In everyday life, notions of supposed “parallel worlds” and “parallel societies”, of imagined social niches and bubbles that are (supposedly) moving apart and frequently considered irreconcilable, are widespread. In the realm of popular music practice (in general) and in popular music studies (in particular), such constructions can also be observed on the most varied levels
The outcomes of the artistic research project Creative (Mis-)Understandings: Methodologies of Inspiration, led by Johannes Kretz and Wei-Ya Lin and sponsored by the Austrian Science Fund (PEEK-FWF), were presented to a broader public at the Weltmuseum Wien on 20 May and at the Magyar Zene Háza (House of Hungarian Music) on 23 May.
Iva Zabkar composed her very first works back when she was a school student—and she’s since succeeded in turning her passion into her profession, having now spent 16 years composing for films and other media while also working as a sound designer.
It all came together in September: “Mythos Mozart”, a brand-new multimedia experience covering 1,500 square metres beneath the Steffl department store that invites visitors to immerse themselves in Mozart’s world, officially opened its doors to the public.
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