| Time | Presenter | Presentation |
| 9:30–10:15 | Jocelyn Ho and Anna Fraser | Embodying Moreschi’s ‘contemplaif’: A Kinaesthetic, Performer-analyst Collaborative Approach to Early Recording Analysis |
| 10:15–11:00 | Premanjali Kirchner | “Voi che sapete”: Adelina Patti’s Recording in the Context of Mozart’s use of Schemata in Cherubino’s Aria |
| 11:00–11:30 | Morning Refreshment | |
| 11:30–12:15 | Marco Micheletti | Prosodic Anomalies in Italian Recitatives: Mistakes or Conventions? |
| 12:15–13:45 | Lunch | |
| 13:45–14:30 | Alexander Papandrea | The Humming Exercise: Introducing Bel Canto Timbral Aesthetics Through Simplicity |
| 14:30–15:15 | Anna Fraser, Claire Burrell-McDonald, Neal Peres Da Costa, Clive Brown | Johann Anton André’s Lieder und Gesänge: A Didactic Source for Singers and Accompanists |
| 15:15–15:45 | Afternoon Refreshment | |
| 15:45–17:15 | Chair: Ingo Müller
Anna Fraser, Claire Burrell-McDonald, Neal Peres Da Costa |
Workshop Session: Selected settings of Heinrich Heine’s Heimkehr cycle by Johann Vesque von Püttlingen (1851) |
| 17:15 | Break | |
| 19:00 | All Symposium participants are welcome to attend | MDW Klassenabend für Gesang (Semenzato/Schade) in the Festsaal MDW |
@ Robert Nevald
