Diese Veranstaltung wird per Livestreaming übertragen und findet ohne Publikum statt! Heinrich Iganz Franz Biber (1644 – 1704) Sonata VII in C-Dur, aus Sonatae tam aris quam aulis servientes (Salzburg 1676) Raphael Pouget, Julian Ritsch, Barocktrompete Jenny Lippl, Xitong Wang, Barockvioline Dana Memioglu, Barockgitarre Samuel Krempus, Viola da gamba Johannes Weiss Cembalo […]
Diese Veranstaltung wird per Livestreaming übertragen und findet ohne Publikum statt! Francesco Geminiani (1687 – 1762) Sonata Nr. VI in a-Moll, aus 6 Sonaten für Violoncello op. 5 (Paris 1746) Adagio – Allegro assai & Grave – Allegro – »non tanto« (maggiore) – Allegro Klara Wincor, Violoncello Alexander Nicholls, BC-Violoncello Stefan Gottfried, Cembalo […]
Keynote Lecture and Recital. Catalina Vicens: The Rhetoric of Sweetness: Towards ideals of perception and performance in 16th-century keyboard music.
John Griffiths: Imaginary Interchangeability: notation, keyboards and lutes in the sixteenth century. Domen Marincic: “nach seinem selbst gefallen mit der Mensur wexln”: Varying the Beat in 16th-Century Keyboard Music on Account of Ornamentation and Changing Note-Values
Paweł Gancarczyk/Corina Marti: Traces of the renaissance harpsichord in Poland. Christina Edelen: Beyond Sweelinck: The Sixteenth Century Harpsichord in the Lowlands.
WORKSHOP Nicholas Parle
WORKSHOP CORINA MARTI
Vania dal Maso: On performing Josquin’s chansons on the clavicytherium. Fabio Antonio Falcone: Andrea Antico – Frottole Intabulate Da Sonare Organi Libro Primo
Gwendolyn Toth: Let Me Die: Rhetoric, Poetry and Intabulations on themes of Ovid. Thérèse de Goede: Glossing Cadences and Descanting over a Tenor: Improvising diminution and counterpoint according to Diego Ortiz, Thomas de Sancta Maria and Antonio de Cabezón.
Janie Cole: From Lisbon via Goa to Shewa: Harpsichords, Missionaries and Musical Encounters in late Renaissance Ethiopia Ian Pritchard: Hacking the System: Italian Keyboard Tablature as Observed Through Scribal Habit.