John Griffiths: Imaginary Interchangeability: notation, keyboards and lutes in the sixteenth century. Domen Marincic: “nach seinem selbst gefallen mit der Mensur wexln”: Varying the Beat in 16th-Century Keyboard Music on Account of Ornamentation and Changing Note-Values
Paweł Gancarczyk/Corina Marti: Traces of the renaissance harpsichord in Poland. Christina Edelen: Beyond Sweelinck: The Sixteenth Century Harpsichord in the Lowlands.
WORKSHOP Nicholas Parle
WORKSHOP CORINA MARTI
Vania dal Maso: On performing Josquin’s chansons on the clavicytherium. Fabio Antonio Falcone: Andrea Antico – Frottole Intabulate Da Sonare Organi Libro Primo
Gwendolyn Toth: Let Me Die: Rhetoric, Poetry and Intabulations on themes of Ovid. Thérèse de Goede: Glossing Cadences and Descanting over a Tenor: Improvising diminution and counterpoint according to Diego Ortiz, Thomas de Sancta Maria and Antonio de Cabezón.
Janie Cole: From Lisbon via Goa to Shewa: Harpsichords, Missionaries and Musical Encounters in late Renaissance Ethiopia Ian Pritchard: Hacking the System: Italian Keyboard Tablature as Observed Through Scribal Habit.
Maria Luisa Baldassari: Le mani di Cecilia: Keyboard players in Italian Renaissance paintings Heidelinde Pollerus: „Aussehen und Ansehen“. Phänomene der Dekoration historischer Tasteninstrumente im 16. Jahrhundert
Andrés Cea Galàn: Antonio de Cabezón at the center of the world: the repertory, the interpretation, the meaning
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