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Elisabeth Reisinger

Posts By Elisabeth Reisinger

Early Stage Researchers: Performers as Commissioners of New Music

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It all began a few years ago with a clarinet concerto by the American composer Aaron Copland (1900–1990). My eye was caught by the words at the very top of the page: “For Benny Goodman”. Was Copland friends with the swing icon? Did they work together? Or did the composer simply admire Goodman (1909–1986) as a musician?