Philological Approaches to Electroacoustic Music
Reinhold Friedl, Thomas Grill, Nikolaus Urbanek, Michelle Ziegler (eds.)
Introduction
Reinhold Friedl, Thomas Grill, Nikolaus Urbanek and Michelle Ziegler
Writing Electroacoustic Music: Xenakis’s Œuvre as a Theoretical Challenge
Nikolaus Urbanek
Archives, Sources, Persons and Personae in the Art of Electronic Sounds
Laura Zattra
Sketching on Paper and Tape: Creative Practices of Early Tape Music
Michelle Ziegler
Synchronising Different Temporalities: A Challenge of Writing in Musique Mixte from 1958 to 1960
Elena Minetti
Common Sonic Entities in the Electroacoustic and Orchestral Music of Iannis Xenakis
James Harley
Spatial Treatment of Sound in the Polytope de Cluny
Pierre Carré and François Delécluse
Orchestrating Noise: Traces of Mycènes alpha in Anémoessa
Marko Slavíček
Sonic Otherness. Traces of Traditional Musics in Xenakis’s Electroacoustic Œuvre
Reinhold Friedl
The Voice of the UPIC: Technology as Utterance
Peter Nelson
La légende de Xenakis
Curtis Roads
Why Did I Decide to Erase all Production Tapes of my Musique Concrète Except for the Final Compositions? A Clarification
Michel Chion
Xenakis: Back to the Roots. A Conversation with Nikolaus Urbanek and Michelle Ziegler
Jan Brocza, Reinhold Friedl, Thomas Grill, Katharina Klement, Christian Tschinkel and Anatol Wetzer
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This publication received financial support from the Open Access Fund of mdw – University of Music and Performing Arts Vienna.
