Bibliographischer Nachweis der mdw

Sortierung:   ↓ Titel AutorIn
Treffer: 16

  • Chatziioannou, Vasileios; Schmutzhard, Sebastian; Hofmann, Alex: A real-time physical model to simulate player control in woodwind instruments. In: ISMA19, Detmold (Hg.): Proceedings of the International Symposium on Musical Acoustics. Berlin: German Acoustical Society (DEGA) 2019, S. 1-5.
  • Hofmann, Alex; Schmutzhard, Sebastian; Pamies Vila, Montserrat; Erdogan, Goekberg; Chatziioannou, Vasileios: An opcode implementation of a finite difference viscothermal time-domain model of a tube resonator for wind instrument simulations. In: Petrolati, Alessandro; Di Furia, Anthony (Hg.): Proceedings of the Fifth International Csound Conference. Cagli: Theater Academy of Cagli 2019, S. 109-115.
  • Evangelista, Gianpaolo: Approximations for online computation of redresses frequency warped vocoders. In: Evangelista, Gianpaolo (Hg.): Proceedings of Digital Audio Effects Conference (DAFx-14). Erlangen: DAFx 2014, S. 1-7 [online verfügbar: http://www.dafx14.fau.de/papers/dafx14_gianpaolo_evangelista...].
  • Kretz, Johannes; Lin, Wei-Ya: Creative (Mis)understandings: A Methodology of Inspiration. In: Huber, Annegret; Ingrisch, Doris; Kaufmann, Therese; Kretz, Johannes; Schröder, Gesine; Zembylas,Tasos (Hg.): Knowing in Performing. Artistic Research in Music and the Performing Arts. Bielefeld: Transcript 2021, S. 111-130.
  • Hofmann, Alex; Waerstad, Bernt; Koch, Kristoffer: Csound Instruments On Stage. In: Brown, Andrew (Hg.): Proceedings of the NIME 2016. NIME 2016. Brisbane: Griffith University 2016, S. 291-294 [online verfügbar: http://www.nime.org/archives/].
  • Hofmann, Alex; Chatziioannou, Vasileios; Mayer, Alexander; Hartmann, Harry: Development of Fibre Polymer Sensor Reeds for Saxophone and Clarinet. In: Brown, Andrew (Hg.): Proceedings of the NIME 2016. NIME 2016. Brisbane: Griffith University 2016, S. 291-294 [online verfügbar: http://www.nime.org/archives/].
  • Grill, Thomas: Embracing the Temporal Deterioration of Digital Audio: A Manifesto. In: EVA, Copenhagen (Hg.): EVA Copenhagen 2018 - Politics of the Machines - Art and After. Copenhagen, Denmark: ewic 2018, S. 0-0 [online verfügbar: https://dx.doi.org/10.14236/ewic/EVAC18.22].
  • Kretz, Johannes: Formalisierung kompositorischer Vorgänge mittels Computer Aided Composition, ein exemplarisches Beispiel künstlerischer Forschung? In: Hasitschka, Werner (Hg.): Performing Translation. Schnittstellen zwischen Kunst, Pädagogik und Wissenschaft. Wien: Löcker 2014, S. 368-391.
  • Hofmann, Alex; Waerstad, Bernt; Koch, Kristoffer; Balasubramanian, Saranya: From interface design to the software instrument - Mapping as an approach to FX-instrument building. In: Jensenius, Alexander Refsum (Hg.): Proceedings of the NIME 2017. New Interfaces for Musical Expression. Copenhagen: New Interfaces for Musical Expression 2017, S. 133-138 [online verfügbar: nime.org].
  • McCartney, Adam; Grill, Thomas: he effects of binary erosion on music composition expressed as a notated score. In: Torre, Giuseppe (Hg.): Proceedings of the ICMC. San Francisco, USA: International Computer Music Association, Inc 2022, S. 200-205 [online verfügbar: https://www.fulcrum.org/epubs/8910jx22c?page=212].
  • Grill, Thomas: Hubness as a case of technical algorithmic bias in music recommendation. In: ICDM, Singapore (Hg.): Proceedings of ICDM Workshop on High Dimensional Data Mining (HDM’18). Singapore: - 2018, S. 0-0.
  • Evangelista, Gianpaolo: Redressing Warped Wavelets and Other Similar Warped Time-Something Representations. In: Bilbao, Stefan (Hg.): Proceedings of the 20-th Digital Audio Effects (DAFx-17). Edinburgh, U.K.: DAFx 2017, S. 260-267 [online verfügbar: http://www.dafx17.eca.ed.ac.uk/papers/DAFx17_paper_65.pdf].
  • Evangelista, Gianpaolo: Some perspectives in the artistic rendering of music scores. In: Evangelista, Gianpaolo (Hg.): Proceedings of International Computer Music Conference (ICMC) joint with the Sound & Music Computing conference (SMC), ICMC-SMC 2014. Athens: University of Athens 2014, S. 1-8 [online verfügbar: http://icmc14-smc14.net/index.php?option=com_content&view=ar...].
  • Hofmann, Alex; Chatziioannou, Vasileios; Schmutzhard, Sebastian; Erdogan, Goekberg; Mayer, Alexander: The Half-Physler: An oscillating real-time interface to a tube resonator model. In: Sedó, Anna; Queiroz, Marcelo (Hg.): Proceedings of the International Conference on New Interfaces for Musical Expression (NIME) 2019. Porto Allegre: Federal University of Rio Grande do Sul 2019, S. 130-133.
  • Evangelista, Gianpaolo: Time Warping in Digital Audio Effects. In: Ferreira, Annibal (Hg.): Proceedings of the 21-st Digital Audio Effects (DAFx-18). DAFx-18 Conference. Aveiro, Portugal: DAFx 2018, S. 149-156 [online verfügbar: http://dafx2018.web.ua.pt/papers/DAFx18_Proceedings_Final.pd...].
  • Till, Bovermann; Almut, Schilling; Grill, Thomas; Tobias, Leibetseder: voicings of an auralist. In: Huber, Annegret; Ingrisch, Doris; Kaufmann, Therese; Kretz, Johannes; Schröder, Gesine; Zembylas,Tasos (Hg.): Knowing in Performing. Artistic Research in Music and the Performing Arts. Bielefeld: Transcript 2021, S. 89-110.