It will soon be two decades that the annual flute concert of the Werner Tripp Memorial Fund, whose latest edition was on 14 October, has been taking place at the mdw.

Regarding the current debate around abusive behaviour at cultural institutions and arts universities, mdw Magazine spoke with Rector Ulrike Sych, Vice Rector Gerda Müller, and student representative Naomi Luther.

At this year’s 32nd edition of isa, whose motto “Always anew” invited participants to place the positive power of creativity and the motivation to start over and reinvent oneself at the centre of their artistic work and reflection, Israeli pianist Yuval Shmila was among the students. Yuval allowed mdw Magazine to spend an entire day accompanying her.

A violin suspended in mid-air next to an indoor swimming pool, another producing delicate sounds as if by itself: it was with such unusual impressions that HannaH Walter’s lecture-performance “becoming vyborg. becoming with technology” ushered in the second day of isaScience 2022, aptly fusing essential aspects of this interdisciplinary, hybrid humanities conference with the theme of “Un/Learning: Norms and Routines in Cultural Practices” in Reichenau an der Rax.

At the beginning of the 2022/23 winter semester, the Dolby-certified Arthouse Cinema on the Future Art Lab’s ground floor finally opened its doors to the general public for the first time.

From 17 to 25 September of this year, the Fritz Kreisler Violin Competition took place in cooperation with the mdw. This was the tenth time that it had been held.

Perhaps your transition out of active professional life at the mdw was many years back, or you’ve just recently retired. But whatever the case, you still reminisce about your active working life. Many of us would like to remain in contact with the mdw as well as with former colleagues—and this inspired us to launch a project that includes regular get-togethers at the University.

In the series “What do the arts have to do with the Earth’s climate?”, the “Green mdw” initiative is inviting concerned individuals to speak out on their personal approaches to this issue. Maria Happel, born in Spessart, Germany in 1962, joined the ensemble of the Burgtheater in Vienna following engagements in Cologne, Hannover, and Bremen between 1991 and 1999.