Diese Veranstaltung wird per Livestreaming übertragen und findet ohne Publikum statt! Heinrich Iganz Franz Biber (1644 – 1704) Sonata VII in C-Dur, aus Sonatae tam aris quam aulis servientes (Salzburg 1676) Raphael Pouget, Julian Ritsch, Barocktrompete Jenny Lippl, Xitong Wang, Barockvioline Dana Memioglu, Barockgitarre Samuel Krempus, Viola da gamba Johannes Weiss Cembalo […]
Diese Veranstaltung wird per Livestreaming übertragen und findet ohne Publikum statt! Francesco Geminiani (1687 – 1762) Sonata Nr. VI in a-Moll, aus 6 Sonaten für Violoncello op. 5 (Paris 1746) Adagio – Allegro assai & Grave – Allegro – »non tanto« (maggiore) – Allegro Klara Wincor, Violoncello Alexander Nicholls, BC-Violoncello Stefan Gottfried, Cembalo […]
Symposium, Workshops & Konzerte universum rei harmonicae concentum absolvunt Das Cembalo im 16. Jahrhundert Maria Luisa Baldassari, Andrés Cea Galán, Janie Cole, Vania Dal Maso, Christina Edelen, Fabio Antonio Falcone, Pawel Gancarczyk, Thérèse de Goede, John Griffiths, Domen Marincic, Corina Marti, Nicholas Parle, Heidelinde Pollerus, Ian Pritchard, Gwendolyn Toth, Catalina Vicens Konzept & Organisation: Augusta […]
Keynote Lecture and Recital. Catalina Vicens: The Rhetoric of Sweetness: Towards ideals of perception and performance in 16th-century keyboard music.
John Griffiths: Imaginary Interchangeability: notation, keyboards and lutes in the sixteenth century. Domen Marincic: “nach seinem selbst gefallen mit der Mensur wexln”: Varying the Beat in 16th-Century Keyboard Music on Account of Ornamentation and Changing Note-Values
Paweł Gancarczyk/Corina Marti: Traces of the renaissance harpsichord in Poland. Christina Edelen: Beyond Sweelinck: The Sixteenth Century Harpsichord in the Lowlands.
WORKSHOP Nicholas Parle
WORKSHOP CORINA MARTI
Vania dal Maso: On performing Josquin’s chansons on the clavicytherium. Fabio Antonio Falcone: Andrea Antico – Frottole Intabulate Da Sonare Organi Libro Primo
Gwendolyn Toth: Let Me Die: Rhetoric, Poetry and Intabulations on themes of Ovid. Thérèse de Goede: Glossing Cadences and Descanting over a Tenor: Improvising diminution and counterpoint according to Diego Ortiz, Thomas de Sancta Maria and Antonio de Cabezón.