The Voice As a Seismograph of the Soul
Lead Voice and Speech at the Max Reinhardt Seminar
Unexcelled Authenticity: Children in Film
Three Young Filmmakers Tell Us About Filmmaking with Children.
A Day at the Max Reinhardt Seminar
Shortly before Christmas, third-year student Maren-Sophia Streich gave us some insight into an acting student’s typical day.
A body is a brain, boom tschak! Remix the brain, boom tschak!
Bodywork, which consists of basic training, performance techniques, dance, and more, is an important part of Max Reinhardt Seminar students’ training.
Between the Collective and Solitude
Students and graduates of the Max Reinhardt Seminar's stage directing programme joined mdw Magazine to talk about their experiences, current projects, and wishes for the future
Interview with Mel Churcher
About the significance of film and on-camera training, the transformed world in which actors now work, and what she thinks of Austrian film.
“Not dissimulation is the actor’s task but revelation.”
This statement is every bit as valid now as it was back
when Max Reinhardt first made it.
This world surely won’t be around for long…
Plays with songs in them have a long tradition, especially in Vienna. Today’s theatrical world is demanding better and better singing skills from actors.
“In Theatre, You Can’t Afford to Be a Hermit”
Beverly Blankenship explains why you need thick skin to work as a director and how rehearsals run in an international ensemble.
Like living another life for a short while
Josephine Bloéb and Meo Wulf, both recently graduated
from the Max Reinhardt Seminar, are building
their onstage careers with lots of energy and selfconfidence.
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