{"id":105,"date":"2020-07-22T14:48:33","date_gmt":"2020-07-22T12:48:33","guid":{"rendered":"https:\/\/togethernessinensembleperformance.wordpress.com\/?page_id=105"},"modified":"2024-01-11T08:33:45","modified_gmt":"2024-01-11T08:33:45","slug":"publications","status":"publish","type":"page","link":"https:\/\/mdw.ac.at\/togetherness\/publications\/","title":{"rendered":"Scientific Publications"},"content":{"rendered":"\n
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This project is situated at the intersection of performance science, music technology, and social psychology research.<\/p>\n<\/div>\n\n\n\n

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Recent publications from members of our team:<\/h6>\n\n\n\n

2023<\/strong><\/p>\n\n\n\n

Bishop, L.<\/strong>, H\u00f8ffding, S., Lartillot, O., & Laeng, B. (2023). Mental effort and expressive interaction in expert and student string quartet performance. Music & Science<\/em>, 6<\/em>. https:\/\/doi.org\/10.1177\/20592043231208000<\/a>.<\/p>\n\n\n\n

D\u2019Amario, S.<\/strong>, Schmidbauer, H., Roesch, A., <\/em>Goebl, W., Niemand, A.<\/strong> & Bishop, L.<\/strong> (2023). Interperformer coordination in piano-singing duo performances: phrase structure and empathy impact. Psychological Research<\/em>, 87<\/em>, 2559\u20132582. https:\/\/doi.org\/10.1007\/s00426-023-01818-8<\/a><\/p>\n\n\n\n

D\u2019Amario, S.<\/strong>, Ternstr\u00f6m, S., Goebl, W.<\/strong>, & Bishop, L.<\/strong> (2023). Body motion of choral singers. Frontiers in Psychology<\/em>, 14<\/em>, 1220904. https:\/\/doi.org\/10.3389\/fpsyg.2023.1220904<\/a>.<\/p>\n\n\n\n

D\u2019Amario, S.<\/strong>, Ternstr\u00f6m, S., Goebl, W.<\/strong>, & Bishop, L.<\/strong> (2023). Impact of singing togetherness and task complexity on choristers\u2019 body motion. In Sound and Music Computing Conference<\/em> (pp. 146\u2013150). https:\/\/smcnetwork.org\/smc2023\/SMAC_2023_All_papers.pdf<\/a><\/p>\n\n\n\n

Goebl, W.<\/strong>, & Bishop, L.<\/strong> (2023). Joint shaping of musical time. In C. W\u00f6llner & J. London (Eds.), Performing time: Synchrony and temporal flow in music and dance <\/em>(pp. 179\u2013196). Oxford University Press. https:\/\/global.oup.com\/academic\/product\/performing-time-9780192896254<\/a>.<\/p>\n\n\n\n

Smetana, M., Bishop, L.<\/strong>, & Stepniczka, I. (2023). Interfaces of dialogue: A mixed methods approach to investigating intersubjectivity in dyadic improvisations. Music & Science<\/em>, 6<\/em>. https:\/\/doi.org\/10.1177\/20592043231203807<\/a>.<\/p>\n\n\n\n

Bishop, L. <\/strong>(2023). Focus of attention affects togetherness experiences and body interactivity in piano duos. Psychology of Aesthetics, Creativity, and the Arts. https:\/\/doi.org\/10.1037\/aca0000555<\/a><\/p>\n\n\n\n

2022<\/strong><\/p>\n\n\n\n

Bishop, L.<\/strong>, & Keller, P. E. (2022). Instrumental ensembles. In The Oxford Handbook of Music Performance, Volume 2<\/em>. Oxford University Press. https:\/\/doi.org\/10.1093\/oxfordhb\/9780190058869.013.21<\/a>.<\/p>\n\n\n\n

D’Amario, S.<\/strong>, Goebl, W.<\/strong> & Bishop, L.<\/strong> (2022). Judgment of togetherness in performances by musical duos. Frontiers in Psychology, <\/em>13, 997752. https:\/\/doi.org\/10.3389\/fpsyg.2022.997752<\/a><\/p>\n\n\n\n

Krzyzaniak, M., & Bishop, L.<\/strong> (2022). Professor Plucky: Expressive body movement in human\u2013robot musical ensembles. Proceedings of the 8th International Conference on Movement and Computing<\/em>, 1\u20138. https:\/\/doi.org\/10.1145\/3537972.3537983<\/a>.<\/p>\n\n\n\n

Smetana, M. Stepniczka, I., and Bishop, L.<\/strong> (2022). COME_IN: A qualitative framework for content, meanings and intersubjectivity in free dyadic improvisations.\u00a0\u00a0Nordic Journal of Music Therapy<\/em>. https:\/\/doi.org\/10.1080\/08098131.2022.2084638<\/a><\/p>\n\n\n\n

2021<\/strong><\/p>\n\n\n\n

Bishop, L<\/strong><\/strong>., Cancino-Chac\u00f3n, C. E. & Goebl, W.<\/strong> (2021). Beyond synchronization: Body gestures and gaze direction in duo performance, in R. Timmers, F. Bailes, & H. Daffern (Eds.), Together in Music: Coordination, expression, participation (182\u2013190), Oxford University Press. https:\/\/doi.org\/10.1093\/oso\/9780198860761.003.0023<\/a><\/p>\n\n\n\n

D’Amario, S.<\/strong> & Bailes, F. (2021). Ensemble timing and synchronization, in R. Timmers, F. Bailes, & H. Daffern (Eds.), Together in Music: Coordination, expression, participation (139\u2013147), Oxford University Press. https:\/\/doi.org\/10.1093\/oso\/9780198860761.003.0017<\/a>.<\/p>\n\n\n\n

Daffern, H. <\/strong>& D’Amario, S.<\/strong> (2021). Understanding expressive ensemble singing through acoustics, in R. Timmers, F. Bailes, & H. Daffern (Eds.), Together in Music: Coordination, expression, participation (129\u2013138), Oxford University Press. https:\/\/doi.org\/10.1093\/oso\/9780198860761.003.0016<\/a>.<\/p>\n\n\n\n

Bishop, L.<\/strong>, Gonz\u00e1lez S\u00e1nchez, V., Laeng, B., Jensenius, A. R., & H\u00f8ffding, S. (2021). Move like everyone is watching: Social context affects head motion and gaze in string quartet performance. Journal of New Music Research<\/em>, 50<\/em>(4), 392\u2013412. https:\/\/doi.org\/10.1080\/09298215.2021.1977338<\/a>. <\/p>\n\n\n\n

Bishop, L.<\/strong>, Jensenius, A. R., & Laeng, B. (2021). Musical and bodily predictors of mental effort in string quartet music: An ecological pupillometry study of performers and listeners. Frontiers in Psychology<\/em>, 12<\/em>, 653021. https:\/\/doi.org\/10.3389\/fpsyg.2021.653021<\/a>.<\/p>\n\n\n\n

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