Janie Cole: From Lisbon via Goa to Shewa: Harpsichords, Missionaries and Musical Encounters in late Renaissance Ethiopia Ian Pritchard: Hacking the System: Italian Keyboard Tablature as Observed Through Scribal Habit.
Gwendolyn Toth: Let Me Die: Rhetoric, Poetry and Intabulations on themes of Ovid. Thérèse de Goede: Glossing Cadences and Descanting over a Tenor: Improvising diminution and counterpoint according to Diego Ortiz, Thomas de Sancta Maria and Antonio de Cabezón.
Vania dal Maso: On performing Josquin’s chansons on the clavicytherium. Fabio Antonio Falcone: Andrea Antico – Frottole Intabulate Da Sonare Organi Libro Primo
WORKSHOP CORINA MARTI
WORKSHOP Nicholas Parle
Paweł Gancarczyk/Corina Marti: Traces of the renaissance harpsichord in Poland. Christina Edelen: Beyond Sweelinck: The Sixteenth Century Harpsichord in the Lowlands.
John Griffiths: Imaginary Interchangeability: notation, keyboards and lutes in the sixteenth century. Domen Marincic: “nach seinem selbst gefallen mit der Mensur wexln”: Varying the Beat in 16th-Century Keyboard Music on Account of Ornamentation and Changing Note-Values
Keynote Lecture and Recital. Catalina Vicens: The Rhetoric of Sweetness: Towards ideals of perception and performance in 16th-century keyboard music.
Symposium, Workshops & Konzerte universum rei harmonicae concentum absolvunt Das Cembalo im 16. Jahrhundert Maria Luisa Baldassari, Andrés Cea Galán, Janie Cole, Vania Dal Maso, Christina Edelen, Fabio Antonio Falcone, Pawel Gancarczyk, Thérèse de Goede, John Griffiths, Domen Marincic, Corina Marti, Nicholas Parle, Heidelinde Pollerus, Ian Pritchard, Gwendolyn Toth, Catalina Vicens Konzept & Organisation: Augusta […]
Studierende von Prof. Michael Schade