Current societal transitions are reshaping the collective and individual aspects of
musical practices. The interconnectedness of global actors has fostered the emergence
of new collectives and reconfigured conventional understandings of identities.
Meanwhile, the ubiquity of the digital has made the creation and consumption of music
an increasingly individual and fragmented experience. Drawing on interdisciplinary
perspectives, this series contributes to a contemporary diagnosis of musical matters
at the intersection of materialities, practices, and knowings.

You can find the detailed programme here. For further information and abstracts see this link.