Marko Kölbl and Fritz Trümpi (eds.)
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Contents
Ambivalences in Music and Democracy. Introductory Remarks by Marko Kölbl and Fritz Trümpi
Part 1: From Recorded Democracy to Digital Participation?
Entrepreneurial Tapists: Underground Music Reproduction and Distribution in the U.S. and U.S.S.R., 1960s and 1970s by Marsha Siefert
New Model, Same Old Stories? Reproducing Narratives of Democratization in Music Streaming Debates by Raphaël Nowak and Benjamin A. Morgan
Part 2: Political Impacts of Bourgeois Music Culture
The National Society of Music (1915–1922) and the Ambivalent Democratization of Music in Spain by David Ferreiro Carballo
Verdi at the Heart of the Dictatorship: A celebrazione verdiana Among Fascists by Gabrielle Prud’homme
Part 3: (Non‐)Democratic Participation in Popular Music and Performance Cultures
The Intervision Song Contest: Popular Music and Political Liberalization in the Eastern Bloc by Dean Vuletic
“Vodka, Beer, Papirosy”: Eastern European Working-class Cultures Mimicry in Contemporary Hardbass by Ondřej Daniel
Disembodiment and South Asian Performance Cultures by Rumya S. Putcha
Part 4: Sonic Implications of Political Changes
Music Activism in Serbia at the Turn of the Millennium: Counterpublics, Citizenship, and Participatory Art by Milena Dragićević Šešić and Julija Matejić
Expanding Musical Inclusivity: Representing and Re-presenting Musicking in Deaf Culture through Hip Hop by Katelyn E. Best
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