Current list of publications: https://iwk.mdw.ac.at/goebl/publ.html.
Publications
2024 | 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001 | 2000 | 1999
2024
Bishop, Laura and Goebl, Werner (2024)
"Context-specific effects of musical expertise on audiovisual integration,"
Frontiers in Psychology 5. DOI↗
Goebl, Werner and Weigl, David M. (2024)
"mei-friend: An Interactive Web-based Editor for Digital Music Encodings,"
Journal of Open Source Software 9(98), 6002. DOI↗
2023
D'Amario, Sara; Ternström, Sten; Goebl, Werner, and Bishop, Laura (2023)
"Impact of singing togetherness and task complexity on choristers’ body motion,"
in Sound and Music Computing Conference (SMAC draft proceedings) p. 146-150.
D'Amario, Sara; Schmidbauer, Harald; Roesch, Angi; Goebl, Werner; Niemand, Anna, and Bishop, Laura (2023)
"Interperformer coordination in piano-singing duo performances: phrase structure and empathy impact,"
Psychological Research 87, 2559-2582. DOI↗
D'Amario, Sara; Ternström, Sten; Goebl, Werner, and Bishop, Laura (2023)
"Body motion of choral singers ,"
Frontiers in Psychology – Performance Science 14. DOI↗
Goebl, Werner and Bishop, Laura (2023)
"Joint shaping of musical time: How togetherness emerges in music ensemble performance,"
in Performing Time: Synchrony and Temporal Flow in Music and Dance, edited by Clemens Wöllner and Justin London (Oxford University Press).
2022
D'Amario, Sara; Goebl, Werner, and Bishop, Laura (2022)
"Judgment of Togetherness in Performances by Musical Duos,"
Frontiers in Psychology. Performance Science. DOI↗
Goebl, Werner and Weigl, David M. (2022)
"The Mei-Friend Web Application: Editing MEI in the Browser,"
in Music Encoding Conference Proceedings 2022 (Halifax, Canada).
Goebl, Werner and Weigl, David M. (2022)
"Alleviating the Last Mile of Encoding: The Mei-Friend Package for the Atom Text Editor,"
in Music Encoding Conference Proceedings 2021, edited by Stefan Münnich and David Rizo (University of Alicante, Allicante, Spain) p. 31-39. DOI↗
Weigl, David M.; VanderHart, Chanda; Pescoller, Matthäus; Rammler, Delilah; Grassl, Markus; Trümpi, Fritz, and Goebl, Werner (2022)
"The Vienna Philharmonic Orchestra’s New Year’s Concerts: Building a FAIR Data Corpus for Musicology,"
in DLfM2022: 9th International Conference on Digital Libraries for Musicology (ACM Digital Library, Prague) p. 36-40. DOI↗
2021
Weigl, David M.; Crawford, Tim; Gkiokas, Aggelos; Goebl, Werner; Gómez, Emilia; Gutierrez, Nicolas F.; Liem, Cynthia C. S., and Santos, Patricia (2021)
"FAIR Interconnection and Enrichment of Public-Domain Music Resources on the Web,"
Empirical Musicology Review 16(1), 16-33. DOI↗
Pamies-Vila, Montserrat; Mayer, Alexander; Goebl, Werner, and Widholm, Gregor (2021)
"Repetitionsverhalten beim Pianino: Spielbarkeit nach Einbau unterstützender Federmechanik,"
in Proceedings of the DAGA 2021.
Parncutt, Richard and Goebl, Werner (2021)
"Piano,"
in Oxford Handbook on Music Performance, edited by Gary McPherson (Oxford University Press, Oxford, U.K.) p. 355–C17.P172. DOI↗
Weigl, David M. and Goebl, Werner (2021)
"Playing with a Web of Music: Connecting and Enriching Online Music Repositories,"
in Music, Media, History. Re-Thinking Musicology in an Age of Digital Media, edited by Elias Berner and Matej Santi and Cornelia Szabó-Knotik (transcript, Bielefeld) p. 263-282. DOI↗
Goebl, Werner and Bishop, Laura (2021)
"Joint Shaping of Musical Time: How Togetherness Emerges in Music Ensemble Performance,"
in Moving Bodies: Experiencing Time in Music and Dance, edited by Clemens Wöllner and Justin London (Oxford University Press, Oxford, U.K.).
D'Amario, Sara; Bishop, Laura; Goebl, Werner, and Niemand, Anna (2021)
"Judging Togetherness in Point-Light Displays of Professional Duo Performances,"
in International Conference on Music Perception and Cognition (ICMPC) (Sheffield, U.K.).
Weigl, David M.; Goebl, Werner; Baker, David J.; Crawford, Tim; Zubani, Federico; Gkiokas, Aggelos; Gutierrez, Nicolas F.; Porter, Alastair, and Santos, Patricia (2021)
"Notes on the Music,"
in 8th International Conference on Digital Libraries for Musicology (ACM). DOI↗
2020
Bishop, Laura and Goebl, Werner (2020)
"Negotiating a shared interpretation during piano duo performance.,"
Music & Science 3. DOI↗
Weigl, David M. and Goebl, Werner (2020)
"Rehearsal Encodings with a Social Life,"
in Proceedings of the Music Encodings Conference 2020 (Tufts University, Boston) 51-53,. DOI↗
Weigl, David M.; Goebl, Werner; Hofmann, Alex; Crawford, Tim; Zubani, Federico; Liem, Cynthia C. S., and Porter, Alastair (2020)
"Read/Write Digital Libraries for Musicology,"
in 7th International Conference on Digital Libraries for Musicology (Association for Computing Machinery, New York, NY, USA) p. 48–52. DOI↗
2019
Bishop, Laura; Cancino-Chacón, Carlos, and Goebl, Werner (2019)
"Moving to communicate, Moving to interact: Patterns of Body Motion in Musical Duo Performance.,"
Music Perception: An Interdisciplinary Journal 37(1), 1-25. DOI↗
Bishop, Laura; Cancino-Chacón, Carlos E, and Goebl, Werner (2019)
"Eye gaze as a means of giving and seeking information during musical interaction.,"
Consciousness and Cognition 68(1), 73-96. DOI↗
Bishop, Laura; Cancino-Chacón, Carlos E, and Goebl, Werner (2019)
"Beyond Synchronization: How and Why Do Ensemble Performers Communicate?,"
in Together in Music (Oxford University Press, Oxford, U.K.).
Weigl, David M.; Cancino-Chacòn, Carlos; Bonev, Martin, and Goebl, Werner (2019)
"Linking and Visualising Performance Data and Semantic Music Encoding in Real Time,"
in Proceedings of the 20th International Society for Music Information Retrieval Conference (Delft, NL).
Weigl, David M.; Goebl, Werner; Crawford, Tim; Gkiokas, Aggelos; Gutierrez, Nicolas F.; Porter, Alastair; Santos, Patricia; Karreman, Casper; Croomen, Ingmar; Liem, Cynthia C. S.; Sarasúa, Álvaro, and van Tilburg, Marcel (2019)
"Interweaving and Enriching Digital Music Collections for Scholarship, Performance, and Enjoyment,"
in Proceedings of the 6th International Workshop on Digital Libraries for Musicology (The Hague, NL) p. 84-88. DOI↗
Weigl, David M.; Liem, Cynthia C. S.; Gómez, Emilia; Crawford, Tim; Ahmed, Ryaan; Klerkx, Wim, and Goebl, Werner (2019)
"Towards Richer Online Music Public-domain Archives: Providing Enriched Access to Classical Music Encodings,"
(Vienna, Austria).
2018
Bishop, Laura and Goebl, Werner (2018)
"Performers and an Active Audience: Movement in Music Production and Perception,"
Jahrbuch Musikpsychologie 28, e19. DOI↗
Cancino-Chacón, Carlos E; Grachten, Maarten; Goebl, Werner, and Widmer, Gerhard (2018)
"Computational Models of Expressive Music Performance: A Comprehensive and Critical Review,"
Frontiers in Digital Humanities. Digital Musicology 5(25), 1-23. DOI↗
Bishop, Laura and Goebl, Werner (2018)
"Beyond Synchronization: How and Why Do Ensemble Performers Communicate?,"
in Together in Music: Expression, Performance and Communication in Ensembles (TIM-18) (University of Sheffield, Sheffield, U.K.).
Goebl, Werner (2018)
"Movement and Touch in Piano Performance,"
in Handbook of Human Motion, edited by Bertram Müller and Sebastian I. Wolf and Gert-Peter Brueggemann and Zhigang Deng and Andrew McIntosh and Freeman Miller and William Scott Selbie (Springer International Publishing, Berlin) p. 1-18.
Bishop, Laura and Goebl, Werner (2018)
"Visual Signals between Improvisers Indicate Attention Rather than Intentions,"
in 15th International Conference on Music Perception and Cognition, edited by Richard Parncutt and Sabrina Sattmann (Graz).
2017
Bishop, Laura and Goebl, Werner (2017)
"Beating time: How ensemble musicians’ cueing gestures communicate beat position and tempo,"
Psychology of Music 46(1), 84–106. DOI↗
Bishop, Laura and Goebl, Werner (2017)
"Communication for Coordination: Gesture Kinematics and Conventionality Affect Synchronization Success in Piano Duos,"
Psychological Research 82(6), 1177-1194. DOI↗
Goebl, Werner; Golka, Gerald, and Bishop, Laura (2017)
"Evaluating Models of Sensori-Motor Synchronization on a Music Performance Corpus,"
Musicae Scientiae.
Hofmann, Alex; Wesolowski, Brian, and Goebl, Werner (2017)
"The tight-interlocked rhythm section: Production and perception of synchronisation in Jazz Trio Performance,"
Journal of New Music Research 46(4), 329–341. DOI↗
Goebl, Werner (2017)
"Movement and touch in piano performance,"
in Springer Handbook of Human Motion, edited by Bertram Müller and Sebastian I. Wolf (Springer, Berlin) p. 1–18. DOI↗
Bishop, Laura and Goebl, Werner (2017)
"Music and movement: Musical instruments and performers,"
in Routledge Companion to Music Cognition, edited by Richard Ashley and Renee Timmers (Routledge, New York) p. 349-361.
Goebl, Werner (2017)
"The Bösendorfer CEUS System as a Research Tool for Performance Science,"
in International Symposium on Performance Science (ISPS), edited by Aaron Williamon and Pétur Jónasson (Reykjavik, Iceland) p. 193.
Bishop, Laura and Goebl, Werner (2017)
"Mapping Visual Attention of Duo Musicians during Rehearsal of Temporally-Ambiguous Music,"
in International Symposium on Performance Science (ISPS), edited by Aaron Williamon and Pétur Jónasson (Reykjavik, Iceland) p. 175.
Bishop, Laura and Goebl, Werner (2017)
"Mind reading during ensemble performance: Communicating with nonverbal signals,"
in Best of isaScience 2013–2016. An Interdisciplinary Collection of Essays on Music and Arts, edited by Ursula Hemetek and Cornelia Szabó-Knotik (Hollitzer Verlag, Vienna) p. 111-133.
Cancino-Chacòn, Carlos; Bonev, Martin; Durand, Amaury; Grachten, Maarten; Arzt, Andreas; Bishop, Laura; Goebl, Werner, and Widmer, Gerhard (2017)
"The ACCompanion v0.1: An Expressive Accompaniment System,"
in 18th International Society for Music Information Retrieval Conference (ISMIR) (Suzhou, China).
Bishop, Laura and Goebl, Werner (2017)
"Mapping Visual Attention of Ensemble Musicians during Performance of "Temporally Ambisous" Music,"
(Frankfurt).
Bishop, Laura and Goebl, Werner (2017)
"Coordinating Piece Onsets: How Gesture Kinematics Affect Cue Clarity,"
(San Diego, CA).
2016
Bishop, Laura and Goebl, Werner (2016)
"Coordinating piece entrances: Communication of beat position and tempo through ensemble musicians' cueing gestures (abstract),"
in Jahrestagung der Deutschen Gesellschaft für Musikpsychologie (Vienna, Austria).
Goebl, Werner (2016)
"Geformte Zeit in der Musik,"
in Österreichischer Wissenschaftstag 2015 (Böhlau Verlag, Wien) p. im Druck.
Hofmann, Alex and Goebl, Werner (2016)
"Finger forces in Clarinet playing,"
Frontiers in Psychology. Performance Science 7(1140)
.
Hofmann, Alex; Goebl, Werner, and Wesolowski, Brian C. (2016)
"Synchronisation im Jazz Ensemble (abstract),"
in Jahrestagung der Deutschen Gesellschaft für Musikpsychologie (Vienna, AT).
2015
Arzt, Andreas; Goebl, Werner, and Widmer, Gerhard (2015)
"Flexible score following: The Piano Music Companion and beyond,"
in Proceedings of the Third Vienna Talk on Music Acoustics, edited by Alexander Mayer and Vasileios Chatziioannou and Werner Goebl (Institute Of Music Acoustics (Wiener Klangstil), Vienna, Austria) p. 220-223.
Bishop, Laura and Goebl, Werner (2015)
"When They Listen and When They Watch: Pianist's Use of Nonverbal Audio and Visual Cues during Duet Performance,"
Musicae Scientiae 19(1), 84-110.
Bishop, Laura and Goebl, Werner (2015)
"Pianists' use of nonverbal audio and visual cues during duet performance,"
in Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM) p. to appear.
Bishop, Laura and Goebl, Werner (2015)
"Ready, Set, Go: Mapping the gestures used to cue entrances in duo performance,"
in International Symposium on Performance Science (Kyoto, Japan) p. to appear.
Bishop, Laura and Goebl, Werner (2015)
"Enabling synchronization: Auditory and visual modes of communication during ensemble performance (Abstract),"
in Proceedings of the Third Vienna Talk on Music Acoustics, edited by Alexander Mayer and Vasileios Chatziioannou and Werner Goebl (Institute Of Music Acoustics (Wiener Klangstil), Vienna, Austria) p. 207-207.
Goebl, Werner and Guggenberger, Dominikus (2015)
"TappingFriend - an interactive science exhibit for experiencing synchronicity with real and artificial partners,"
in Proceedings of the Third Vienna Talk on Music Acoustics, edited by Alexander Mayer and Vasileios Chatziioannou and Werner Goebl (Institute Of Music Acoustics (Wiener Klangstil), Vienna, Austria) p. 227-230.
Hofmann, Alex; Wesolowski, Brian C., and Goebl, Werner (2015)
"Rotating the Groove: Participatory Discrepancies with Varied Personnel in Jazz Trio Performance (abstract),"
in International Symposium on Performance Sciene (ISPS) (Kyoto, JP) p. 104-105.
Hofmann, Alex; Wesolowski, Brian C., and Goebl, Werner (2015)
"Hi-hat as groove lock in a jazz ensemble? (abstract),"
in Rhythm Production and Perception Workshop (Amsterdam, NL).
Alexander Mayer and Vasileios Chatziioannou and Werner Goebl (eds.) (2015)
Proceedings of the Third Vienna Talk on Music Acoustics (Institute Of Music Acoustics (Wiener Klangstil), Vienna, Austria).
Wesolowski, Brian C.; Hofmann, Alex; Schultz, Benjamin, and Goebl, Werner (2015)
"Temporal Synchronization in improvised and groove-based jazz performances (abstract),"
in Improvising Brain Concert and Symposium (Atlanta, US).
2014
Bishop, Laura and Goebl, Werner (2014)
"Effects of musical expertise on audiovisual integration: Instrument-specific or generalisable?,"
in Proceedings of the ICMPC-APSCOM 2014 Joint Conference: 13th International Conference on Music Perception and Cognition and 5th Conference of Asia-Pacific Society for the Cognitive Sciences of Music, edited by Moo Kyoung Song (College of Music, Yonsei University, Seoul, Korea) p. 64.
Bishop, Laura and Goebl, Werner (2014)
"Context-specific effects of musical expertise on audiovisual integration,"
Frontiers in Psychology. Cognitive Science 5, 1123.
Goebl, Werner (2014)
"Empirically assessing rhythmic entrainment: a re-analysis of Ohriner’s “Listener-Performance Synchronicity in Recorded Performances of Chopin’s Mazurkas” ,"
Empirical Musicology Review 9(2), 133-144.
Goebl, Werner (2014)
"Translation in Performance Science,"
in Performing Translation. Schnittstellen zwischen Kunst, Pädagogik und Wissenschaft, edited by Werner Hasitschka (Löcker, Wien) p. 357-367.
Goebl, Werner; Bresin, Roberto, and Fujinaga, Ichiro (2014)
"Perception of touch quality in piano tones,"
Journal of the Acoustical Society of America (JASA) 136(5), 2839-2850.
Goebl, Werner; Dixon, Simon, and Schubert, Emery (2014)
"Quantitative methods: Motion analysis, audio analysis, and continuous response techniques,"
in Expressiveness in Music Performance - Empirical Approaches across Styles and Cultures, edited by Dorottya Fabian and Renee Timmers and Emery Schubert (Oxford University Press, Oxford, U.K.) p. 221-239.
Golka, Gerald and Goebl, Werner (2014)
"Tracking expressive performances with linear and non-linear timing models,"
in Proceedings of the ICMPC-APSCOM 2014 Joint Conference: 13th International Conference on Music Perception and Cognition, ICMPC13, and 5th Conference of Asia-Pacific Society for the Cognitive Sciences of Music, edited by Moo Kyoung Song (College of Music, Yonsei University, Seoul, KR) p. 164-165.
Hofmann, Alex and Goebl, Werner (2014)
"Production and perception of legato, portato and staccato articulation in saxophone playing,"
Frontiers in Psychology. Cognitive Science 5(690).
Hofmann, Alex; Goebl, Werner; Zabransky, Konstantin; Weilguni, Michael, and Smetana, Walter (2014)
"Monitoring Reed Vibrations and Finger Forces on a Viennese Clarinet (abstract),"
in 6th Congress of the Alps Adria Acoustics Association (Graz, AT).
2013
Aaron Williamon and Werner Goebl (eds.) (2013)
Proceedings of the International Symposium on Performance Science 2013 (European Association of Conservatoires (AEC), Brussels, Belgium).
Goebl, Werner and Palmer, Caroline (2013)
"Temporal control and hand movement efficiency in skilled music performance,"
PLOS ONE 8(1), e50901.
Hadjakos, Aristotelis; Großhauser, Tobias, and Goebl, Werner (2013)
"Motion analysis of music ensembles with the Kinect,"
in International Conference on New Interfaces for Musical Expression (NIME) (Korea Advanced Institute of Science and Technology, KAIST, Daejeon, Korea) p. 106-110.
Hofmann, Alex; Chatziioannou, Vasileios; Weilguni, Michael; Goebl, Werner, and Kausel, Wilfried (2013)
"Measurement setup for articulatory transient differences in woodwind performance,"
in Proceedings of Meetings on Acoustics, POMA - ICA 2013 (Acoustical Society of America, Montreal, Canada) 19, p. 035060.
Hofmann, Alex; Chatziioannou, Vasileios; Weilguni, Michael; Goebl, Werner, and Kausel, Wilfried (2013)
"Measurement setup for articulatory transient differences in woodwind performance (abstract),"
133, p. 3501.
Hofmann, Alex; Goebl, Werner, and Weilguni, Michael (2013)
"Evaluating A Wavelet-based Analysis Of Sensor Reed Signals For Performance Research,"
in Proceedings of the Stockholm Music Acoustics Conference 2013, SMAC 13, edited by Roberto Bresin and Anders Askenfeldt (Stockholm, Sweden) p. 398-402.
Hofmann, Alex; Goebl, Werner; Weilguni, Michael, and Smetana, Walter (2013)
"Zooming into saxophone performance: Tongue and finger coordination,"
in Proceedings of the International Symposium on Performance Science 2013, edited by Aaron Williamon and Werner Goebl (European Association of Conservatoires (AEC), Brussels, Belgium) p. 289-294.
Hofmann, Alex; Mayer, Alexander, and Goebl, Werner (2013)
"Towards a live-electronic setup with a sensor-reed saxophone and Csound,"
in Linux Audio Conference p. 153-156.
Hofmann, Alex; Weilguni, Michael; Goebl, Werner, and Smetana, Walter (2013)
"Die Sensorklarinette - Ein Messinstrument für Fingerkräfte beim Klarinettenspiel,"
in Gesund Musizieren - Wissenschaftliche Tagung der Österreichischen Gesellschaft für Musik und Medizin p. 69.
Weilguni, Michael; Hofmann, Alex; Smetana, Walter, and Goebl, Werner (2013)
"Fabrication and mechanical characterization of ring-shaped LTCC/HTCC finger force sensors used for performance studies in clarinet playing,"
in The 17th International Conference on Solid-State Sensors, Actuators and Microsystems (IEEE, Barcelona, Spain) p. 2741-2744.
Weilguni, Michael; Hofmann, Alex; Smetana, Walter; Goebl, Werner; Nicolics, Johann, and Radosavljevic, Goran (2013)
"Comparison of the Life-Time Prediction of Low/High Temperature Co-Fired Ceramics for Force Sensor Applications,"
in Proceedings of the 2013 Conference of the European Ceramic Society.
2012
Goebl, Werner and Palmer, Caroline (2012)
"Examining finger-wrist joint-angle structure in piano playing with motion-capture technology,"
in 12th International Conference on Music Perception and Cognition (ICMPC) and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), edited by Emilios Cambouropoulos and Costas Tsougras and Panayotis Mavromatis and Costas Pastiadis (Aristotle University Thessaloniki, Thessaloniki, Greece) p. 358.
Hofmann, Alex; Chatziioannou, Vasileios; Kausel, Wilfried; Goebl, Werner; Weilguni, Michael, and Smetana, Walter (2012)
"The influence of tonguing on tone production with single-reed instruments,"
in 5th Congress of the Alps Adria Acoustics Association (Zadar, Croatia).
Hofmann, Alex; Goebl, Werner; Weilguni, Michael; Mayer, Alexander, and Smetana, Walter (2012)
"Measuring tongue and finger coordination in saxophone performance,"
in 12th International Conference on Music Perception and Cognition (ICMPC) and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), edited by Emilios Cambouropoulos and Costas Tsougras and Panayotis Mavromatis and Costas Pastiadis (Aristotle University Thessaloniki, Thessaloniki, Greece) p. 442-445.
Weilguni, Michael; Smetana, Walter; Hofmann, Alex; Goebl, Werner; Radosavljevic, Goran, and Nicolics, Johann (2012)
"A ring-shaped LTCC/HTCC sensor for detection of finger forces in clarinet playing,"
in IEEE Sensors 2012 (IEEE, Taipei, Taiwan) p. 1114-1119.
Weilguni, Michael; Smetana, Walter; Radosavljevic, Goran; Nicolics, Johann; Goebl, Werner, and Hofmann, Alex (2012)
"Low Temperature Co-fired Ceramics Processing Parameters Governing the Performance of Miniaturized Force Sensors,"
in IMAPS/ACerS 8th International Conference and Exhibition on Ceramic Interconnect and Ceramic Microsystems Technologies (CICMT 2012)
(Erfurt, Germany).
2011
Goebl, Werner (2011)
"Die ungleichzeitige Gleichzeitigkeit des Spiels: Tempo rubato in Magaloffs Chopin und andere Ansynchronizitäten,"
in Gemessene Interpretation - Computergestützte Aufführungsanalyse im Kreuzverhör der Disziplinen, edited by Heinz von Loesch and Stefan Weinzierl (Schott, Mainz) p. 145-156.
Goebl, Werner (2011)
"Temporarily out of sync: Momentary temporal independence of a solo voice as expressive device,"
in Forum Acusticum Aalborg 2011 (European Acoustics Association, Aalborg, Danmark) p. 615-619.
Weilguni, Michael; Atassi, Ibrahim; Gschohmann, Walter; Smetana, Walter; Nicolics, Johann, and Goebl, Werner (2011)
"An analytical model for a two-layer LTCC beam,"
in International Spring Seminar on Electronics Technology (ISSE'2011)
(IEEE, Tratanska Lomnica, Slovakia) p. 481-485.
Weilguni, Michael; Smetana, Walter; Nicolics, Johann; Kausel, Wilfried, and Goebl, Werner (2011)
"Influence of lamination parameters on mechanical properties of low temperature co-fired ceramic tapes,"
Microelectronics Reliability 51(7), 1253-1256.
2010
Flossmann, Sebastian; Goebl, Werner; Grachten, Maarten; Niedermayer, Bernhard, and Widmer, Gerhard (2010)
"The Magaloff Project: An interim report,"
Journal of New Music Research 39(4), 363-377.
Flossmann, Sebastian; Goebl, Werner, and Widmer, Gerhard (2010)
"The Magaloff corpus: An empirical error study,"
in Proceedings of the International Conference on Music Perception and Cognition, ICMPC11 (Causal Productions, Seattle, Washington, USA) p. 469-473.
Werner Goebl (ed.) (2010)
Proceedings of the Second Vienna Talk on Music Acoustics (Institute of Musical Acoustics (Wiener Klangstil), Vienna, Austria).
Goebl, Werner; Flossmann, Sebastian, and Widmer, Gerhard (2010)
"Investigations into between-hand synchronization in Magaloff's Chopin,"
Computer Music Journal (CMJ) 34(3), 35-44.
Goebl, Werner and Palmer, Caroline (2010)
"Analyzing finger motion in piano performance: Touch and tempo effects (poster),"
in Proceedings of the Second Vienna Talk on Music Acoustics, edited by Werner Goebl (Institute of Musical Acoustics (Wiener Klangstil), Vienna, Austria).
2009
Flossmann, Sebastian; Goebl, Werner, and Widmer, Gerhard (2009)
"Maintaining skill across the life span: Magaloff's entire Chopin at age 77,"
in International Symposium on Performance Science, ISPS, Auckland, New Zealand, edited by Aaron Williamon and Pretty Williamon (European Association of Conservatoires (AEC), Utrecht, The Netherlands) p. 119-124.
Goebl, Werner; Flossmann, Sebastian, and Widmer, Gerhard (2009)
"Computational investigations into between-hand synchronization in piano playing: Magaloff's complete Chopin,"
in Proceedings of the SMC 2009 - 6th Sound and Music Computing Conference, edited by Fabien Gouyon and Alvaro Barbosa and Xavier Serra (Porto, Portugal) p. 291-296.
Goebl, Werner and Palmer, Caroline (2009)
"Synchronization of timing and motion among performing musicians,"
Music Perception: An Interdisciplinary Journal 26(5), 427-438.
Goebl, Werner and Palmer, Caroline (2009)
"Finger motion in piano performance: Touch and tempo,"
in International Symposium on Performance Science, ISPS, Auckland, New Zealand, edited by Aaron Williamon and Sharman Pretty and Ralph Buck (European Association of Conservatoires (AEC), Utrecht, The Netherlands) p. 65-70.
Goebl, Werner and Widmer, Gerhard (2009)
"On the use of computational methods for expressive music performance.,"
in Modern Methods for Musicology: Prospects, Proposals, and Realities, edited by Tim Crawford and Lorna Gibson (Ashgate Publishing, London) p. 93-113.
Grachten, Maarten; Goebl, Werner; Flossmann, Sebastian, and Widmer, Gerhard (2009)
"Phase-plane representation and visualization of gestural structure in expressive timing.,"
Journal of New Music Research 38(2), 183-195.
2008
Goebl, Werner; Dixon, Simon; De Poli, Giovanni; Friberg, Anders; Bresin, Roberto, and Widmer, Gerhard (2008)
"Sense in expressive music performance: Data acquisition, computational studies, and models,"
in Sound to Sense - Sense to Sound: A State of the Art in Sound and Music Computing, edited by Pietro Polotti and Davide Rocchesso (Logos Verlag, Berlin, Germany) p. 195-242.
Goebl, Werner and Fujinaga, Ichiro (2008)
"Do key-bottom sounds distinguish piano tones?,"
in Proceedings of the International Conference on Music Perception and Cognition, ICMPC10 (Sapporo, Japan) p. 292.
Goebl, Werner and Palmer, Caroline (2008)
"Tactile feedback and timing accuracy in piano performance,"
Experimental Brain Research 186(3), 471-479.
Goebl, Werner and Palmer, Caroline (2008)
"Synchronization of Timing and Motion in Piano Duet Performance,"
in The Neurosciences and Music III, edited by Fondazione Pierfranco and Luisa Mariani (Montreal, McGill University).
Grachten, Maarten; Goebl, Werner; Flossmann, Sebastian, and Widmer, Gerhard (2008)
"Phase-plane visualizations of gestural structure in expressive timing,"
(Department of Music Studies, Artistotle University of Thessaloniki, Thessaloniki, Greece).
Grachten, Maarten; Goebl, Werner; Flossmann, Sebastian, and Widmer, Gerhard (2008)
"Intuitive visualization of gestures in expressive timing: A case study on the final ritard,"
in Proceedings of the International Conference on Music Perception and Cognition, ICMPC10 (Sapporo, Japan) p. 228-235.
2007
Goebl, Werner and Palmer, Caroline (2007)
"How do finger dynamics change with tempo in skilled piano performance?,"
in Proceedings of the Society of Music Perception and Cognition Conference, SMPC07 (Montréal, Canada) p. 105-106.
Goebl, Werner and Palmer, Caroline (2007)
"Proprioceptive feedback aids timing accuracy in complex finger sequences (abstract),"
Journal of Cognitive Neuroscience D134, 153.
Palmer, Caroline and Goebl, Werner (2007)
"Anticipatory finger movements in musical sequences (abstract),"
in 48th Annual Meeting of the Psychonomic Society, November 15-18, 2007 (Long Beach, CA).
2006
Dixon, Simon; Goebl, Werner, and Cambouropoulos, Emilios (2006)
"Perceptual smoothness of tempo in expressively performed music,"
Music Perception: An Interdisciplinary Journal 23(3), 195-214.
Goebl, Werner and Palmer, Caroline (2006)
"Anticipatory motion in piano performance (abstract),"
Journal of the Acoustical Society of America (JASA) 120(5), 3002.
Goebl, Werner and Widmer, Gerhard (2006)
"Unobtrusive practice tools for pianists,"
in Proceedings of the 9th International Conference on Music Perception and Cognition, ICMPC9, edited by Mario Baroni and Anna Rita Addessi and R Caterina and Marco Costa (Bologna (IT)) p. 209-214.
2005
Dixon, Simon; Goebl, Werner, and Widmer, Gerhard (2005)
"The "Air Worm": An interface for real-time manipulation of expressive music performance,"
in Proceedings of the International Computer Music Conference, ICMC 2005 (ICMA, San Francisco, CA) p. 614-617.
Goebl, Werner; Bresin, Roberto, and Galembo, Alexander (2005)
"Touch and temporal behavior of grand piano actions,"
Journal of the Acoustical Society of America (JASA) 118(2), 1154-1165.
Widmer, Gerhard; Dixon, Simon; Flexer, Arthur; Goebl, Werner; Knees, Peter; Madsen, Tjagvad Søren; Pampalk, Elias; Pohle, Tim; Schedl, Markus, and Tobudic, Asmir (2005)
"The Machine Learning and Intelligent Music Processing Group at the Austrian Research Institute for Artificial Intelligence (OFAI), Vienna,"
in Proceedings of the International Computer Music Conference, ICMC 2005 (International Computer Music Association, San Francisco, CA) p. 169-172.
2004
Goebl, Werner; Bresin, Roberto, and Galembo, Alexander (2004)
"Once again: The perception of piano touch and tone. Can touch audibly change piano sound independently of intensity?,"
in Proceedings of the International Symposium on Musical Acoustics, ISMA 2004, edited by Daisuke Naganuma (Nara, Japan) p. 332-335.
Goebl, Werner; Pampalk, Elias, and Widmer, Gerhard (2004)
"Exploring expressive performance trajectories: Six famous pianists play six Chopin pieces,"
in Proceedings of the 8th International Conference on Music Perception and Cognition, ICMPC8, edited by Scott D. Lipscomp and Richard Ashley and Robert O. Gjerdingen and Peter Webster (Causal Productions, Adelaide, Australia) p. 505-509.
Widmer, Gerhard and Goebl, Werner (2004)
"Computational models of expressive music performance: The state of the art,"
Journal of New Music Research 33(3), 203-216.
2003
Goebl, Werner (2003)
The Role of Timing and Intensity in the Production and Perception of Melody in Expressive Piano Performance
Karl Franzens University of Graz.
Goebl, Werner and Bresin, Roberto (2003)
"Measurement and reproduction accuracy of computer-controlled grand pianos,"
in Proceedings of the Stockholm Music Acoustics Conference 2003, SMAC 03. Volume I, edited by Roberto Bresin (Royal Swedish Academy of Music, Stockholm (SE)) 1, p. 155-158.
Goebl, Werner and Bresin, Roberto (2003)
"Measurement and reproduction accuracy of computer-controlled grand pianos,"
Journal of the Acoustical Society of America (JASA) 114(4), 2273-2283.
Goebl, Werner; Bresin, Roberto, and Galembo, Alexander (2003)
"The piano action as the performer's interface: Timing properties, dynamic behaviour and the performer`s possibilities,"
in Proceedings of the Stockholm Music Acoustics Conference 2003, SMAC 03. Volume I, edited by Roberto Bresin (Royal Swedish Academy of Music, Stockholm (SE)) 1, p. 159-162.
Goebl, Werner and Parncutt, Richard (2003)
"Asynchrony versus intensity as cues for melody perception in chords and real music,"
in Proceedings of the 5th Triennial ESCOM Conference, September 8-13, 2003, edited by Reinhard Kopiez and Andreas C. Lehmann and Irving Wolther and Christian Wolf (Hanover University of Music and Drama, Hanover, Germany) p. 376-380.
Kopiez, Reinhard; Bangert, Marc; Altenmüller, Eckart, and Goebl, Werner (2003)
"Tempo and loudness analysis of a continuous 28-hour performance of Erik Satie's composition 'Vexations',"
in Proceedings of the 5th Triennial ESCOM Conference, September 8-13, 2003, edited by Reinhard Kopiez and Andreas C. Lehmann and Irving Wolther and Christian Wolf (Hanover University of Music and Drama, Hanover, Germany) p. 372-375.
Kopiez, Reinhard; Bangert, Marc; Goebl, Werner, and Altenmüller, Eckart (2003)
"Tempo and loudness analysis of a continuous 28-hour performance of Erik Satie's composition 'Vexations',"
Journal of New Music Research 32(3), 243-258.
Langner, Jörg and Goebl, Werner (2003)
"Visualizing expressive performance in tempo--loudness space,"
Computer Music Journal (CMJ) 27(4), 69-83.
Pampalk, Elias; Goebl, Werner, and Widmer, Gerhard (2003)
"Visualizing changes in the inherent structure of data for exploratory feature selection,"
in Proceedings of the Ninth ACM SIGKDD International Conference on Knowledge Discovery and Data Mining (ACM, Washington DC) p. 157-166.
Widmer, Gerhard; Dixon, Simon; Goebl, Werner; Pampalk, Elias, and Tobudic, Asmir (2003)
"In search of the Horowitz factor,"
AI Magazine 24(3), 111-130.
2002
Dixon, Simon; Goebl, Werner, and Widmer, Gerhard (2002)
"Real time tracking and visualisation of musical expression,"
in Proceedings of the Second International Conference on Music and Artificial Intelligence (ICMAI'2002)
, edited by Christina Anagnostopoulou and Miguel Ferrand and Alan Smaill (Springer Verlag, Berlin) p. 58-68.
Dixon, Simon and Goebl, Werner (2002)
"Pinpointing the beat: Tapping to expressive performances,"
in Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney. (ICMPC'2002)
, edited by Catherine Stevens and Denis Burnham and Gary McPherson and Emery Schubert and James Renwick (Causal Productions, Adelaide, Australia) p. 617-620.
Dixon, Simon; Goebl, Werner, and Widmer, Gerhard (2002)
"The Performance Worm: Real time visualisation based on Langner's representation,"
in Proceedings of the 2002 International Computer Music Conference. Göteborg, Sweden, edited by Mats Nordahl (International Computer Music Association, San Francisco, CA) p. 361-364.
Goebl, Werner and Parncutt, Richard (2002)
"The influence of relative intensity on the perception of onset asychonies,"
in Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney. (ICMPC'2002)
, edited by Catherine Stevens and Denis Burnham and Gary McPherson and Emery Schubert and James Renwick (Causal Productions, Adelaide, Australia) p. 613-616.
Langner, Jörg and Goebl, Werner (2002)
"Representing expressive performance in tempo-loudness space,"
in ESCOM 10th Anniversary Conference on Musical Creativity, April 5-8, 2002 (Liège, Belgium) p. 39904.
Langner, Jörg and Goebl, Werner (2002)
"Was kennzeichnet die Interpretation eines guten Musikers? Die integrierte Analyse von Tempo- und Lautstärkegestaltung und ihre musikpädagogischen Anwendungsperspektiven,"
in Multimedia als Gegenstand musikpädagogischer Forschung, edited by Rudolf-Dieter Kraemer (Die Blaue Eule, Essen) p. 193-208.
2001
Cambouropoulos, Emilios; Dixon, Simon; Goebl, Werner, and Widmer, Gerhard (2001)
"Human preferences for tempo smoothness,"
in Seventh International Symposium on Systematic and Comparative Musicology, Third International Conference on Cognitive Musicology, August 16-19, 2001, edited by Henna Lappalainen (University of Jyväskylä, Jyväskylä, Finland) p. 18-26.
Dixon, Simon; Goebl, Werner, and Cambouropoulos, Emilios (2001)
"Beat extraction from expressive musical performances,"
in Meeting of the Society for Music Perception and Cognition (SMPC2001)
(Kingston, Ontario, Canada) p. 62-63.
Goebl, Werner (2001)
"Melody lead in piano performance: Expressive device or artifact?,"
Journal of the Acoustical Society of America (JASA) 110(1), 563-572.
Goebl, Werner and Bresin, Roberto (2001)
"Are computer-controlled pianos a reliable tool in music perfomance research? Recording and reproduction precision of a Yamaha Disklavier grand piano,"
in Proceedings of the MOSART workshop on current research directions in computer music, 15-17 Nov 2001 (Barcelona, Spain) p. 45-50.
Goebl, Werner and Dixon, Simon (2001)
"Analyses of tempo classes in performances of Mozart piano sonatas,"
in Proceedings of the VII International Symposium on Systematic and Comparative Musicology, III International Conference on Cognitive Musicology, August 16-19, 2001, edited by Henna Lappalainen (University of Jyväskylä, Jyväskylä, Finland) p. 65-76.
Goebl, Werner and Parncutt, Richard (2001)
"Perception of onset asynchronies: Acoustic piano versus syntesized complex versusu pure tone,"
in Meeting of the Society for Music Perception and Cognition (SMPC2001)
(Kingston, Canada) p. 21-22.
Langner, Jörg and Goebl, Werner (2001)
"Was kennzeichnet die Interpretation eines guten Musikers? Die integrierte Analyse von Tempo- und Lautstärkegestaltung und ihre musikpädagogischen Anwendungsperspektiven,"
in Multimedia als Gegenstand musikpädagogischer Forschung, 5.-7. Okt. 2001 (Regensburg, Germany).
Widmer, Gerhard; Dixon, Simon; Goebl, Werner; Stamatatos, Efstathios, and Asmir, Tobudic (2001)
"Empirical Music Performance Research: OeFAI's Position,"
(Audiovisual Institute, Pompeu Fabra University, Barcelona (ES)).
2000
Goebl, Werner (2000)
"Skilled piano performance: Melody lead caused by dynamic differentiation,"
in Proceedings of the 6th International Conference on Music Perception and Cognition (ICMPC6), Aug 5-10, 2000, edited by Chris Woods and Geoff Luck and Renaud Brochard and Frederick A. Seddon and John A. Sloboda (Keele University, Department of Psychology, Keele, UK) p. 1165-1176.
1999
Goebl, Werner (1999)
"Numerisch-klassifikatorische Interpretationsanalyse mit dem “Bösendorfer Computerflügel”," (2 Bände)
Institut für Musikwissenschaft, Universität Wien.
Goebl, Werner (1999)
"Analysis of piano performance: towards a common performance standard?,"
in Proceedings of the Society of Music Perception and Cognition Conference (SMPC99) (North-Western University, Evanston, Illinois, USA).