Plenisentient Musicking

Bettina VARWIG

In this talk, Prof. Dr. Bettina Varwig (University of Cambridge) will discuss some of her recent research on early modern modes of music making. In particular, Varwig will propose the idea of plenisentience as a basis for understanding these past musical experiences. Plenisentience posits a model of being-in-the-world in which human sense-making takes place in and through the convergence of all available sensory modalities. This conception resonates with many early modern sources that discuss the effects of musicking on human bodies, souls and spirits in terms of such a synaesthetic encounter with the world. These sources challenge the strong focus on the auditory domain in present-day explanations of music’s affective power and instead invite a mode of performing and listening that engages the human body-soul in all its sensory capacities.

Der Vortrag wird organisiert vom ERC-Projekt GOING VIRAL: Music and Emotions during Pandemics (1679-1919) und findet in Kooperation mit dem Institut für Musikwissenschaft und Interpretationsforschung der mdw statt.

Musikalischer Beitrag mit Lehrenden und Studierende des Instituts für Alte Musik:

Heinrich Iganz Franz von Biber (1644-1704)
aus der Mensa Sonora seu Musica Instrumentalis, 1680: Pars I

Veronica Böhm, Ferdinand Slezak Violine
Johannes Weiss, Viola da Gamba
Kristof Balasz, Violone
Eugène Michelangeli, Cembalo