Abschlusskonzert der Masterclass mit Barthold Kuijken. Joseph Bodin de Boismortier (1689-1755) Concerto à 5 Nr. 4 h-Moll, op. 15/4 Adagio - Allegro - Allegro Gertraud Wimmer, Ching-Yao Wang, Elisabeth Vestemian, Michael Lind & Barthold Kuijken, Traversflöte Sonate en Trio D-Dur, op. 7/1 Gravement – Allemande (Gayment) – Lentement – Gavotte en Rondeau […]
Lorenzo Cavasanti was born in Genoa and is regarded as one of the finest recorder player of the time. After graduating in recorder and baroque transverse flute in Milan, under the guidance of Pedro Memelsdorff and Ezequiel Maria Recondo, he took part in recorder and early music Masterclasses held by Frans Brüggen, Kees Boeke and […]
Sounds & Colours - Different types and sizes of recorders Lorenzo Cavasanti Eintritt frei!
Lorenzo Cavasanti was born in Genoa and is regarded as one of the finest recorder player of the time. After graduating in recorder and baroque transverse flute in Milan, under the guidance of Pedro Memelsdorff and Ezequiel Maria Recondo, he took part in recorder and early music Masterclasses held by Frans Brüggen, Kees Boeke and […]
Werke von A. Stradella, G. A. Pandolfi Mealli, J. H. Schmelzer, A. Caldara, G. B. Vitali, M. Marais, A. D. Philidor, J. M. Hotteterre Lorenzo Cavasanti, Blockflöte und der Mitwirkung von: Carsten Eckert, Blockflöten Ekaterina Likhina, Cembalo Marius Malanetchi, Viola da Gamba Eintritt frei
Lorenzo Cavasanti was born in Genoa and is regarded as one of the finest recorder player of the time. After graduating in recorder and baroque transverse flute in Milan, under the guidance of Pedro Memelsdorff and Ezequiel Maria Recondo, he took part in recorder and early music Masterclasses held by Frans Brüggen, Kees Boeke and […]
Werke von N. Giles, J. S. Bach, J. J. Quantz, G. Ph. Telemann, W. Williams, E. Bozza, G. Müller-Hornbach, K. Stockhausen Mitwirkende: Carsten Eckert, Blockflöte
Ausgehend von der berühmten Kritik von J. A. Scheibe an J. S. Bach sollen anhand von Einzelanalysen spezifisch „bachische“ Aspekte an einzelnen Sätzen aus verschiedenen Kompositionen untersucht werden. Dazu gehöre u.a. die Solosonate für Violine in g-Moll (Adagio), die E-Dur-Flötensonate und der Mittelsatz des Italienischen Konzerts.