Drama

Drama

On the Road with the Graduating Class

For several years, now, the Standing Conference on Actors’ Training (Ständige Konferenz Schauspielausbildung – SKS) has been organising central auditions for the German-speaking region’s acting schools. At these events, students from the current year’s graduating classes present themselves to specialist audiences with an eye to landing engagements at the region’s various theatres. In the following, students from the graduating class of 2022 provide us with some impressions of their whirlwind trip to Neuss, Berlin, and Munich for the graduate auditions known as the Absolvent_innen-Vorspiele.

Drama

EINSITZEN with Ferdinand Schmalz

“EINSITZEN – Conversations about Setting and Reflecting upon Contemporary Dramaturgies and their Residues” is an open discussion format, subject to the whims of the moment, that is organised as part of the mdw’s MAS programme Applied Dramaturgy in Music and Performing Arts. At irregular intervals, this series will bring before the microphone guests who hail from theatre, the fine arts, literature, philosophy, music, and other realms of life.

Drama

“And now we have to put ourselves out there”

He does ask himself whether his story will really be of that much interest, says Enzo Brumm right at the beginning of our conversation. 25-year-old Brumm is an acting student in his fourth and final year of study at the Max Reinhardt seminar. As a teenager, he was in the youth club at the Ernst Deutsch-Theater in Hamburg, and he’s now returning there for a production—as a full-fledged actor in a production of Don Carlos.

Drama

Alumnus in Focus: Zeno Stanek

It all began with founding the ensemble Theater Brauhaus in Litschau, which gave students the chance to perform theatrically during the Max Reinhardt Seminar’s summer break. Since then, the northern part of the Waldviertel region has become known for its “Theaterfestival HIN & WEG” and even features its own “theatre village”.

Drama

Enthusiasm for the Text

During the past academic year, two productions at the Max Reinhardt Seminar—both of which had to be premièred without a live audience—were devoted to works by Thomas Bernhard and Gert Jonke, respectively.

Drama

Sparkling And Hoping

Stage director Wojtek Klemm has joined forces with third-year acting students of the Max Reinhardt Seminar to develop a play about showbusiness itself. Killing of Silent Hopes casts its gaze on the trials and tribulations of life as an actor/actress.

Drama

The Pandemic’s Impact on Aspiring Actors

4th-year Max Reinhardt Seminar students Johanna Mahaffy and Anton Widauer are fast approaching graduation. But the ongoing pandemic means huge challenges in terms of training and job-hunting.

Drama

To Form a Strong Ensemble

Friderikke-Maria Hörbe has been a professor of ensemble work and role development at the Max Reinhardt Seminar since March 2020. She recently spoke with mdw Magazine about her teaching work and about how she came to acting.

Drama

Pride and Prejudice* (*sort of)

Jane Austen and karaoke – an unusual combination? Indeed. And an extremely compelling one, at that. With Pride and Prejudice* (*sort of) [German title: Stolz und Vorurteil* (*oder so) ], British author Isobel McArthur recently created a refreshing adaptation of Jane Austen’s world-famous novel for the stage in which five women give their all.

On the Road with the Graduating Class

EINSITZEN with Ferdinand Schmalz

“And now we have to put ourselves out there”

Alumnus in Focus: Zeno Stanek

Enthusiasm for the Text

Sparkling And Hoping

The Pandemic’s Impact on Aspiring Actors

To Form a Strong Ensemble

Pride and Prejudice* (*sort of)

Read more

“Theatre without an audience just isn’t theatre”