Ever since he was very little, Paul Müller has been fascinated by singing and by theatre. And to this day, the Austrian-Swiss unites these two passions—winning over audiences when he takes the stage as a singer and actor and demonstrating his pedagogical prowess as a school textbook author and secondary school teacher as well as in his position as a senior artist for voice-related subjects at the Max Reinhardt Seminar and lecturer at the Antonio Salieri Department.

Three performance programme graduates, one idea: it was in 2023 that Manuel Egger, Magdalena Pramhaas, and Sabrina Reheis-Rainer joined forces to found the wienerwald festival [Vienna Woods Festival], a series of events that unite music with nature in unique concert formats at interesting locations.

17 August of this year witnessed the 21st edition of Eurovision Young Musicians—the renowned competition for young classical musicians put on by the European Broadcasting Union (EBU)—in Bodø, a European Capital of Culture in 2024. Leonhard Baumgartner, age 17, claimed victory for Austria with his outstanding performance of Henri Vieuxtemps’ Violin Concerto No. 5 in A Minor.

Alexandra Althoff, dramaturge and former artistic director of the Burgtheater, assumed leadership of the mdw’s Max Reinhardt Seminar on 1 March 2024. She and Steffen Jäger, who serves as her deputy head, speak about these new responsibilities, the challenges and planned emphases during their term in office.

It was a student job with concert organiser Jeunesse that laid the cornerstone of her passion for music mediation work with children and adolescents—and today, this mdw alumna is responsible for education as part of the Concert Planning & Administration staff at the Wiener Konzerthaus. At the moment, she’s busy organising the final event of KlangBildKlang together with her alma mater.

Be it remote learning, hybrid instruction, live streaming, the recording of in connection with artistic diploma exams, or live sound at concerts: over the past ten years, the mdw’s Audio-Video Center (or AV Center for short) has become an essential part of our institution’s everyday life.

Art and science are two areas that have fascinated Haruki Noda ever since his childhood years, which included a huge dose of the natural sciences and an early musical start in the form of guitar lessons. It’s precisely this duality that one can so keenly sense in his present-day work as a composer, multimedia and performance artist, and musicologist.

Since October of last year, a new leading team has been at the helm of the Leonard Bernstein Department of Wind and Percussion Instruments. Michael Pircher, Michaela Reingruber, and Martin Mühlfellner speak about ongoing projects, the style of teamwork they’ve developed, and the goals they’ve set themselves for the coming four years.

Since last autumn, higher education didactics expert Caroline Ebel has been responsible for working with the studies commissions on the development of teaching at our institution as well as for the advising, coaching, and professional development of faculty. In the following conversation with mdw Magazine, Ebel provides an initial impression of how her work has been progressing.

It was in 2020 that mdw alumna Josipa Bainac-Hausknecht first worked at the Exilarte Center for Banned Music. The topic of music in exile, still as current as ever, occupies an important place in this Croatia native’s academic and artistic doings.