da música,”  IV Conferência Internacional de Etnomusicologia, Universidade de Eduardo Mondlane, Departamento de Comunicação e Arte, Maputo 22 de September, 2016.

 

“The Heritagization of Arabic Music in Twentieth Century Egypt,” Eighth International Doctoral Workshop, Center for World Music at the University of Hildesheim & Hanover University of Music, Drama and Media, 22 June, 2016. 

“The Politics and Aesthetics of Choral Singing in Alentejo (Portugal)” Keynote address in the conference Music and Shared Imaginaries: Nationalisms, Communitties and Choral Singing, University of Aveiro (Portugal), October 30 – Nov. 1, 2014. 

 

“A categorização da música em Portugal: politicas, discursos e investigação,” Keynote address   Guimarães European Cultural Capital  - Guimarães Music Conference 23 March, 2012.

 

“Envisioning Modern Portugal: Music and Nation,” Keynote address International Council for Traditional Music Ireland Conference,  Trinity College, Dublin. 25 February, 2012.

 

“A categorização da música em Portugal: politicas, discursos e investigação,” Keynote address Guimarães Capital da Cultura - Congresso Musical de Guimarães, Captial Europeia da Cultura, 23 de March 2012.

 

“Etnomusicologia na Península Ibérica”, Keynote address, IV Encontro Nacional da Associação Brasileira de Etnomusicologia, Maceió (Brazil), 13 de November, 2008.

 

“The Performance of Emotion,” Keynote address in Performa: Encontros de Investigação em Performance, Universidade de Aveiro, 11 May, 2007.

 

“The Politics of Music Categorization: Discourses, Performance and Research,” Keynote address in the British Forum for Ethnomusicology Annual Conference, International Centre for Music Studies, Newcastle University 19 April, 2007.

 

“Cultural Politics and Popular Music in 20^th Century Portugal”, Keynote speech in the International Conference on Popular Musics of the Hispanic and Lusophone Worlds, University of Newcastle, 14 – 17  July, 2006.

 

“Cantar a terra: representações de Portugalidade”, keynote address presented in the II Encontro Nacional of the Associação Brasileira de Etnomusicologia - Etnomusicologia: lugares e caminhos, fronteiras e diálogos, Salvador 9 – 12 de November, 2004.

 

“A etnomusicologia em Portugal,” keynote address at the Encontro Internacional “Continentes em Movimento,” Faculdade de Motricidade Humana da Universidade Técnica de Lisboa, 17 October, 1998.

 

 

 

INVITED PAPERS AND LECTURES

 

 

“’Nous cultivons l’espoire’: deux histoires courtes pour sauver la memoires sonore”, with Pedro Félix, Insaniyat: International fórum for the social Sciences and Humanities, Tunis, 21 September, 2022 (online).

“Música e Conflito: Perspectivas da Etnomusicologia,” Encontro da Canção de Protesto, Grândola, 18 September, 2022 (online).

 

“Cairo’s Opera Houses,” The Circulation of Opera and Operatic Companies around the Mediterranean Theatres,” The Circulation of Opera and Operatic Companies around the Mediterranean Theaters, A Panel on the Circulation of Opera and Operatic Companies around the Mediterranean Theaters, 21^st Quinquennial Congress International Musicological Society,  National and Kapodistrian University of Athens, 22 August,  2022.

 

 

“Interrogating the Politics and Ethics of Musical Heritage,” Musical Encounters: A Symposium in Honor of Philip Bohlman, The University of Chicago, Division of the Humanities, May 6, 2022.

 

“Destination Fado: The Fado Museum as a site of Heritage Tourism in the ‘Tourist City’” (with Iñigo Sánchez),  Tourism and Musical Imaginaries: A Symposium, The University of California at Berkeley, March 26, 2022.  

 

“The Interceltic Festival of Porto: Europeanization, cultural Politics and Global Musics,”  The University of Aberdeen, Music Department, 27 January, 2022.

 

“Sustentabilidade, Agentividade e as Ecologias do Património Musical do Alentejo,” Series of Lectures titled: Lugares Tempos e Modos  organized by the Group Cramol, Templo da Peosia, Oeiras, 13 January 2022. 

 

“What Does “Sensitive Collections” Mean to an Ethnomusicologist?”  Workshop Access to Waxes, Organized by the AGYA – Arab-German Young Academy of Sciences and Humanities and the Berlin Ethnological Museum and Berlin  4 December 2021.

 

“O future das artes no mundo: novo paradigma pós-pandemia,” XXII Congresso de Educação Artística, organized by the Conservatório da Madeira and the Secretaria Regional de Educação, Ciência e Tecnologia, Funchal, 1 September, 2021.

 

“The International Council for Traditional Music Legacies and Challenges,” presentation at the Symposium on Building Sustainable Global Collaborative Research Networks, organized by the Max Planck Institute for Human, Cognitive and Brain Sciences and the NYU Center for Language, Music and Emotion, February 7, 2021,

 

“O Estudo da música popular urbana a partir da perspectiva da Etnomusicologia,” presentation included in the panel Contra as Ditaduras Erguer a Voz e Cantar,  Encontro da Canção de Protesto, Cine Granadeiro, Grândola, 20 September, 2020.

 

“Music as Heritage,” Paper at the Centre Européen de Musique – Coloque Internationale e Interdisciplinaire “ De la Musique Avant Toute Chose, 14 November, 2020. Online.

 

“The Politics and Aesthetics of Music Heritage” Harvard University, Music Department , March 29, 2018; University of California, Berkeley, Music Department, April 20, 2018; Department of Spanish and Portuguese Studies, April 24, 2018.

 

“Musicology in the Age of (Post) Globalization” The Barry Brook Center for Music Research and Documentation, City University of New York, April 3, 2018.

 

“Cosmopolitanism and Nationalism in the Music of Aziz El-Shawan” Harvard University, Music Department March 28, 2018.

 

 “Algumas perspectivas sobre a patrimonialização,”  Presentation at the roundtable at the III Congresso do Bombo, Amarante: Casa das Artes, 24 – 26 November, 2017.

 

“The Politics and Ethics of Music Heritage,” Welcome Symposium for the International Council for Traditional Music, University of Music and Performing Arts, Vienna, Austria, 28 – 30 September, 2017.

 

“The Power of song in the Portuguese Carnation Revolution,” in Atelier d’idées: L’idéal du musicien et l’âpreté du monde: construire la diversité para la musique, Fondation Royaumont, France, September 2, 2017.

“Constructing the Present and Contemplating the Future of ICTM,”  Presentation at the Celebratory roundtable – ICTM in the 21^st Century as seen by its Presidents and Secretaries General, 44^th World Conference of the International Council for Traditional Music, Irish World Academy of Music and Dance, University of Limerick, July 13 – 19, 2017. 

 

“Representar o passado: políticas e estéticas do património musical,” II Jornada “Cante – Tradição Viva, Instituto Politécnico de Beja, 6 May, 2017

 

 “The Encyclopedia of Music in Twentieth Century Portugal,”  Presentation  at the roundtable on “Referencing Music East and West: Modern Encyclopedias as Historiographies of Theory and Practice” integrated in the 20th Congress of the  International Musicological Society, University of the Arts, Tokyo, Japan, 19 – 23 March 2017.

 

“Representing the Past: The Politics and Aesthetics of Musical Heritage,” ICTM-IAML-IMS Forum –Music as Cultural Heritage, New York University at Abu Dhabi, March 13 – 15, 2017.

 

“A Festivalização do Fado,” International Symposium, Los Festivales y celebraciones musicales en España y Portugal como facotres de desarrollo cultural y socioeconómico, Universidade de Valladolid, 19 December, 2016.

 

“Representr o Passado: Políticas e Estéticas do Património Musical,” in 2º Congresso do Bombo, Fundão, 26 November, 2016.

“Ethnomusicology in Portugal,” in 1^st Lisbon Conference on Chinese Music and Musical Instruments, Scientific and Cultural Center of Macau, 23 May, 2016.

“An Ethnomusicology of Cities,” in 1st UNICA “University, Culture and the City” Conference, Universidade Nova de Lisboa, 16 May, 2016.

“La Festivalización del fado,” in Jornadas Sibe 2015 . El estudio de las tradiciones musicales contemporáneas: aproximaciones al revival, University of  Valladolid, 27 – 28 de Novemebr, 2015. 

“Envisioning the Nation: The First Congress of Ethnography and Folklore held in Braga, Portugal in 1956,” in the 1^st International Symposium of the Polimus program, part of the Cluster of Excellence, Labex, University of Paris X, Nanterre, 1 October, 2015.

 “The Politics and Aesthetics of Choral Singing in Southern Alentejo, Portugal” February 25, Queen’s University in Belfast and Faculty of Music, Cambridge University, March 6,  2015

 

“Issues of Music Research in the Arabian Peninsula,” NYU Abu Dhabi International Symposium, March 2, 2015. 

 

“Envisioning Modern Portugal: Music and Nation” Cardiff University,  February 14, 2015.  

 

“The Aesthetics and Politics of the Arts in Sohar,”  in 1^st Symposium in Doha, Qatar on “Arabian Gulf Mussic and Songs in the 20^th Century,” April 26 – 28, 2014.

 

“ ICTM colloquia,” presentation at the Round Table “ICTM and the World of Ethnomusicology,” 42^nd ICTM World Conference, Shanghai, July , 2013.

 

“Envisioning Modern Portugal: Music and Nation,” Chicago University, Music Department Colloquium series, May 17, 2013.

 

“Music Scholarship and Publishing in Portugal: The Making of the Enciclopédia da Música em Portugal no Século XX,” International Association for Music Libraries, Archives and Documentation Centres Conference, Montreal, Canada, 4 July, 2012.

 

“Envisioning Modern Portugal: Music and Nation,” International Symposium “ Traditional Music in Modern Society,” Shanghai Conservatory of Music, 29 June, 2012.

 

“O canto a vozes no Baixo Alentejo,” IX Encontro de Culturas, Serpa,  10 de  Junho de 2012.

 

“Imaginer le Portugal moderne: La musique et la  Nation,” Seminar of CREM (Centre de Recherche en Ethnomusicologie”, CNRS, Paris, 4 June , 2012.  

 

“O canto a vozes no Baixo Alentejo,” in Conversas de En’Cante, Centro Cultural de Cuba,   26 May, 2012.

 

“O canto a vozes no Baixo Alentejo,” Museu da Música Portuguesa-Casa de Verdades Faria, 20 May, 2012.

 

“A construção da Enciclopédia da Música em Portugal no Século XX,” II Educamos, Encontro de Educação Musical do Cariri: Educação, Identidade e Património Musical, Universidade Federal do Seará, Campus do Cariri, 22 November, 2011. 

 

“Etnomusicologia e Educação”, Segundo Encontro de Educação Musical do Cariri,” II Educamos, Encontro de Educação Musical do Cariri: Educação, Identidade e Património Musical, Universidade Federal do Seará, Campus do Cariri, 24 November, 2011. 

 

“The Politics of Music Categorization in Portugal,” Department of Spanish and Portuguese and Department of Music, Smith College, Northhampton, Massachusetts, 6 December, 2010.

 

“The Encyclopedia of Music in Twentieth Century Portugal,” Rutgers University, Newark, 18 November, 2010. 

 

“The Politics of Music Categorization in Portugal: Discourses, Performance and Research,” The University of California, Sta. Barbara, Center for Portuguese Studies, 15 November, 2010.  

 

“The Politics and Aesthetics of Music in 20th Century Portugal,” The University of Massachusetts, Dartmouth, Center for Portuguese Studies and Culture, 20 September 2010.  

 

“ A Enciclopédia da Música em Portugal no Século XX: Processo de Construção de uma Obra de referência” Universidade Federal da Bahia, Salvador, 2 September, 2010.

 

“A Categorização da Música em Portugal: Política, Discursos, Performance e Investigação” Universidade Federal da Bahia, Salvador, 1 September, 2010.

 

“Author’s Rights, Research and Notions of Intellectual Property in Orally Transmitted Musics: A Case Study from Portugal,” International Conference on Author’s Rights and Oral Traditions: Customs, Laws and Ethics, Nuoro (Sardinia), 26 – 27 June, 2009.

 

“Arquivos Sonoros no século XXI,” Colóquio: Património Cultura Imaterial: A Face intangível do Património. Portuguese Parliament, 15 June, 2009.

 

“Música Popular e Nação em Portugal no Século XX,” Conferências de Lisboa, Lisbon City Hall, 4 June,  2009.

 

“Mediterranean City Profiles: Cairo,” ICTM  Colloquium Musical Exodus: Al-Andalus and its Jewish Diasporas, Cambridge University, UK, 23 July, 2008.

 

“Música e poder: o Estado Novo e a folclorização” Colloquium World Music organized by INET-MD in the Festival de Música do Mundo, Sines, 16 July, 2008.

 

“Arquivos audiovisuais no século XXI,” Coloquium: Memória, Identidade e Projecto,  Museu da Luz, 30 de Maio, 2008.

 

“Ethongraphy at Home: Revisiting the Past, (Re) Constructing Self and other through Fieldnotes,” Lecture at the Departament of Ethnomusicology and Folklore, Indiana University, 23 de April, 2008.

 

“Cultural Politics, Musical Canons and Nation Building in Twentieth Century Portugal,” Symposium on  “Canons in Musical Scholarship and Performance,” University of Illinois, Urbana-Champaign, 18 – 20 de April, 2008.

 

“Política Cultural e Música Popular em Portugal no Século XX,” Colloquium on Art and Power, Instituto de História Contemporânea, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa,  21 September, 2007

 

“A política da categorização musical: discursos, performance, investigação”, no  II Seminário de Investigação “Cultura de Massas em Portugal no Século XX”, Instituto de História Contemporânea, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 5 June, 2007. 

 

“Music, Folklore and Ethnomusicology in Portugal” International Symposium in European  Ethnomusicology, Cardiff University, 29 April,  2007.

 

“Fado Performance Practice”, Invited Lecture, Butler Cameron Center, Maui, Hawai, 21 November, 2006

 

“Culture in Traffic: Urban Sounds and Transitional Spaces in the Islamic World”, Discussant’s presentation, 51º Conference of the Society for Ethnomusicology,  Honolulu, 19 November, 2006

 

 “Tradição musical: noção e práticas”, Invited lecture, Colloquium on “Tradição”, Centro Cultural de Castro Verde, 14 October, 2006

 

“Paisagens sonoras em Lisboa: folclorização, migrações e “World Music” Invited lecture, Curso subordinado ao tema “ Experiencias Musicales en Ciudades Multiculturales,” Centro Ernest Lluch: Consorci Universitat Internacional Menéndez Pelayo de Barcelona, 21 September, 2006 

 

“Para uma história do fado”, Presentation of the book Para uma história do fado  by Rui Vieira Nery, Museu do Fado, 19 de September, 2006.

 

“Folclorização em Portugal” joint paper with Jorge Freitas Branco, Colloquium on: Cultura Popular: Estratégia de Desenvolvimento e Criação de Identidades, Monsaraz, Museu Aberto, 29 de July, 2006.

 

“Fado: Um género musical urbano”, Invited Lecture presented within the  Cursos Internacionais Internacionales Iberoamericanos on Música Popular y Sociedade, Cáceres, 17 – 26 de July, 2006

 

“Folklore, Modernity and the Urban Area in Twentieth Century Portugal,” Paper presented at the International Symposium on Cultural Diversity and the Urban Area: Explorations in Urban Ethnomusicology, UNESCO Working Group- Vienna (Austria), University for Music and the Performing Arts,  24-26 March 2006

 

“Portugal’s Traditional Music and Dance Revival Movements: Legacies of Modernity,” Paper presented at the 38^th World Conference of the International Council for Traditional Music, University of Sheffield, UK, 3 – 10 August, 2005.

 

“Património Musical em Portugal,” Invited Lecture presented within the  Cursos Internacionais de Verão da Universidad de Extremadura (Espanha) on  Património Musical Iberamericano: Legado, Investigacion e transmision, Alcântara, 13-15 de July, 2005.

 

“Multipart Singing: A Sonic Community in Alentejo (Portugal)”, paper presented at the Symposium on  Multipart Singing in the Mediterranean and the Balkans, Music University , Vienna, 11 – 14 March 2005.

 

 

“An Ethnomusicology of Pre-Colonial States in Sub-Saharan Africa,” Presentation at the Round Table on “Pre-colonial States in Sub-Saharan Africa”, International Symposium on African Perspectives: Pre-colonial History, Anthropology and Ethnomusicology, Vienna 9 – 11 December, 2004

 

 

“Enciclopédia da Música em Portugal no Século XX: A construção de uma obra de referência,” II Encontro Nacional da Associação Brasileira de Etnomusicologia dedicated to the theme:  Etnomusicologia: lugares e caminhos, fronteiras e diálogos, Salvador 9 – 12 de Novembro de 2004.

 

“A construção musical da nação: patrimonialização e identidade,” Public Lecture, IV Encontro do Alentejo de Música do Século XX, Évora, 23 March  and at the  Escola Superior de Educação de Leiria, May 26, 2004

 

“Michel Giacometti: o legado de um militante pela cultura,” Public Lecture, Centro Cultural de Cascais, 19 March, 2004.

 

“A folclorização em Portugal: dois modelos,” with  Jorge Freitas Branco, XII Encontros de Musicologia, Lisbon, April, 2003.

 

“Expressive Culture and Identity in Twentieth Century Portugal,” Asia-Europe Training Program on Preservation of Traditional Music, Beijing 30 March, 2003.

 

“A arte vocal de Umm Kulthum,” Public Lecture presented within the series Clássicos do Século XX, Culturgest Lisbon and Oporto, 28 October and 2 November, 2002.

 

“Fado: The performance of Emotion,” University of Rutgers, Newark, New Jersey (USA), 29 April, 2002.

 

“Rethinking Music History from a Global Perspective,” Worlds of Music – Cultural, Historical and Methodological Implications, the Conservatory of Rotterdam 30 March, 2002.

 

“Vozes do Egipto: Da leitura do Alcorão à canção profana,” Public Lecture, Semana cultural Egípcia, Centro de Estudos Luso-Árabes de Silves, Silves, 12 September, 2001.

 

“Processus Transculturelles dans le Patrimoine Musical Portugais,» Colloquium «Multiculturalisme et Lusophonie,» Centro Cultural Gulbenkian, Paris, 7-8 December, 2000.

 

“O som enquanto património,”  Colloquium « O património musical português» organized by the Biblioteca Nacional and the Associação Portuguesa de Ciências Musicais, Lisbon, 4  October,  2000.

 

“Sound as Patrimony: The Plight of Sound Collections in Portugal”, Conference organized on the occasion of the 100th anniversary of the  Berliner Phonogramm-Archiv, 29 de September, 2000.

 

 

“Ethnomusicology in Portugal”, Talk at the  Instituto de Etnologia e Folclore em  Bucareste, Romania, 18  June, 2000.

 

“Etnomusicologia em Portugal”, Lecture, Departamento de Antropologia, Universidade de Coimbra, 22 March, 2000.

 

 

“Music and Dance Revival Groups in Twentieth Century Portugal: A Questionnaire ”, Unimed-Symposium: Non-Material Cultural Heritage in the Euro-Mediterranean Area, Univeristà del Mediterraneo, Rome, May 28, 1999.

 

“Michel Giacometti et l’ethnomusicologie au Portugal”, Hommage a Michel Giacometti - Espace Diamant, Ajaccio, 19 May, 1999.

 

“Ethnomusicology: A Historical Overview and Current Issues,” Lecture series at Helwan University, Cairo, Egypt, 6-11 March, 1999.

 

“Questionário aos Grupos de Música Tradicional em Portugal”, talk at the VI Congresso de Folclore da Região de Turismo do Ribatejo, 6 February, 1999.

 

 

 “ A música Tradicional em Portugal,” Lecture at the Universidade Federal de Pernambuco (Recife, Brazil) within the framework of the Seminário Internacional 500 anos de Descobrimentos, 4 December,  1998.

 

 “ State Religion and the Arts: The Sultanate of Oman in the late 20^th Century,” and “The Zar Cult in Oman: Documenting a Healing Ceremony,” Lectures presented jointly with Dieter Christensen at the University of Arizona, 16 November, 1998.

 

“Para a Preservação e o Estudo do Cante Alentejano,” Presentation at the 1º Congresso do Cante Alentejano, Beja, 8 November, 1997.

 

“Etnomusicologia,” Lecture,  Forum Cultural de Alcântara, 14  May, 1997.

 

“Fado: Voices and Guitars in Dialogue,” Lecture, Hochschule für Musik und Darstellende Kunst, Viena, Austria, 5 May de 1997. 

 

“Thinking the Past, Shaping the Present: Perspectives on Arab Music in  Twentieth Century Cairo,” Lecture University of  Vienna, Austria, 6 May, 1997.

 

 

“Etnomusicologia em Portugal: Revisitar o Passado, Pensar o Futuro,” Lecture, Museu da Música em Cascais , 12  October, 1996.

 

“Dire la mort avec des interjections: un chant polyphonique svane (Sud Caucase),” (Sylvie Bolle-Zemp), Response to a paper within the international colloquium “Penser la Musique, Penser le Monde: Vers de Nouveaux rapport entre ethnologie et ethnomusicologie” Paris 16 March, 1996.

 

 

“O Trabalho de Michel Giacometti e a Etnomusicologia em Portugal Hoje,”  VIII Jornadas de Cultura Popular, “Vozes, Ritmos e Gestos por Michel Giacometti,” GEFAC, Universidade de Coimbra, Departamento de Antropologia, 22 October, 1995.

 

“Etnomusicologia em Portugal,”  Lecture within the II Encontro da Música Popular,  Associação  Xarabanda. Funchal, 18 de June, 1995.

 

“The Heritage of Arab Music in Twentieth century Egypt”,  “Meeting of the Study Group on the Anthropology of Music in Mediterranean Cultures” of the  International council for Traditional Music, (UNESCO), Fondazione Levi, Venice, 1 - 3 June, 1995

 

“Etnomusicologia Hoje,” Lecture at the Fonoteca Municipal de Lisboa, 18 May, 1995.

 

“Fernando Lopes Graça e o Estudo da Música Tradicional em Portugal,” Lecture presented on the occasion of the inauguration of the Exposition “Fernando Lopes Graça: Marchas, Danças e Canções”, Oficina da Cultura, Câmara Municipal de Almada, 22  April, 1995.

 

A Música Popular Portuguesa: Algumas Considerações," Lecture within the framework of the Dia Mundial da Música, Câmara Municipal de Bombarral, 5 de October, 1994.

 

 

“La musica como processo dinamico: consideraciones teoricas y un esudio de caso,” 25 Cursos Internacionales Manuel De Falla, Granada, June 31 and July 1, 1994.

 

“Music as a Dynamic Process: Theoretical Considerations and a Case Study”, Frei Universitat Berlin, Institut fur Vergleichenede Musikwissenschaft, June 21, 1994.

 

“Música Tradicional em Portugal: Uma Introdução,” University of Salamanca, Especialidade de Musicologia, 6  April, 1994.

 

“A Etnomusicologia no Espaco Português: Que Rumo, “Primeiro Encontro de Etnomusicologos Ibero-Americanos, March 7 - 11, 1994.

 

 

“The Safeguarding of Traditional Music: Two Case Studies and a Model for Institutional Cooperation,” International Conference organized by the International Institute for Comparative Music Studies and the German Music Council  on “World Music, Musics of the World: Aspects of Documentation, Mass Media and Acculturation, ”Cologne, Federal Republic of Germany, Oct. 2-3, 1991.

 

"Modernindade e Mudança na Música Tradicional em Portugal," "As Ciências Musicais  na Faculdade de Ciências Sociais e Humans da Universidade Nova de Lisboa: Algumas Perspectivas sobre o passado e o Futuro," Colloquium Commemorating the 10^th Anniversary of the Departamento de Ciências Musicais at the Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa, Lisboa, 6- 10 de December, 1990.

 

“Historical Musicology, Ethnomusicology and the study of Arab Music in Twentieth Century Egypt,” Colloquium of the International Musicological Society and the International Council for Traditional Music on Historical Musicology and Ethnomusicology: Common Goals, Shared Methodologies?”  University of Mainz March 20-24, 1991.

 

“Modernidade e Mudança na Musica Tradicional em Portugal,” “As Ciências Musicais  na Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa: Algumas Perspectivas sobre o passado e o Futuro,” Colloquium Commemorating the 10^th Anniversary of the Departamento de Ciências Musicais da Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa, Lisbon, December 6- 10, 1990.

 

“The Impact of Western Music on Arab music in Egypt,” ICTM Study Group in Formation on Arab Music Meeting, Algiers, Algeria. November 20 - 24, 1990

 

“Western Music and Urban Musical Life in Egypt,” 4th Symposium of the International Musicological Society, Osaka, Japan, July 21 - 25, 1990.

 

"Some Aspects of the 'cante' Tradition  of Cuba: A Town in Southern Alentejo, Portugal," Lecture at Columbia University, Dept. of Music, Ethnomusicology Colloquium, 14 de November, 1989.

 

"Traditional Music in Contemporary Portugal: The Case of Alentejo, Lecutre at Wesleyan University (Connecticut, EUA) Dept. of Music, 16 November, 1989.

 

“Cultural Policy and Traditional Music in Portugal since 1974,” Symposium on Music in the Dialogue of Cultures: Traditional Music and Cultural Policy, International Institute for Comparative Music Studies and Documentation, West Berlin, November 9 - 13, 1989.

 

“Musical Change: A Major Issue in the 1932 Conference on Arabic Music,” Colloquium on Les Documents du Premier Congres sur la Musique Arabe, Le Caire, 1932, Centre d’Etudes et de Documentation Economique, Juridique et Sociale, Cairo, 25-28 May, 1989.

 

“Women and Music Making in Oman,” Symposium on Omani Traditional Music, Muscat, Oman, 6 - 16 October, 1986.

 

“Change in the Arab Music of Twentieth Century Egypt,” Lecture at the Department of Social Anthropology Queen’s University of Belfast, Northern Ireland, 15 February, 1985.

 

 

"On Field Research Methods in Ethnomusicology," Comunicação no Arab Gulf States Folklore Centre Consulting Seminar, reunido no Doha, Qatar, December 15-19, 1984.

 

"Performance Groups of Arab Music in Twentieth Century Egypt," Comunicação no Congresso sobre a História da Música Árabe, Rabat, Marrocos, November 25-29, 1984.

 

 

"Change in the Arab Music of Twentieth Century Egypt," Palestra, New York University, Centro Kevorkian de Estudos do Médio Oriente, October 22, 1984.

 

"The Tansformation of Performance Groups in Twentieth Century Egypt," Conferência, University of Maryland, Baltimore County, Departamento de Ciências Musicais, October 24, 1984.

 

"Ethnomusicology in Portugal," Conferência na Columbia University e na New York University, Departamento de Ciências Musicais, March, 1983.

 

"Algumas Perspectivas sobre a Mudança Musical," Conferência no Instituto Gregoriano de Lisboa, December, 1982.

 

"From Takht to Firqah: The Transformation of Arabic Music Performance Groups in Twentieth Century Cairo," Conferência na Princeton University, Colloquium Series, Departamento de Ciências Musicais, 8 de May, 1981.

 

"Collection of Jewish Folk Songs," Moderadora no Jewish Ethnic Music Festival organizado pelos Hebrew Union College e New York University, New York, March 21-23, 1981.

 

 

PAPERS IN NATIONAL AND INTERNATIONAL CONFERENCES

 

“The institutionalization of Historical Musicology and Ethnomusicology at the Nova University of Lisbon,” paper at the Music at the University: History, Models, Prospects – first Biennial International Conference, City University of London, 7 – 9 July, 2022. 

 

“Orfeu and the Changing Meaning of the Popular: Aesthetics and Discourses,” paper at the Panel Orfeu’s Records: Capitalism, Popular Music and Creativity in the Transition from the Dictatorship to Democracy in Portugal (1956-1983), 65^st Annual Meeting of the Society for Ethnomusicology. Online.  October 29, 2020.

 

 

“The Prussian Phonographic Commission, 1915 – 1918: Recording the World’s Muisc in Prisoner-of-War Camps,” Discussant of the Panel, 61^st Annual Meeting of the Society for Ethnomusicology, Washington,  10 de November, 2016.

 

“Luís Villas-Boas and the Institutionalization of Jazz in Portugal,” 58^th Annual Conference of the  Society for Ethnomusicology, Indianapolis, 16 November, 2013.

 

“Building bridges between northern Portugal and the Celtic World: The Oporto Interceltic Music Festival , Conference of the International Association for the Study of Pupular Music, Gijón (Spain), 25 June, 2013.

 

“Música Celta: Concept, Practice and Imaginary,” 47^th Conference of the Society for Ethnomusicology, New Orleans, November 2, 2012.

 

“Music in Oman: Time, Space and Politics in the Sultanate,” Discussant, 56   Conference of the Society for Ethnomusicology, Philadelphia, 19 November, 2011. 

 

“Cultural Politics and Popular Music in 20^th Century Portugal,” Seventh Conference of the  American Portuguese Studies Association, Brown University, 9 de Outubro, 2010.

 

“Gender, Politics and Aesthetics in Two-Part Singing in Southern Alentejo

(Portugal),  40th Conference of the International Council for Traditional Music, World Conference, Durban, South Africa, 9 de Julhy, 2009.

 

“Ethnomusicologists and UNESCO’s Proclamation of the Masterpieces of the Oral and Intangible Heritage of Humanity (2001-2005),” Roundtable, 53rd Conference of the Society for Ethnomusicology, Wesleyan University, Middletown (Connecticut, EUA), 26 de Outubro, 2008.

 

“ ‘Músicos ocultos’: percursos dos instrumentistas do fado”, International Conference on Fado: Percursos e Perspectivas, Lisboa, 19 Junho, 2008.

 

“Cultural Politics and Popular Music in Twentieth Century Portugal,” Comunicação no 39^th ICTM World Conference, Vienna, Àustria, 9 Julho, 2007.

 

“Portugal’s Traditional Music and Dance Revival Movements: Legacies of Modernity,”

Comunicação apresentada no âmbito da 38^th World Conference of the International Council for Traditional Music, University of Sheffield,  UK, 3 – 10 Agosto de 2005.

 

“A enciclopédia da música em Portugal no século XX,” Apresentação da obra com António Tilly, Pedro Félix e Rui Cidra, , XI Encontros de Musicologia, 18 de Maio de 2002.

 

“The Heritage of Portuguese Rural Expressive Culture in the Twentieth Century,”  The Society for Ethnomusicology 45^th annual conference, Toronto, 2 Novembro de 2000.

 

“A investigação etnomusicológica em Portugal”, Mesa redonda e comunicação, VI Congresso da Soceidade Ibérica de Etnomusicologia, Faro, 8 de Julho de 2000.

 

“Ethnomusicology in Portugal”, Conferência no Instituto de Etnologia e Folclore em  Bucareste, Roménia, 18 de Junho de 2000.

 

“Multiculturalism and National Policies in Portugal”, 35º Congresso do International Council for Traditional Music, Hiroshima, Japão, 23 de Agosto de 1999.

 

“ Festas in Portugal”, 35º Congresso do International Council for Traditional Music, Hiroshima, Japão,  19 de Agosto de 1999.

 

“A revivificação do património cultural expressivo tradicional em Portugal no século XX: relatório preliminar,” com Maria de São José Corte-Real, Comunicação no VIII Encontro Nacional de Musicologia, 8 de Abril de 1997.

 

“A música e construção da identidade no universo das comunidades migrantes em Lisboa: relatório preliminar,” com João Soeiro de Carvalho, Comunicação no VIII Encontro Nacional de Musicologia, 8 de Abril de 1997.

 

"The Heritage of Arab Music in Twentieth century Egypt, Comunicação apresentada no âmbito do 'Meeting of the Study Group on the Anthropology of Music in Mediterranean Cultures' do Conselho Internacional de Música Tradicional (UNESCO), Fondazione Levi, Veneza, 1 - 3 Junho, 1995

 

"Etnomusicologia no Espaço Português: Que Rumo ?", As Culturas Musicais Urbanas no Final do Século XX, Primeiro Encontro de Etnomusicólogos Ibero-Americanos, Lisboa, 7 -11 Março, 1994.

 

"Joint Field Work in a Segregated Society: Some Methodological Issues Arising from field Research in Sohar, Sultanate of Oman," com Dieter Christensen, Society for Ethnomusicology 37th Annual Meeting, October 22-25, Bellevue, Washington, 1992.

 

"Radio and Musical Life in Egypt," 15th Congress of the International Musicological Society, Madrid, 3- 10 de Abril, 1992.

 

"Portuguese Influences on the Musics of the World: An Introduction," 30th World Conference of the International Council for Traditional Music Hong Kong e Macau, July 2-10th, 1991. 

 

“Historical Musicology, Ethnomusicology and the study of Arab Music in Twentieth Century Egypt," Colóquio do International Musicological Society e o International Council for Traditional Music sobre, Historical Musicology and Ethnomusicology: Common Goals, Shared Methodologies ?"  University of Mainz March 20-24, 1991.

 

"The Impact of Western Music on Arab music in Egypt,"

Reuniäo do ICTM Study Group in Formation on Arab Music , Argél 20 - 24 de Novembro,  1990

 

"Western Music and Urban Musical Life in Egypt," 4º Simpósio da International Musicological Society, Osaka, Japan, 21 - 25 de Julho  21 - 25, 1990.

 

"Rural Urban Migration and Traditional Music: A Case Study from Alentejo, Portugal," Comunicaçäo no 34th Annual Meeting of the Society for Ethnomusicology, Boston, Massachusetts Institute of Technology and Harvard University, 9 - 12 de Novembro de 1989.

 

"A Etnomusicologia, a Política e Acção Culturais e a Música Tradicional: O Caso de Portugal e as suas Relações com a Espanha e os Países de Expressão Portuguesa," Comunicação no VI Encontro de Música Ibérica: Intercâmbio entre Portugal, a Espanha e o Mundo através dos tempos, Lisboa 27-28 de Outubro de 1989.

 

"Em Busca de um Mundo Perdido: Um Resumo da Documentação e Pesquisa sobre a Música Tradicional em Portugal," Comunicação na Mesa Redonda dedicada ao seguinte tema: A Península Ibérica e a Investigação Musicológica Contemporânea, no VI Encontro de Música Ibérica: Intercâmbio entre Portugal, a Espanha e o Mundo Através dos Tempos, Lisboa 27 - 28 de Outubro de 1989.

 

"The Current State of Research on the Traditional Music of Portugal," Comunicaçäo no 31st Annual Meeting da Society for Ethnomusicology, Eastman School of Music, University of Rochester, Outubro 16-19, 1986.

 

"Reflexões sobre a mudança musical," Comunicação no IV Encontro Nacional de Musicologia, organizado pelos Departamentos de Ciências Musicais da Universidade Nova de Lisboa, Fundação Calouste Gulbenkian e a Associação Portuguesa de Educação Musical, Março 24-26, 1986.

 

"Algumas Perspectivas sobre a Etnomusicologia e a Educação Musical em Portugal," Comunicação no Seminário Internacional de Educação Musical-Música no Ensino Especial, Lisboa, Junho, 1985.

 

"A Etnomusicologia Urbana: Uma Introdução," Comunicação no III Encontro Nacional de Musicologia organizado pelos Departamento de Ciências Musicais da UNL, Fundação Calouste Gulbenkian e a Associação Portuguesa de Educação Musical, 9-11 de Janeiro, 1985.

 

"A Etnomusicologia de Lisboa: Alguns Estudos," Presidente e Coordenadora da Sessão no III Encontro de Musicologia, 9 - 11 de Janeiro, 1985.

 

"The Cassette Industry in Egypt," Comunicação na Conferência da Society for Ethnomusicology, Los Angeles, California, Outubro 19-21, 1984.

 

"Historical Approaches to the Study of Traditional Arab Music in Egypt," Comunicação no Colóquio do International Council for Traditional Music, Wiepersdorf, República Democrática de Alemanha, Abril, 1984.

 

"Teaching Ethnomusicology in Portugal," Comunicação no European Seminar in Ethnomusicology, Colónia, República Federal da Alemanha, Outubro, 1983.

 

" The Revival of Traditional Arabic Music in Twentieth Century Egypt," Comunicação na Conferência da International Council for Traditional Music, New York, Agosto 6-16, 1983.

 

"Reflexões sobre a Mudança Musical," Comunicação no Seminário Margot Dias, Museu de Etnologia, Lisboa, Maio 16-20, 1983.

 

"The Role of Mediators in the Transmission of Al-Musiqa Al-'Arabiyyah in Twentieth Century Cairo,"  Comunicação na Conferência da African Studies Association, Los Angeles, California, Outubro 31 - Novembro 3, 1979.

 

"The 'Native ' Ethnomusicologist: Some Methodological Considerations," Comunicaçäo na Conferência da International Folk Music Council, Oslo, Noruega, Julho 28 - Agosto 4, 1979.

 

"Musicians in New Environments: A Case Study," Comunicação e Conferência da New York Folklore Society, Nova Iorque, Maio 18-21, 1979.

 

"Continuity and Change in Egyptian Arts: Lyrics, Music and Dance," Comunicação na Conferência da American Research Center in Egypt Annual Meeting, Philadelphia, Pennsylvania, Abril 27-19, 1979.

 

"Transmission and Musical Change: Cases from Arabic Music in Egypt," Comunicação na Conferência da Society for Ethnomusicology, St. Louis, Missouri, Outubro 26-29, 1979.

 

 

TEACHING

 

Undergraduate Courses

 

Introduction to Ethnomusicology

Music Cultures of the World

Ethnomusicology: Theory and Method

Ethnomusicology: Field Research Project

Ethnomusicology and the Study of Popular Music

Music Processes in Portugal

Analysis of Orally Transmitted Music Practices

Fado: Social and Historical Perspectives

 

Graduate Courses

Intellectual History of Ethnomusicology

Theory and Method in Ethnomusicology

Doctoral Research Seminar in Ethnomusicology

Current Trends in Ethnomusicology

 

FIELD RESEARCH

 

Heritagization of cante (2016 – 2017, intermittently)

 

Heritagization and Festivalization of fado (2014 – 2017, intermittently)

 

Celticism in Northern Portugal and Galicia,  2010 – 2012, intermittently)

 

Cante in  Baixo Alentejo and in the Metropolitan area of Lisbon and Setúbal (intermittently since 1986).

 

The Concertina and the Revitalization of  Traditional Music Practices in Alto Minho (1998)

 

Music practices in Madeira  (1996-1997)

 

Urban musics in Cairo, Egypt (summer 1996).

 

Fado Performance practice (1993).

 

Traditional Music and Soceity in Sohar, Oman (in collaboration with Dieter Christensen, 1990 and 1992).

 

Documentation of rural musics in different regions of the country (Alentejo, Beira Baixa, Beira Litoral, Minho, Trás-os-Montes), Spring 1988.

 

Traditional Music and Tourism in the Algarve (Summer of 1988).

 

The Cassette Industry and its Impact on Traditional Music in Egypt (summer 1984).

 

Traditional Arab Music in Cairo Egypt, 1976-1978, 1984 (summer), 1996 (summer) and intermittently since then.

 

 

MEMBERSHIP IN NATIONAL AND INTERNATIONAL ORGANIZATIONS

 

Society for Ethnomusicology

International Council for Traditional Music

International Musicological Society

Associação Portuguesa de Investigação em Música 

Associação Portuguesa de Antropologia

Sibe- Sociedad de Etnomusicologia

Associação Portuguesa de Educação Musical

 

PRIZES AND OTHER DISTINCTIONS AND GRANTS

 

Scientific Merit Award of the Foundation of Science and Technology (Portugal) (2022)

Merit Prize awarded by INATEL (Portugal)|Multiculturalism (2021)

Cultural Merit Award, Ministry of Culture, Republic of Egypt (2019)

Glarean Award for Music Research of the Swiss Musicological Society (2013)

Medal of Cultural Merit of the Municipality of Lisbon (2012) 

Pró-Autor prize of the Portuguese Author’s Society (2010)

Medal of Cultural Merit of the Municipality of Cascais (1997) 

Wenner-Gren Foundation for Anthropological Doctoral Research Grant (1976-1977)

American Research Center Doctoral Grant (1976-1977)

National Science Foundation, Research Grant (1977-1978)

Columbia University Doctoral Fellowship (1973-1975)

P.E.O. International Peace Scholarship Fund, Grant (1970 -1973)

Altrussa International Women's Scholarship Award (1972-1973)

Oustanding Student Award- Cairo National Conservatory, Egypt (1963-1970)