Bass lover Brahms would be blown away: composers have been heavily favouring bass instruments for quite some time now. Bernhard Gander lives out his death metal-inspired predilection for carrion and the macabre in pieces such as morbidable II (une charogne) for solo contrabass clarinet and bass (2015). DW22. Winterlicht for bass flute and double bass … Continue reading A Brief History of the Bass and the Bassettchen