PROGRAMM:

 

Gregor Kulla (*2000)^**
“dming” (2026) UA

Valentina Kosch & Theresa Weiß, Blockflöten
Rui Cai, Cembalo

 

Werkbeschreibung:
DM: a private message sent on social media to a specific individual or group.

In my bed, scrolling away on Instagram. The bliss. Everything is turned off except my thumb. I’m consuming. And chatting and reacting. Fact-checking, too, I guess. Sharing posts about tech bros and how the Nordic countries will arrest Netanyahu if he enters the countries. Sent a Reel of Silvia Ilves to my friend. You have to look at her videos. She’s a classical cellist. In another group chat, planning a rehearsal with this very piece. Difficult. Back to watching Reels.

Is there more to social media than labelling it as addictive or as ‚brain rot‘?

During the piece, the audience is welcome to move around to see what the performers are doing and why. If you’re too shy or annoyed to look around, see it as physical social media interaction. Maybe it helps.

 

Dietrich Buxtehude (1637–1707)  
Präludium in g-Moll, BuxW 163

Goetz Bienert, Cembalo

 

Antonio Vivaldi (1678–1741)
Concerto per Violoncello in c-moll, RV 401
Allegro non molto – Adagio – Allegro non molto

Hannah Eberle, Violoncello solo
Ferdinand Slezák, Fiore Despina Streit, Violinen
Jiaqi Xu, Viola
Clemens Maria Fera, Violoncello
Benedikt Holter, Cembalo

 

Carlo Ambrogio Lonati (um 1645–1715)

Sonata II in g-Moll für Violine und B.c.
aus “XII Sonate a violino solo e basso”
(Mailand 1701)
Adagio.Presto.Largo.Presto.Largo – Spiritoso – Sostenuto – Presto – Giga:Vivace

Anna Pederielli, Violine
Hannah Eberle, Violoncello
Tade Theuretzbacher, Cembalo

 

Antonio Vivaldi (1678–1741)
Concerto in Re maggiore per liuto, due violini e basso continuo, RV 93 (arrangiert für 3 Lauten)
Allegro giusto – Largo – Allegro

Kamil Anioł, Leon Ravnikar, Matej Berlot, Laute/Theorbe

 

Heinrich Ignaz Franz Biber (1644–1704)
Sonata Nr. VII in C-Dur
aus “Sonatae tam aris quam aulis servientes” (1676)

Fiore Despina Streit, Ulisse Mazzon, Violinen
Nicholas Campbell, Daniel Nemeth, Naturtrompeten
Filip Igrec, Violoncello
Francesco Condello, Cembalo

 

Soojin Jeon (*1994)^**
“Eine elegante Hölle” (2026) UA

Daniel Wolf, Traversflöte
Tade Theuretzbacher, Cembalo

 

Werkbeschreibung:
Dieses Werk stellt einen prachtvollen Hof geprägt von glänzender Macht und großer Unterdrückung dar, im Hintergrund herrscht tiefe Einsamkeit.

 

Joseph Bodin de Boismortier (1689–1755)
Auszüge aus “Divertissemens de Campagne”, Op. 49
Rigaudon – Sarabande – Tambourin 

Theresa Weiß, Oboe
Amirah Pranzl, Laute

 

Jean-Baptiste Barrière (1707–1747) 
Sonata I in h-Moll
aus “Sonates pour le Violoncelle, avec la Basse Continüe, Premiere Livre” (Paris 1733)
Adagio – Allegro – Adagio.Andante – Allegro  

Julika Hasler, Violoncello solo
Hannah Eberle, Violoncello
Johannes Weiss, Cembalo

 

Gioachino Rossini (1792–1868)
Fantasia per clarinetto e pianoforte (Mailand 1829)

Dayeon Uhm, Klarinette
Megumi Inomata, Hammerklavier

 

Guillaume Dufay (*um 1400–1474)
Vergene bella, che di sol vestita
(Text: Francesco Petrarca)
aus dem “Manuskript Q 15” (Bologna)

Johannes Ciconia (um 1370/75–1412)
Una Panthera
aus dem “Manuskript Mus. Ms. 3065” (Padua)

Tomas Duchoslav, Chia-Yu Lin, Theresa Weiß, Blockflöten

 

Finley Connor Brown (*2005)^**
“Perpetual Agony” (2026) UA

Hannah Eberle, Barockcello
Benedikt Holter, Cembalo

 

Werkbeschreibung:
“And the night of my sadness came, and the sun of my happiness set: there was no light left in my eyes, no sense left in my brain.” – Miguel de Cervantes Saavedra

 

^** Zeitgenössische Kammermusikwerke aus dem Projekt “CEMBALO PLUS”, komponiert von Studierenden des Instituts für Kompositionsstudien, Ton- und Musikproduktion. (Künstlerische Projektbetreuung: Prof. Julia Purgina & Sonja Leipold)

 

Eintritt frei!