How to cite
How to cite
Program of the Symposium
‘universum rei harmonicae concentum absolvunt’
Das Cembalo im 16. Jahrhundert / The Harpsichord in the 16th Century
Symposium – Workshops – Recitals
University of Music and Performing Arts Vienna, Department of Musicology and Performance Studies and Department of Early Music
Vienna, 20–22 April 2021
Tuesday, 20 April
9:30 – 10:45 Opening
Introduction (Augusta Campagne / Markus Grassl)
Keynote Lecture and Recital
Catalina Vicens (Brussels / Leiden / Basel): The Rhetoric of Sweetness: Towards Ideals of Perception and Performance in Sixteenth-Century Keyboard Music
11:15 – 13:00 Papers
John Griffiths (Melbourne / Tours): Imaginary Interchangeability: Notation, Keyboards and Lutes in the Sixteenth Century
Domen Marinčič (Lubljana): ‘nach seinem selbst gefallen mit der Mensur wexln’: Varying the Beat in Sixteenth-Century Keyboard Music on Account of Ornamentation and Changing Note Values
14:30 – 16:30 Lecture Recitals
Paweł Gancarczyk (Warsaw) / Corina Marti (Basel): Traces of the Renaissance Harpsichord in Poland
Christina Edelen (Den Haag): Beyond Sweelinck: The Sixteenth Century Harpsichord in the Lowlands
17:00 – 20:00 Workshop Nicholas Parle (Vienna / London)
Wednesday, 21 April
9:30 – 12:30 Workshop Corina Marti (Basel)
13:15 – 15:15 Lecture Recitals
Vania Dal Maso (Verona): On Performing Josquin’s Chansons on the Clavicytherium
Fabio Antonio Falcone (Geneva): Andrea Antico – Frottole Intabulate Da Sonare Organi Libro Primo
15:45 – 17:45 Lecture Recitals
Gwendolyn Toth (New York): Let Me Die: Rhetoric, Poetry and Intabulations on Themes of Ovid
Thérèse de Goede (Amsterdam): Glossing Cadences and Descanting over a Tenor: Improvising Diminution and Counterpoint According to Diego Ortiz, Thomas de Sancta Maria and Antonio de Cabezón
18:15 – 19:30 Papers
Janie Cole (Cape Town): From Lisbon via Goa to Shewa: Harpsichords, Missionaries and Musical Encounters in Late Renaissance Ethiopia
Ian Pritchard (Los Angeles): Hacking the System: Italian Keyboard Tablature as Observed Through Scribal Habit
Thursday, 22 April
9:30 – 10:45 Papers
Maria Luisa Baldassari (Bologna): Le mani di Cecilia: Keyboard Players in Italian Renaissance Paintings
Heidelinde Pollerus (Graz): „Aussehen und Ansehen“. Phänomene der Dekoration historischer Tasteninstrumente im 16. Jahrhundert
11:15 – 13:00 Lecture Recital
Andrés Cea Galán (Sevilla): Antonio de Cabezón at the Center of the World: The Repertory, the Interpretation, the Meaning
14:30 – 16:30 Workshop Andrés Cea Galán
17:00 – 20:00 Workshop Catalina Vicens
General Abbreviations
| attr. | attributed |
| b./bb. | bar(s) |
| c. | circa |
| cap. | capitulum |
| ch. | chapter |
| cit. | cited |
| ed., eds. | editor(s)/edited |
| esp. | especially |
| et al. | et alia, -i, -ae |
| ex., exs. | example(s) |
| f. | and following |
| facs. | facsimile |
| fasc. | fascicle |
| fig., figs. | figure(s) |
| fl. | floruit |
| fol./fols. | folio(s) |
| ibid. | ibidem |
| inv. | inventory |
| lib. | libro/liber |
| m./mm. | measure/measures |
| MS | Manuscript |
| n. | footnote |
| n.a. | not available |
| n.d. | no date |
| no. | number |
| n.p. | no place |
| n.pag. | no pagination |
| p./pp. | page(s) |
| pt. | part |
| r. | reign(ed) |
| repr. | reprint/reprinted |
| rev. | revised |
| s.d. | sine dato |
| tab./tabs. | table(s) |
| trans. | translated/translation |
| vol./vols. | volume(s) |
Bibliographical Abbreviations
| AfMw | Archiv für Musikwissenschaft |
| AnM | Anuario musical |
| BJbHM | Basler Jahrbuch für historische Musikpraxis |
| Brown | Howard Mayer Brown, Instrumental Music Printed Before 1600: A Bibliography (Cambridge MA, 1967) |
| CMM | Corpus Mensurabilis Musicae |
| EdM | Das Erbe deutscher Musik |
| EM | Early Music |
| EMH | Early Music History |
| JAMIS | Journal of the American Musical Instrument Society |
| JAMS | Journal of the American Musicological Society |
| JM | Journal of Musicology |
| JMT | Journal of Music Theory |
| JRMA | Journal of the Royal Musical Association |
| MD | Musica Disciplina |
| MGG | Die Musik in Geschichte und Gegenwart, ed. Friedrich Blume, 17 vols. (Kassel, 1949–1986) |
| MGG2 | Die Musik in Geschichte und Gegenwart, zweite neubearbeitete Ausgabe, hrsg. von Ludwig Finscher, 29 vols. (Kassel/Stuttgart, 1994–2008) |
| MQ | The Musical Quarterly |
| NASS | Nassarre. Revista aragonesa de musicología |
| New Grove | The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie, 20 vols. (London, 1980) |
| New Grove2 | The New Grove Dictionary of Music and Musicians, Second Edition, ed. Stanley Sadie, 29 vols. (London, 2001) |
| RdM | Revista de musicología |
| RIDM | Rivista italiana di musicologia |
| RISM | Répertoire International des Sources Musicales: B/I: Récueils Imprimés XVIe–XVIIe siècles (Munich/Duisburg, 1960) |
| RMl | Revue de musicologie |
| RRMR | Recent Researches in the Music of the Renaissance |
| VD 16 | Verzeichnis der im deutschen Sprachbereich erschienenen Drucke des 16. Jahrhunderts (www.vd16.de) |
| VD 17 | Verzeichnis der im deutschen Sprachraum erschienenen Drucke des 17. Jahrhunderts (www.vd17.de) |
| vdm | Verzeichnis deutscher Musikfrühdrucke (www.vdm16.sbg.ac.at) |
