It all began a few years ago with a clarinet concerto by the American composer Aaron Copland (1900–1990). My eye was caught by the words at the very top of the page: “For Benny Goodman”. Was Copland friends with the swing icon? Did they work together? Or did the composer simply admire Goodman (1909–1986) as a musician?

Since 2023, the mdw has been honouring outstanding papers of these types that pertain to music and the performing arts at large with the “mdw young research award (myra)”. Alongside providing some public recognition for these frequently ambitious papers, the point is to strengthen the connections between our university and schools as well as to lend visibility to disciplines and questions concerning music and other performing arts that interest young people and are also focuses of work at the mdw.

The fact that Helmut Lachenmann now occupies an outstanding position in the contemporary music scene is owed not just to his compositions but also to the efficacy of his writings, which have stimulated the production of a considerable number of texts referring thereto.

In the new research column “Early Stage Researchers”, up-and-coming academics at the mdw offer glimpses into their intriguing and wide-ranging research activities.

How do art and sound enter into dialogue with each other in the public realm? As part of KlangBildKlang, the three-day spring school “Sonic Dialogues: Intersections of Art and Sound in Public Spaces” offered a forum for early-stage researchers to explore precisely this question.

Ever since its establishment in 2021, mdwPress—our university’s own open-access academic publisher—has been working to make research at the mdw both more visible and openly accessible. An advisory board comprised of outstanding researchers and scholars from within and outside the mdw both guarantees academic independence and assures publication quality.

The infrastructure research project Applied/Experimental Sound Research Laboratory (ÆSR Lab) (2023–2026) is a collaborative effort of the University of Applied Arts, the mdw (Artistic Research Center and Department of Composition Studies and Music Production), and the Phonogrammarchiv of the Austrian Academy of Sciences. This project embodies an initiative to develop a mobile and modular sound research lab.

The November 2023 release Handbuch Musikvermittlung [Music Mediation Handbook] has not only met but also far exceeded all expectations. Editors along with their 57 co-authors from the music mediation community and adjacent fields, succeed here in sketching out the contours of music mediation in all of its dimensions, colours, and nuances across this handbook’s easily digestible chapters.

“Amenca ketane” is a maxim of the Roma movement in Austria and means “collectively, together”. The MMRC Lecture on 16 November 2023 at the mdw’s Joseph Haydn-Saal took these Romanes words as a motto under which to address the history of this people’s traumas and their use of music to overcome them: amenca ketane. Histories of Trauma, Music and Romani Empowerment.