Bibliographischer Nachweis der mdw

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Treffer: 30

  • Wesolowski, Brian C.; Hofmann, Alex: There’s More to Groove than Bass in Electronic Dance Music: Why Some People Won’t Dance to Techno. In: Public Library of Science (PLOS ONE) 11. H. 10, S. 1-23 [online verfügbar: http://dx.doi.org/10.1371/journal.pone.0163938].
  • Till, Bovermann; Almut, Schilling; Grill, Thomas; Tobias, Leibetseder: voicings of an auralist. In: Huber, Annegret; Ingrisch, Doris; Kaufmann, Therese; Kretz, Johannes; Schröder, Gesine; Zembylas,Tasos (Hg.): Knowing in Performing. Artistic Research in Music and the Performing Arts. Bielefeld: Transcript 2021, S. 89-110.
  • Plessas, Peter: Transformed Sound as Personal Construct. In: Organised sound 22 (2017). H. 3, S. 345-353 [online verfügbar: http://dx.doi.org/10.1017/S1355771817000504].
  • McCartney, Adam; Grill, Thomas: he effects of binary erosion on music composition expressed as a notated score. In: Torre, Giuseppe (Hg.): Proceedings of the ICMC. San Francisco, USA: International Computer Music Association, Inc 2022, S. 200-205 [online verfügbar: https://www.fulcrum.org/epubs/8910jx22c?page=212].
  • Leibetseder, Tobias; Grill, Thomas: Fragments in Time. In: VIS Nordic Journal for Artistic Research 7 (2022), S. 0-0 [online verfügbar: https://www.en.visjournal.nu/fragments-in-time/].
  • Kretz, Johannes: Formalisierung kompositorischer Vorgänge mittels Computer Aided Composition, ein exemplarisches Beispiel künstlerischer Forschung? In: Hasitschka, Werner (Hg.): Performing Translation. Schnittstellen zwischen Kunst, Pädagogik und Wissenschaft. Wien: Löcker 2014, S. 368-391.
  • Kretz, Johannes; Lin, Wei-Ya: Creative (Mis)understandings: A Methodology of Inspiration. In: Huber, Annegret; Ingrisch, Doris; Kaufmann, Therese; Kretz, Johannes; Schröder, Gesine; Zembylas,Tasos (Hg.): Knowing in Performing. Artistic Research in Music and the Performing Arts. Bielefeld: Transcript 2021, S. 111-130.
  • Ivony, Marcell Milan: C. Wien: No Cat. Records 2022. [online verfügbar: https://distrokid.com/hyperfollow/johnnymarcel/nights-under-...].
  • Hofmann, Alex: Tight-Interlocked Oscillators. Auf: “Drop The Beat”. (EDITION DEGEM Vol. 16). Germany: EDITION DEGEM 2018. [CD].
  • Hofmann, Alex: (als Hofmann/Rofalski). Nd2Fe14B. Auf: "Seltene Erden". (Edition Degem Vol. 12). Köln: Deutsche Gesellschaft für Elektroakustische Musik 2014. [CD].
  • Hofmann, Alex; Waerstad, Bernt; Koch, Kristoffer: Csound Instruments On Stage. In: Brown, Andrew (Hg.): Proceedings of the NIME 2016. NIME 2016. Brisbane: Griffith University 2016, S. 291-294 [online verfügbar: http://www.nime.org/archives/].
  • Hofmann, Alex; Waerstad, Bernt; Koch, Kristoffer; Balasubramanian, Saranya: From interface design to the software instrument - Mapping as an approach to FX-instrument building. In: Jensenius, Alexander Refsum (Hg.): Proceedings of the NIME 2017. New Interfaces for Musical Expression. Copenhagen: New Interfaces for Musical Expression 2017, S. 133-138 [online verfügbar: nime.org].
  • Hofmann, Alex; Schmutzhard, Sebastian; Pamies Vila, Montserrat; Erdogan, Goekberg; Chatziioannou, Vasileios: An opcode implementation of a finite difference viscothermal time-domain model of a tube resonator for wind instrument simulations. In: Petrolati, Alessandro; Di Furia, Anthony (Hg.): Proceedings of the Fifth International Csound Conference. Cagli: Theater Academy of Cagli 2019, S. 109-115.
  • Hofmann, Alex; Chatziioannou, Vasileios; Schmutzhard, Sebastian; Erdogan, Goekberg; Mayer, Alexander: The Half-Physler: An oscillating real-time interface to a tube resonator model. In: Sedó, Anna; Queiroz, Marcelo (Hg.): Proceedings of the International Conference on New Interfaces for Musical Expression (NIME) 2019. Porto Allegre: Federal University of Rio Grande do Sul 2019, S. 130-133.
  • Hofmann, Alex; Chatziioannou, Vasileios; Mayer, Alexander; Hartmann, Harry: Development of Fibre Polymer Sensor Reeds for Saxophone and Clarinet. In: Brown, Andrew (Hg.): Proceedings of the NIME 2016. NIME 2016. Brisbane: Griffith University 2016, S. 291-294 [online verfügbar: http://www.nime.org/archives/].
  • Grill, Thomas: Hubness as a case of technical algorithmic bias in music recommendation. In: ICDM, Singapore (Hg.): Proceedings of ICDM Workshop on High Dimensional Data Mining (HDM’18). Singapore: - 2018, S. 0-0.
  • Grill, Thomas: Embracing the Temporal Deterioration of Digital Audio: A Manifesto. In: EVA, Copenhagen (Hg.): EVA Copenhagen 2018 - Politics of the Machines - Art and After. Copenhagen, Denmark: ewic 2018, S. 0-0 [online verfügbar: https://dx.doi.org/10.14236/ewic/EVAC18.22].
  • Grill, Thomas; Bovermann, Till; Schilling, Almut: Rotting Sounds – Artistic Research Practice in Experimental Sound Art. In: Zeitschrift der Gesellschaft für Musiktheorie 19 (2022). H. 2, S. 103-118 [online verfügbar: https://doi.org/10.31751/1174].
  • Gal, Bernhard: HÖRORTE | KLANGRÄUME. Eine transdisziplinäre Topografie installativer Klangkunst. (sinefonia DIGITAL 3). Hofheim: wolke 2023. [online verfügbar: https://www.wolke-verlag.de/wp-content/uploads/2023/01/sd03_...].
  • Evangelista, Gianpaolo: Time Warping in Digital Audio Effects. In: Ferreira, Annibal (Hg.): Proceedings of the 21-st Digital Audio Effects (DAFx-18). DAFx-18 Conference. Aveiro, Portugal: DAFx 2018, S. 149-156 [online verfügbar: http://dafx2018.web.ua.pt/papers/DAFx18_Proceedings_Final.pd...].
  • Evangelista, Gianpaolo: Some perspectives in the artistic rendering of music scores. In: Evangelista, Gianpaolo (Hg.): Proceedings of International Computer Music Conference (ICMC) joint with the Sound & Music Computing conference (SMC), ICMC-SMC 2014. Athens: University of Athens 2014, S. 1-8 [online verfügbar: http://icmc14-smc14.net/index.php?option=com_content&view=ar...].
  • Evangelista, Gianpaolo: Redressing Warped Wavelets and Other Similar Warped Time-Something Representations. In: Bilbao, Stefan (Hg.): Proceedings of the 20-th Digital Audio Effects (DAFx-17). Edinburgh, U.K.: DAFx 2017, S. 260-267 [online verfügbar: http://www.dafx17.eca.ed.ac.uk/papers/DAFx17_paper_65.pdf].
  • Evangelista, Gianpaolo: Approximations for online computation of redresses frequency warped vocoders. In: Evangelista, Gianpaolo (Hg.): Proceedings of Digital Audio Effects Conference (DAFx-14). Erlangen: DAFx 2014, S. 1-7 [online verfügbar: http://www.dafx14.fau.de/papers/dafx14_gianpaolo_evangelista...].
  • Evangelista, Gianpaolo (Hg.): Special Issue on New Trends in Audio Effects. (Journal of the Audio Engineering Society (JAES 70). New York: AES 2022. [online verfügbar: https://www.aes.org/journal/online/JAES_V70/9/].
  • Evangelista, Gianpaolo (Hg.): Special Issue on Advancements in Digital Audio Effects. (Journal of the Audio Engineering Society (JAES 69). New York: AES 2021. [online verfügbar: https://www.aes.org/journal/online/JAES_V69/7_8/].
  • Evangelista, Gianpaolo (Hg.): Proceedings of the 25-th International Conference on Digital Audio Effects. Wien: im Eigenverlag 2022.
  • Evangelista, Gianpaolo (Hg.): Proceedings of the 24-th International Conference on Digital Audio Effects DAFx-21 (DAFx20in21). Wien: DAFx 2021 [online verfügbar: https://dafx2020.mdw.ac.at/proceedings/DAFx20in21Proceedings...].
  • Dörfler, Monika; Grill, Thomas; Bammer, Roswitha; Flexer, Arthur: Basic filters for convolutional neural networks applied to music: Training or design? In: Neural Computing and Applications (2018), S. 1-14 [online verfügbar: https://link.springer.com/article/10.1007/s00521-018-3704-x].
  • Diegert, Joel; Artacho, Adrian: Aubiome: A Collaborative Method for the Production of Interactive Electronic Music. In: JAR Journal for Artistic Research (2021) H. 25, S. 0-0.
  • Chatziioannou, Vasileios; Schmutzhard, Sebastian; Hofmann, Alex: A real-time physical model to simulate player control in woodwind instruments. In: ISMA19, Detmold (Hg.): Proceedings of the International Symposium on Musical Acoustics. Berlin: German Acoustical Society (DEGA) 2019, S. 1-5.