| Time | Presenter | Presentation |
| 9:00–9:15 | Stefan Gottfried | Introduction: |
| 9:15–9:30 | Clive Brown and
Neal Peres Da Costa |
Welcome |
| 9:30–10:15 | Clive Brown, Anna Fraser, Claire Burrell-McDonald, Anthony Chmiel, Neal Peres Da Costa | Vocalists and Wobblers |
| 10:15–10:45 | Christina Wilson | Belle Époque Vibrato |
| 10:45–11:30 | Kai Köpp | Beautiful Vibrato: Traces of Vocal Undulations in the 18th and 19th Centuries |
| 11:30–12:15 | Christoph Ulrich Meier | Chiaroscuro and Vocal Registration in Historical Recordings |
| 13:00–14:30 | Lunch | |
| 14:30–15:15 | Laura Granero | Bel Canto pour Hortense – A Practical Experimentation |
| 15:15–16:00 | Sebastian Bausch | The Well-Tempered Accompanist – Performance Practice of German Lieder from the Perspective of the Accompanist Coenraad v. Bos |
| 16:00–16:30 | Afternoon Refreshment | |
| 16:30–17:15 | Sophie Gallagher
Benedikt Holter |
Workshop: Haydn “Pastoral Song” annotated by D. Corri |
| 17:15–18:00 | Mhairi Lawson and Elizabeth McCormack | The Songs and Style of Auld Lang Syne: The Shock of an Older Style of Singing in the Editions of Domenico Corri (1746–1825) |
| 18:00–18:45 | Claire Burrell-McDonald, Anna Fraser and Neal Peres Da Costa | Reimagining the Sound World of 18th-Century Singers Using Practice-led and Extrapolative Methods |
| 18:45-19:15 | Break | |
| 19:15 | Mhairi Lawson, Elizabeth McCormack,
Neal Peres Da Costa and Benedikt Holter |
Concert: Songs of Auld Lang Syne |
@ Robert Nevald
